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Robert Lewis Sims (born in Chicago, Illinois) is a lyric baritone who specializes in African-American folk songs and spirituals,known for his rich tone, energetic performances and convincing stage presence.
Robert Sims, who was a Gold Medal winner of the American Traditions Competition, gave the first all spiritual and folk song recital at Carnegie Hall’s Zankel Hall in 2005. In March 2009, he was invited by Jessye Norman to participate in Honor! A Celebration of the African American Cultural Legacy at Carnegie Hall. Sims has performed in recital with folk legend Odetta and renowned opera and concert singers George Shirley, William Warfield, Simon Estes, Benjamin Matthews, and Jubilant Sykes. Equally at home with standard operatic literature and classic jazz, Robert has collaborated with the Georgia Guitar Quartet in songs from Bernstein to Bob Dylan. He joined David Baker and Mercedes Ellington for Duke Ellington’s The Sacred Concerts and My People, and in 1997 toured Japan with the Pacific Music Festival Orchestra performing Leonard Bernstein's Opening Prayer . A favorite at Dr. Robert Schuller’s Crystal Cathedral in Garden Grove, California, Sims has appeared on several Hour of Power international telecasts.
Sims performed with the Tabernacle Choir at Temple Square on a special broadcast of the choir's long-running Music and the Spoken Word in January 2011 and January 2019.
Robert Sims is a graduate of Oberlin Conservatory of Music, where he studied with Richard Miller, [1] Binghamton University, Northwestern University, and the American Conservatory of Music. He has also studied at the Music Academy of the West, Chautauqua Musical Institute, and the Oberlin/Urbania Vocal Institute in Urbania, Italy.
Lyric Opera of Chicago Education Award 1982 Friedrich Schorr Opera Award Winner 1993 Founder of Canti Classics Artist Management and Production Company with Everton Swearing and Arthur White 1998 PBS Television Special “He’s Got Spirit” Art Beat Chicago 1998 American Traditions Gold Medal Winner 1999 Founder of Three Generations, (vocal trio) with Benjamin Matthews and William Warfield 1999
Mary Violet Leontyne Price is an American spinto soprano who was the first African-American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Giuseppe Verdi's Aida.
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016, and again in May 2024.
Jessye Mae Norman was an American opera singer and recitalist. She was able to perform dramatic soprano roles, but did not limit herself to that voice type. A commanding presence on operatic, concert and recital stages, Norman was associated with roles including Beethoven's Leonore, Wagner's Sieglinde and Kundry, Berlioz's Cassandre and Didon, and Bartók's Judith. The New York Times music critic Edward Rothstein described her voice as a "grand mansion of sound", and wrote that "it has enormous dimensions, reaching backward and upward. It opens onto unexpected vistas. It contains sunlit rooms, narrow passageways, cavernous halls."
William Caesar Warfield was an American concert bass-baritone, known for his appearances in stage productions, Hollywood films, and television programs. A prominent African American artist during the Civil Rights era, he worked with many notable artists, represented the United States during foreign tours, taught at academic institutions, and earned numerous accolades, including a Grammy Award in 1984.
Thomas Walter Hampson is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings.
Richard Miller was a professor of singing at Oberlin College Conservatory of Music and the author of numerous books on singing technique and vocal pedagogy. He also sang recitals, oratorios, and numerous roles as a lyric tenor with major opera companies in Europe and America.
The Henry and Leigh Bienen School of Music is the music and performance arts school of Northwestern University. It is located on Northwestern University's campus in Evanston, Illinois, United States.
Judith Raskin was an American lyric soprano, renowned for her fine voice as well as her acting.
Harolyn Blackwell is an American lyric coloratura soprano who has performed in many of the world's finest opera houses, concert halls, and theaters in operas, oratorios, recitals, and Broadway musicals. Initially known for her work within musical theater during the early 1980s, Blackwell moved into the field of opera and by 1987 had established herself as an artist within the soubrette repertoire in many major opera houses both in the United States and in Europe. Feeling that she was being "type cast" into one particular kind of role, Blackwell strove to establish herself within the lyric coloratura repertoire beginning in the mid-1990s. With the aid of such companies as Seattle Opera, Blackwell successfully made this move and is now an interpreter of such roles as Lucia in Donizetti's Lucia di Lammermoor and Olympia in Offenbach's Les contes d'Hoffman. She has also periodically returned to musical theater performances throughout her career in staged productions, concert work, and recitals. Blackwell is known for her interpretations and recordings of the works of Leonard Bernstein.
