Rift (ballet)

Last updated

Rift (stylized as RIFT) is a ballet in three acts written in 2016 by the composer Anna Clyne and choreographed by Kitty McNamee. The work was commissioned by the Cabrillo Festival of Contemporary Music and was given its world premiere by the Cabrillo Festival of Contemporary Music Orchestra under the direction of Marin Alsop at the Santa Cruz Civic Auditorium on August 5, 2016. [1]

Contents

Composition

Rift has a duration of roughly 25 minutes and is cast in three acts played without pause:

  1. "dust"
  2. "water"
  3. "space"

In the score program note, Clyne wrote that the piece was conceived to "reflect upon the chaos and destruction that is so prevalent in the world today." [1]

Instrumentation

The work is scored for a large orchestra consisting of two flutes, piccolo, two oboes, Cor anglais, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, three trumpets, two trombones, bass trombone, tuba, timpani, three percussionists, harp, piano, and strings. [1]

Reception

Rift has been generally praised by music critics. Anne Midgette of The Washington Post described it as "a wonderful 20-minute piece [...], which murmured and pulsed lyrically and earthly, sounding like something you've always known but forgotten." [2] David Nice of The Arts Desk wrote that it "served up a surprise: memorable melody, starting with the viola tune which goes on to be variously harmonized and scored, some of the tunes bravely verging on the banal in the manner of the underrated symphonies of Malcolm Arnold." He added, "I'd expected this to be a piece about process, allegedly taking us from 'dust' via purifying 'water' to 'space', and hadn't expected the 'hooks' so few contemporary composers bother to provide along the way. In fact the trajectory was hard to make out, despite the non-irritant stage and hall lighting, but the procession of brilliant ideas and quick contrasts, nothing outstaying its welcome, presumably rooted in Clyne's brief to write ballet music in her collaboration with choreographer Kitty McNamee, more than made up for that." [3]

Scott Cantrell of The Dallas Morning News compared the music to that of Ralph Vaughan Williams, despite more lukewarmly observing, "At least on first hearing, I had no clear sense of the 'Dust,' 'Water' and 'Space' subtitles–or, for that matter, much in the way of formal organization. One thing seems to happen, then something different, then something else different. Maybe that's the point." [4]

Related Research Articles

Gordon Percival Septimus Jacob CBE was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music. As a composer he was prolific: the list of his works totals more than 700, mostly compositions of his own, but a substantial minority of orchestrations and arrangements of other composers' works. Those whose music he orchestrated range from William Byrd to Edward Elgar to Noël Coward.

Factory: machine-music, Op. 19, commonly referred to as the Iron Foundry, is the most well-known work by Soviet composer Alexander Mosolov and a prime example of Soviet futurist music. It was composed between 1926 and 1927 as the first movement of the ballet suite Stal ("Steel"). The remaining movements of Steel, "In Prison," "At the Ball," and "On the Square" have been lost, and Iron Foundry is performed today as a standalone orchestral episode.

Kevin Matthew Puts is an American composer, best known for his opera The Hours and for winning a Pulitzer Prize in 2012 for his first opera Silent Night and a Grammy Award in 2023 for his concerto Contact.

David Sawer, is a British composer of opera and choral, orchestral and chamber music.

<span class="mw-page-title-main">Mehdi Hosseini</span> Persian composer

Seyed Mehdi Hosseini Bami is a Persian composer of contemporary classical music.

Anna Clyne is an English composer, now resident in New York City, US. She has worked in both acoustic music and electroacoustic music.

The Concerto for Orchestra is an orchestral composition by the American composer Christopher Rouse. The work was commissioned by the Cabrillo Festival of Contemporary Music and is dedicated to conductor and frequent Rouse collaborator Marin Alsop. The piece was completed February 24, 2008 and premiered at the festival August 1, 2008, with Marin Alsop leading the Cabrillo Festival Orchestra.

Raise the Roof is a one-movement concerto for timpani and orchestra by the American composer Michael Daugherty. The work was commissioned by the Detroit Symphony Orchestra for the opening of the Max M. Fisher Music Center. It was premiered in Detroit, October 16, 2003, with conductor Neeme Järvi leading the Detroit Symphony Orchestra and timpanist Brian Jones. Daugherty later arranged the piece for concert band in 2007; this arrangement was commissioned by the University of Michigan Symphony Band and was premiered under conductor Michael Haithcock at the National Conference of the College Band Directors National Association on March 30, 2007. Raise the Roof is one of Daugherty's most-programmed pieces and has been frequently performed as a concert opener since its publication.

Night Ferry is an orchestral composition in one movement by the British-born composer Anna Clyne. The work was commissioned by the Chicago Symphony Orchestra, for which Clyne was then composer-in-residence. It was first performed February 9, 2012 at Symphony Center, Chicago by the Chicago Symphony Orchestra under conductor Riccardo Muti. A live performance by the BBC Symphony Orchestra conducted by Andrew Litton was recorded at the Barbican Hall in January 2013 and issued along with four other Clyne works in 2020.

The Seamstress is a concerto for solo violin and orchestra by the British-born composer Anna Clyne. The work was commissioned by the Chicago Symphony Orchestra, for which Clyne was then composer-in-residence. It was first performed May 28, 2015 at Symphony Center, Chicago by the violinist Jennifer Koh and the Chicago Symphony Orchestra under conductor Ludovic Morlot. The Seamstress marks the second collaboration between Clyne and Koh, who had previously premiered Clyne's double violin concerto Prince of Clouds in November 2012.

