Rio Grande is a sea shanty of the nineteenth century, traditionally popular amongst American and British crews. Some people believe that the title refers to the Rio Grande river, which forms much of the border between Mexico and the United States; However, the shanty talks about the brazilian state Rio Grande do Sul and it's chiefport of the same name [1] . Like many other shantys, there are a variety of different lyrics. It was included in the 1894 work Studies in Folk-song and Popular Poetry by Alfred Williams. [2]
Singer-songwriters are musicians who write, compose and perform their own musical material, including lyrics and melodies. In the United States, the category is built on the folk-acoustic tradition, although this role has transmuted through different eras of popular music. Singer-songwriters often provide the sole accompaniment to an entire composition or song, typically using a guitar or piano. In the early 21st century, digital production tools such as GarageBand began to be used by singer-songwriters to compose their music.
A sea shanty, chantey, or chanty is a genre of traditional folk song that was once commonly sung as a work song to accompany rhythmical labor aboard large merchant sailing vessels. They were found mostly on British and other European ships, and some had roots in lore and legend. The term shanty most accurately refers to a specific style of work song belonging to this historical repertoire. However, in recent, popular usage, the scope of its definition is sometimes expanded to admit a wider range of repertoire and characteristics, or to refer to a "maritime work song" in general.
The folk music of England is a tradition-based music, which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music is traditionally preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of transmission. The term is used to refer both to English traditional music and music composed or delivered in a traditional style.
Albert Lancaster Lloyd, usually known as A. L. Lloyd or Bert Lloyd, was an English folk singer and collector of folk songs, and as such was a key figure in the British folk revival of the 1950s and 1960s. While Lloyd is most widely known for his work with British folk music, he had a keen interest in the music of Spain, Latin America, Southeastern Europe and Australia. He recorded at least six discs of Australian Bush ballads and folk music.
Rio Grande is a river flowing to the Gulf of Mexico, forming a part of the Mexican-United States border.
Spouge is a style of Barbadian popular music created by Jackie Opel in the 1960s. It is primarily a fusion of Jamaican ska with Trinidadian calypso, but is also influenced by a wide variety of musics from the British Isles and United States, include sea shanties, hymns and spirituals. Spouge instrumentation originally consisted of cowbell, bass guitar, trap set and various other electronic and percussion instruments, later augmented by saxophone, trombone and trumpets. Of these, the cowbell and the guitar are widely seen as the most integral part of the instrumentation, and are said to reflect the African origin of much of Barbadian music.
"Drunken Sailor" is a sea shanty, also known as "What Shall We Do with a/the Drunken Sailor?"
Johnny Collins was an English folk singer based in London, England, specializing in traditional maritime music and sea shanties.
"Oh Shenandoah" is a traditional American folk song of uncertain origin, dating to the early 19th century.
Captain Alfred Bulltop Stormalong was an American folk hero and the subject of numerous nautical-themed tall tales originating in Massachusetts. Stormalong was said to be a sailor and a giant, some 30 feet (9.1 m) tall; he was the master of a huge clipper ship known in various sources as either the Courser or the Tuscarora, a ship purportedly so tall that it had hinged masts to avoid catching on the Moon.
Alfred Owen Williams was a poet, author and a collector of folk song lyrics who was born and lived most of his life at South Marston, near Swindon, UK. He was almost entirely self-taught, producing his most famous work, Life in a Railway Factory (1915), in his spare time after completing a gruelling day's work in the Great Western Railway works in Swindon. He was nicknamed “The Hammerman Poet”.
The Vaughan Williams Memorial Library (VWML) is the library and archive of the English Folk Dance and Song Society (EFDSS), located in the society's London headquarters, Cecil Sharp House. It is a multi-media library comprising books, periodicals, audio-visual materials, photographic images and sound recordings, as well as manuscripts, field notes, transcriptions etc. of a number of collectors of folk music and dance traditions in the British Isles. According to A Dictionary of English Folklore, "... by a gradual process of professionalization the VWML has become the most important concentration of material on traditional song, dance, and music in the country." It is named after Ralph Vaughan Williams, the composer, collector and past president of the EFDSS, who died in 1958.
"The Maid Freed from the Gallows" is one of many titles of a centuries-old folk song about a condemned maiden pleading for someone to buy her freedom from the executioner. In the collection of ballads compiled by Francis James Child in the late 19th century, it is indexed as Child Ballad number 95; 11 variants, some fragmentary, are indexed as 95A to 95K. The Roud Folk Song Index identifies it as number 144.
South Australia is a sea shanty, also known under such titles as "Rolling King" and "Bound for South Australia". As an original worksong it was sung in a variety of trades, including being used by the wool and later the wheat traders who worked the clipper ships between Australian ports and London. In adapted form, it is now a very popular song among folk music performers that is recorded by many artists and is present in many of today's song books.
"Greenland Whale Fisheries" is a traditional sea song. In most of the versions collected from oral sources, the song opens up giving a date for the events that it describes. However, the song is actually older than this and a form of it was published as a ballad before 1725. It has been given a Roud number of 347.
Nationality words link to articles with information on the nation's poetry or literature.
Lied is a term in the German vernacular to describe setting poetry to classical music to create a piece of polyphonic music. The term is used for songs from the late fourteenth or early fifteenth centuries or even to refer to Minnesang from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. Among English speakers, however, "lied" is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages. The poems that have been made into lieder often center on pastoral themes or themes of romantic love.
Jim Mageean is an English folk singer based in Cullercoats, Tyne and Wear, England, specialising in Sea Shanties, traditional maritime music and "Geordie" songs from his native North East of England.
"Ca' the yowes to the knowes" is a Scottish folk song collected by Robert Burns from 1794. Although sometimes attributed to Burns himself, the seven-stanza original poem is thought to be the work of Ayrshire poet Isabel Pagan, a contemporary of Burns. The poem was partially revised by Burns, and he added an eighth stanza. Burns later re-wrote the poem on a solitary stroll in the country, and this second version consists of six stanzas. It is possible that Burns was not aware that Pagan was the original author, only noting that "this song is in the true Scottish taste, yet I do not know that either air or words were ever in print before."