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The oppositional gaze is a term coined by bell hooks the 1992 essay The Oppositional Gaze: Black Female Spectators that refers to the power of looking. According to hooks, an oppositional gaze is a way that a Black person in a subordinate position communicates their status. hooks' essay is a work of feminist film theory that discusses the male gaze, Michel Foucault, and white feminism in film theory.
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References
- ↑ "Visual Pleasure and Narrative Cinema" (PDF). USC.edu. Retrieved 29 August 2014.
- ↑ O'Pray, Michael (1996). The British Avant-Garde Film 1926 to 1995. University of Luton Press. p. 16. ISBN 1860200044.
- ↑ George Melnyk; Brenda Austin-Smith (20 May 2010). The Gendered Screen: Canadian Women Filmmakers. Wilfrid Laurier Univ. Press. p. 68. ISBN 978-1-55458-195-5.
- ↑ Kuhn, Annette (1982). Women's Pictures: Feminism and Cinema. London: Verso. p. 163. ISBN 1-85984-910-5.
- ↑ Fischer, Lucy (Winter 1989). "Shot/Countershot: An intertextual Approach to Women's Cinema". Journal of Film and Video. XLI (4).
- ↑ "Riddles of the Sphinx (1977)". Screenonline.org.uk. Retrieved 29 August 2014.
- ↑ "Riddles of the Sphinx". BFI. Retrieved 1 August 2014.
- ↑ Maggie Humm (1997). Feminism and Film. Edinburgh University Press. pp. 19–. ISBN 978-0-7486-0900-0.
- ↑ Patricia Erens (1990). Issues in Feminist Film Criticism . Indiana University Press. pp. 315–. ISBN 0-253-20610-3.