Masquerade is a single-movement orchestral composition by the British-born composer Anna Clyne. The work was commissioned by the BBC and it was first performed on 7 September 2013 at the Last Night of the Proms by the BBC Symphony Orchestra under conductor Marin Alsop. Clyne dedicated the piece to the Proms' concertgoers colloquially known as the "Prommers".

The Percussion Concerto No. 2 is a concerto for solo percussion and orchestra by the Scottish composer James MacMillan. The work was jointly commissioned by the Netherlands Radio Philharmonic, the Philharmonia Orchestra, the Orchestre national du Capitole de Toulouse, the Cabrillo Festival of Contemporary Music, the Baltimore Symphony Orchestra, and the São Paulo State Symphony. It was first performed on November 7, 2014 at TivoliVredenburg in Utrecht, the Netherlands, by percussionist Colin Currie and the Netherlands Radio Philharmonic under conductor James Gaffigan. The composition is MacMillan's second percussion concerto after 1992's Veni, Veni, Emmanuel.

Silver Ladders is an orchestral composition by the American composer Joan Tower. The work was jointly commissioned by the St. Louis Symphony and Meet the Composer while Tower was composer-in-residence with the St. Louis Symphony. It was first performed in St. Louis on January 9, 1987, by the St. Louis Symphony under the conductor Leonard Slatkin. The piece is dedicated to Slatkin with "admiration for his unswerving musical integrity and confidence in presenting the music of his own time."

Abstractions is an orchestral suite by the British-American composer Anna Clyne. The work was commissioned in honor of the Baltimore philanthropists Robert E. Meyerhoff and Rheda Becker by the Baltimore Symphony Orchestra, for whom Clyne is composer-in-residence. Its world premiere was given by the Baltimore Symphony Orchestra under the direction of Marin Alsop in Strathmore, Maryland, on May 7, 2016. The suite's five movements were each inspired by eponymous pieces of artwork from the Baltimore Museum of Art.

Two Episodes is a composition for orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the London Philharmonic Orchestra, for which Lindberg is composer-in-residence, and co-commissioned by The Proms, the Helsinki Festival, and the Casa da Música. It was first performed by the London Philharmonic Orchestra under the direction of Vladimir Jurowski in the Royal Albert Hall, London, on July 24, 2016.

The Symphony No. 5 is a symphony for orchestra by the American composer Christopher Rouse. The work was jointly commissioned by the Dallas Symphony Orchestra, the Nashville Symphony, and the Aspen Music Festival. It was completed in Baltimore on February 15, 2015, and was first performed by the Dallas Symphony Orchestra under the direction of Jaap van Zweden at the Morton H. Meyerson Symphony Center on February 9, 2017.

Aiōn is a composition for orchestra by the Icelandic composer Anna S. Þorvaldsdóttir. The work was commissioned by the Gothenburg Symphony Orchestra and Iceland Symphony Orchestra. It was first performed on May 24, 2019, at the Point Music Festival in the Gothenburg Concert Hall, Gothenburg, by the Gothenburg Symphony Orchestra conducted by Anna-Maria Helsing. The world premiere also featured dance accompaniment performed by the Iceland Dance Company with choreography by Erna Ómarsdóttir and video projections created by Pierre-Alain Giraud and Valdimar Jóhannsson.

This Midnight Hour is an orchestral composition by the British composer Anna Clyne. The work was co-commissioned by the Orchestre national d'Île-de-France, for which Clyne was then composer-in-residence, and the Seattle Symphony. It was first performed by the Orchestre national d'Île-de-France conducted by Enrique Mazzola at the Théâtre Espace Coluche, Plaisir, on 13 November 2015.

<span class="mw-page-title-main">Sean Shepherd</span> American composer

Sean Shepherd is an American composer based in New York City and Chicago. His work has been performed by major orchestras, ensembles, and performers across the United States, Europe, and Asia. Performances include those with the Boston Symphony Orchestra, the Cleveland Orchestra, the New York Philharmonic, the National Symphony Orchestra, the BBC Symphony Orchestra, and New World Symphony Orchestra, at festivals including the Aldeburgh Festival, Heidelberger Frühling, La Jolla Music Festival, Lucerne Festival, Santa Fe Chamber Music Festival, and Tanglewood, and with leading European ensembles including Ensemble Intercontemporain, the Scharoun Ensemble Berlin, the Asko|Schönberg Ensemble and the Birmingham Contemporary Music Group.

Dance for cello and orchestra is a cello concerto written by the British composer Anna Clyne. The work was composed in 2019 on a commission from the Israeli cellist Inbal Segev. Its world premiere was performed at the Cabrillo Festival of Contemporary Music by Segev and the Cabrillo Festival Orchestra conducted by Cristian Măcelaru at the Santa Cruz Civic Auditorium on 3 August 2019. The piece is dedicated to the composer's father, Leslie Clyne.

References

  1. 1 2 3 Clyne, Anna (2016). "RIFT". Boosey & Hawkes . Retrieved July 1, 2023.
  2. Anne, Anne (April 11, 2018). "In festival opener, a small orchestra shows it deserves the spotlight". The Washington Post . Retrieved July 1, 2023.
  3. Nice, David (January 5, 2023). "National Youth Orchestra, Bloch, Barbican review - blazing and surging odysseys". The Arts Desk . Retrieved July 1, 2023.
  4. Cantrell, Scott (April 8, 2018). "Fort Worth Symphony previews its Kennedy Center program with works by Anna Clyne, Jimmy López". The Dallas Morning News . Retrieved July 1, 2023.