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Richard Roger Reeves (born September 21, 1959) is a Canadian animated filmmaker. [1] [2] He is known for his whimsical abstract animated films created using a drawn on film technique.
In many of his films, Reeves creates his soundtracks through graphical sound, drawing directly on the optical sound strip area of the film as well as the visual frames to create a sound painting. [3]
Richard R. Reeves was born in Weymouth, England and has been living in Canada since 1960. He attended Sault College of Applied Arts & Technology, majoring in printmaking.
His early artwork explored painting, printmaking, photography, and music which led him to combine artistic discipline's and animate directly onto the filmstrip as a long and narrow canvas as 'sound painting' or visual music. His début animation 'Linear Dreams' was produced by drawing both the sound and picture directly onto the film.
Reeves worked at Quickdraw Animation Society as Film Production Coordinator for 8 years. He also taught super8 and 16mm filmmaking at the Gulf Islands Film and Television School for 10 years. He has mentored and provided workshops in Europe, South America and across Canada.
Richard explores abstract animation as a visual music by drawing both sound and picture onto film. He has collaborated with artists for live performances involving dancing human projection screens, 16mm violin, interactive animation installations, online animation jams and large outdoor projections. He continues exploring film as a space time art form.
Collections of Film Prints :
Drawn-on-film animation, also known as direct animation or animation without camera, is an animation technique where footage is produced by creating the images directly on film stock, as opposed to any other form of animation where the images or objects are photographed frame by frame with an animation camera.
Caroline Leaf is a Canadian-American filmmaker, animator, director, tutor and artist. She has produced numerous short animated films and her work has been recognized worldwide. She is best known as one of the pioneering filmmakers at the National Film Board of Canada (NFB). She worked at the NFB from 1972 to 1991. During that time, she created the sand animation and paint-on-glass animation techniques. She also tried new hands-on techniques with 70mm IMAX film. Her work is often representational of Canadian culture and is narrative-based. Leaf now lives in London, England, and is a tutor at The National Film and Television School. She maintains a studio in London working in oils and on paper and does landscape drawing with an iPad.
Ishu Patel is an Indian-Canadian animation film director/producer and educator. During his twenty-five years at the National Film Board of Canada he developed animation techniques and styles to support his themes and vision. Since then he has produced animated spots for television and has been teaching internationally.
Virgil Widrich is an Austrian director, screenwriter, filmmaker and multimedia artist.
François Miron is a French-Canadian experimental filmmaker also working in documentary and fiction.
Suzan Pitt Kraning, known professionally as Suzan Pitt, was an American film director, animator, painter, and fashion designer best known for her surrealist animated shorts, including Asparagus (1979).
Joanna Priestley is an American contemporary film director, producer, animator and teacher. Her films are in the collections of the Academy Film Archive in Los Angeles and the Museum of Modern Art in New York. Priestley has had retrospectives at the British Film Institute, Museum of Modern Art and Hiroshima International Animation Festival in Japan. Bill Plympton calls her the "Queen of independent animation". Priestley lives and works in Portland, Oregon.
Begone Dull Care is a 1949 visual music animated film directed by Norman McLaren and Evelyn Lambart for the National Film Board of Canada (NFB).
Genre is a 1996 animated meta-comedy short film by animator Don Hertzfeldt, his second 16mm student film, produced at the age of 19.
Steven Woloshen is a Canadian film animator and a pioneer of drawn-on-film animation.
Candyjam is a 1988 7 minute 35mm short animated film animated collaboration by ten animators from four countries produced and directed by Joanna Priestley and Joan C. Gratz. The animation was made with clay painting, drawings, puppets and object animation.
Robert Blalack was a Panama-born American mass-media visual artist, independent filmmaker, and producer. He is one of the founders of Industrial Light & Magic. Blalack received the Academy Award for Best Visual Effects in 1978 for his work on the first Star Wars film. He also received the Primetime Emmy Award for Outstanding Special Visual Effects in 1984 for his work on the 1983 television film The Day After. Blalack directed experimental films and mixed-media television commercials, and he produced visual effects for theme park rides.
Don Hertzfeldt is an American animator, writer, and independent filmmaker. He is a two-time Academy Award nominee who is best known for the animated films It's Such a Beautiful Day, the World of Tomorrow series, and Rejected. In 2014, his work appeared on The Simpsons. Eight of his short films have competed at the Sundance Film Festival, a festival record. He is also the only filmmaker to have won the Sundance Film Festival's Grand Jury Prize for Short Film twice.
Patrick Jenkins is a Canadian artist, animator and documentary filmmaker living in Toronto, Ontario, Canada, who specializes in paint-on-glass animation, a form of stop motion animation.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
Marjut Rimminen is a Finnish-born animator and film director living and working in London.
Richard Kerr is a Canadian filmmaker, visual artist and professor. Since the late 1970s, Kerr developed his practice across diverse media including analog film and digital video. Kerr is a faculty member at Concordia University in Montreal, where he teaches experimental filmmaking.
The Rubber Stamp Film is a 1983 7 minute 16mm short animated film by Joanna Priestley, using rubber stamped images and drawings on paper. The film was directed, produced, and animated by Priestley with sound designed and produced by R. Dennis Wiancko.
North of Blue is a 2018 American animated feature film directed, produced and animated by Joanna Priestley with a score by Jamie Haggerty. It is an abstract, experimental film that was inspired by the winter landscapes of the far north.
Voices is a 1985 four-minute 16 mm short animated film directed produced and animated by Joanna Priestley with sound design and production by R. Dennis Wiancko. It was made with ink, watercolor, and pastel drawings/paintings on paper.