Derek Lee Ragin is an American countertenor.
Daniel Okulitch is a Canadian bass-baritone. He first came to attention on Broadway as Schaunard in Baz Luhrmann's production of La bohème in 2002/03 – a role he repeated when the production traveled to Los Angeles the following year, for which he received the Ovation Award for Best Ensemble Performance from the Los Angeles Stage Alliance. He has since begun an international career with opera companies and orchestras throughout Europe and North America, and is admired for both his singing and powerful stage presence. He is sought after for many contemporary operas and world premieres, as well as the roles of Mozart, including Figaro and Don Giovanni.
Alyson Cambridge is an American operatic soprano. In addition to opera, she sings classical song, jazz, and American songbook and popular song. She is also known for her work as a model, actress, and host.
John Thomas Holiday Jr. is an American operatic countertenor. His repertoire focuses on the Baroque and contemporary composers, including staged opera and opera in concert, works for voice and orchestra, and experimental mixed-media. He has participated in several world premieres. He has performed with several opera companies in the United States, toured with the Los Angeles Philharmonic, and sung in Shanghai and several European cities. He also sings gospel, pop, and jazz; he was a contestant on season 19 of NBC's The Voice, a vocal competition television series.
Edith WiensOC is a Canadian opera, recital and concert singer with a soprano voice.
Yvonne Regina Ciannella was an American coloratura soprano in opera and concert. She began her career performing and recording with the Robert Shaw Chorale in the early 1950s. After graduate voice studies at the Mozarteum in Salzburg, she embarked on a career as an opera singer; working mainly in Germany at the Staatstheater Braunschweig, Theater Bonn, and Theater Dortmund during the 1960s. She also appeared as a guest artist with opera companies in Berlin, Cologne, Florida, Frankfurt, Hamburg, and Vienna. For many years she was a member of the voice faculty of the College of Music at Florida State University.
Megan Marie Hart is an American operatic soprano from Eugene, Oregon, performing in leading operatic roles and concerts in America and Europe.
Heidi Stober is an American operatic soprano who has performed leading roles in major opera houses internationally, including the Dutch National Opera, the Garsington Opera, the Lyric Opera of Chicago, the Metropolitan Opera, the Municipal Theatre of Santiago, the Semperoper, and the Vienna State Opera. She has been particularly active with the Houston Grand Opera where she has performed in more than a dozen operas since 2004, including the world premieres of Daniel Catán's Salsipuedes: a Tale of Love, War and Anchovies (2004), Mark Adamo's Lysistrata (2005), and Ricky Ian Gordon's The House without a Christmas Tree (2017). She has also performed in more than ten operas with the San Francisco Opera since 2010. Since 2008 she has been a resident artist at the Deutsche Oper Berlin where she has primarily performed roles from the lyric soprano repertoire. Also active as a concert soprano on the international stage, she has performed with the Berlin Radio Symphony Orchestra, the Hong Kong Philharmonic Orchestra, the Houston Symphony, the Los Angeles Philharmonic, the New York Philharmonic, the Milwaukee Symphony Orchestra, the Philadelphia Orchestra, the Oslo Philharmonic, and the Radio Filharmonisch Orkest among other orchestras. She is particularly admired for her interpretations of the works of George Frideric Handel and Wolfgang Amadeus Mozart.
Nikki Li Hartliep is a Japanese-born American soprano who has performed with major opera companies and orchestras around the world.
Joyce Mathis was an American soprano who was a concert artist, recitalist, and opera singer from the 1960s into the early 1990s. She is considered a part of the first generation of black classical singers to achieve success in the United States; breaking down racial barriers within the field of classical music. She won several notable singing competitions, including the Marian Anderson Award in 1967 and the Young Concert Artists in 1968. In 1970 she recorded the role of the High Priestess in Verdi's Aida alongside Leontyne Price and Plácido Domingo. Pulitzer Prize-winning composer Ned Rorem wrote his song cycle Women's Voices for her in 1975. In 1976 she created the role of Celestina in Roger Ames's opera Amistad at the John F. Kennedy Center for the Performing Arts. She appeared frequently in performances with Opera Ebony and the Boys Choir of Harlem in addition to touring widely as a recitalist and concert soprano.
Heidi Skok is an American operatic soprano, mezzo-soprano and contralto who has had an active career in concerts and in operas since the early 1990s. She has performed with many leading opera companies and orchestras in the United States and in other countries around the world.