Richard Slee (born Carlisle, 1946) is a British ceramic artist.
He studied at Carlisle College of Art and Design (1964–65), the Central School of Art and Design (1965–70), from which he graduated with a first-class honours degree in ceramics, [1] and the Royal College of Art (1986–88). [2]
Slee has been professor of ceramics at Camberwell College of Arts, London, since 1992 and was awarded the Jerwood Prize for Ceramics in 2002. [3] He had a retrospective exhibition at the Crafts Council in 2004 [4] and an exhibition at the Victoria and Albert Museum from June 2010 to April 2011. [5]
Paul Edmund Soldner was an American ceramic artist and educator, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku. He was the founder of the Anderson Ranch Arts Center in 1966.
California College of the Arts (CCA) is a private art school with two campuses in California, one in San Francisco and one in Oakland. Founded in 1907, it enrolls approximately 1,239 undergraduates and 380 graduate students.
Julian Francis Stair is an English potter, academic and writer. He makes groups of work using a variety of materials, from fine glazed porcelain to coarse engineering brick clays. His work ranges in scale from hand-sized cups and teapots to monumental jars at over 6 feet tall and weighing half a ton.
Robert Brady (1946–present) is an American modernist sculptor who works in ceramics and wood. Born in Reno, Nevada, he has made his home in the San Francisco Bay Area for many decades. Brady is a multi-faceted artist who works in ceramics, wood, painting, and illustration, and is best known for his abstract figurative sculptures. Brady came out of the California Clay movement, and the Bay Area Arts scene of the 1950s and 1960s, which includes artists such as Peter Voulkos, Viola Frey, Stephen de Staebler, and Robert Arneson who was his mentor and teacher in college.
Enid Crystal Dorothy Marx, RDI, was an English painter and designer, best known for her industrial textile designs for the London Transport Board and the Utility furniture Scheme. Marx was the first female engraver to be designated as a Royal Designer for Industry.
Elizabeth Fritsch CBE MA (RCA) is a British studio potter and ceramic artist born into a Welsh family in Whitchurch on the Shropshire border. Her innovative hand built and painted pots are often influenced by ideas from music, painting, literature, landscape and architecture.
Martin Smith is professor of ceramics and glass at the Royal College of Art in London.
Frances Maude Senska was an art professor and artist specializing in ceramics who taught at Montana State University – Bozeman from 1946 to 1973. She was known as the "grandmother of ceramics in Montana". During her career, she trained a number of now internationally known ceramic artists.
The Institute for International Research in Glass promotes and facilitates research in Glass at a national and international level. It is part of the University of Sunderland, located in the National Glass Centre on the bank of the river Wear.
Jack Doherty is a Northern Irish studio potter and author. He is perhaps best known for his vessels made of soda-fired porcelain. He has been featured in a number of books, and his work has been exhibited widely in both Europe and North America. Articles of his have appeared in various pottery journals and he has been Chair of the Craft Potters Association.
Catherine Elizabeth Cooke is an American designer whose career has lasted more than 73 years. She is principally known for her jewelry. She has been called "an icon within the tradition of modernist jewelry" and "a seminal figure in American Modernist studio jewelry". Her pieces have been shown nationally and internationally and are included in a number of museum collections, including the Museum of Modern Art (MOMA) in New York. She is regarded as an important role model for other artists and craftspeople.
Paul Greenhalgh is a British historian, writer, museologist, and curator of art and design.
Garth Clark is an art critic, art historian, curator, gallerist, and art dealer from Pretoria, South Africa.
Clare Twomey is a London-based visual artist and researcher, working in performance, serial production, and site-specific installation.
Stephen Dixon is a British ceramic artist and professor at the Manchester Metropolitan University. He is also a satirist, writer, lecturer and curator. He is known mainly for his use of dark narrative and for using "illustrated ceramics pots as an unlikely platform for social commentary and political discontent." From Renaissance paintings and British politics to pop culture, Dixon draws on a variety of sources to "challenge the status quo and inspire new ways of thinking." Dixon tends to create busy, complex ceramics pieces, each with an intriguing message.
Richard Shaw is an American ceramicist and professor known for his trompe-l'œil style. A term often associated with paintings, referring to the illusion that a two-dimensional surface is three-dimensional. In Shaw's work, it refers to his replication of everyday objects in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. Interested in how objects can reflect a person or identity, Shaw poses questions regarding the relationship between appearances and reality.
Linda Threadgill is an American artist whose primary emphasis is metalsmithing. Her metal work is inspired by forms of nature and the interpretations she gleans from the intricate patterns it presents. She explores the foundation of nature to allude to nature and transform it into re-imagined, stylized plants forms.
Chris Gustin is an American ceramicist. Gustin models his work on the human form, which is shown through the shape, color, and size of the pieces.
Sara Radstone is a British ceramic artist and lecturer. Her work ranges from intimate wall based sculpture to large scale installations of multiple elements.
Jennifer Elizabeth Lee is a Scottish ceramic artist with an international reputation. Lee's distinctive pots are hand built using traditional pinch and coil methods. She has developed a method of colouring the pots by mixing metallic oxides into the clay before making. Her work is held in over forty museums and public collections worldwide, including The Metropolitan Museum of Art in New York, The Philadelphia Museum of Art, Los Angeles County Museum and the Victoria and Albert Museum. In 2018 Lee won the Loewe Craft Prize, an award initiated by Jonathan Anderson in 2017. The prize was presented to her at an awards ceremony at The Design Museum in London.