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Pilottone and the related neo-pilotone are special synchronization signals recorded by analog audio recorders designed for use in motion picture production, to keep sound and film recorded on separate media synchronised. Before the adoption of timecode by the motion picture industry, pilotone sync was used in almost all 1/4-inch magnetic double system motion picture sound recording from the late 50s until the late 1980s. Previous to the introduction of 1/4-inch audio tape recordings were made on 35mm optical cameras and then later, with the introduction of magnetic recording, 16mm or 35mm magnetic stock. The first 1/4-inch recorder capable of recording a synch track to regulate the playback speed of the recording was made by Rangertone and was a variation on the soon to come pilotone system.
A film recorder is a graphical output device for transferring images to photographic film from a digital source. In a typical film recorder, an image is passed from a host computer to a mechanism to expose film through a variety of methods, historically by direct photography of a high-resolution cathode ray tube (CRT) display. The exposed film can then be developed using conventional developing techniques, and displayed with a slide or motion picture projector. The use of film recorders predates the current use of digital projectors, which eliminate the time and cost involved in the intermediate step of transferring computer images to film stock, instead directly displaying the image signal from a computer. Motion picture film scanners are the opposite of film recorders, copying content from film stock to a computer system. Film recorders can be thought of as modern versions of Kinescopes.
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Jean-Claude Mocik, was born on February 9, 1958, in Livry Gargan. He is a filmmaker, video director, a director and teacher.
Mono No Aware is a cinema-arts non-profit organization. Founded in 2007, its mission entails the advancement of “connectivity through the cinematic experience.” The organization is named after the Japanese concept mono no aware (物の哀れ), which expresses the impermanence of being and beauty.
Annette Mangaard is a Danish/Canadian filmmaker, artist, writer, director, and producer, whose films and installations have been shown internationally at art galleries, cinematheques and film festivals. With a practice rooted in theatrical drama and explorative documentary, Mangaard's films investigate notions and nuances of freedom within the confines of structural expectations. Mangaard's early films are filled with experimental visual effects, footage is often shot in Super 8 and reshot in 16mm and then printed optically frame by frame. The result is a grainy textured look, with images that are saturated in colour.
References
- ↑ IFFR
- 1 2 Running Freely with Scissors: An Interview with Richard Kerr on Notebook|MUBI
- 1 2 "Richard Kerr". The Canadian Encyclopedia.
- ↑ Hoolbloom, Mike. "The Last Days of Living (an interview)".
- ↑ Kashmere, Brett. "Taking Inventory/ Le Grand Inventaire".
