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The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980.
The Saturn Award for Best Special / Visual Effects is one of the annual awards given by the Academy of Science Fiction, Fantasy and Horror Films. The Saturn Awards, which are the oldest film-specialized awards to reward science fiction, fantasy, and horror achievements, included the category for the first time at the 2nd Saturn Awards in 1975.
Wonder Man is a 1945 supernatural musical film directed by H. Bruce Humberstone and starring Danny Kaye and Virginia Mayo. It is based on a short story by Arthur Sheekman, adapted for the screen by a staff of writers led by Jack Jevne and Eddie Moran, and produced by Samuel Goldwyn. Mary Grant designed the film's costumes.
The 32nd Academy Awards ceremony was held on April 4, 1960, at the RKO Pantages Theatre, to honor the films of 1959.
The 36th Academy Awards, honoring the best in film for 1963, were held on April 13, 1964, hosted by Jack Lemmon at the Santa Monica Civic Auditorium in Santa Monica, California. This ceremony introduced the category for Best Sound Effects, with It's a Mad, Mad, Mad, Mad World being the first film to win the award.
The 17th Academy Awards were held on March 15, 1945 at Grauman's Chinese Theatre, honoring the films of 1944. This was the first time the complete awards ceremony was broadcast nationally, on the Blue Network. Bob Hope hosted the 70-minute broadcast, which included film clips that required explanation for the radio audience.
Robert Kurtzman is an American film director, producer, screenwriter, and special effects makeup artist. During his time at KNB EFX Group, which he co-founded, it would win a 2001 Emmy Award. He would then start his own production company Precinct 13 Entertainment in 2003.
Albert Arnold "Buddy" Gillespie was an American cinema special effects artist.
Gordon Jennings, A.S.C. was an American special effects artist. He received seven Academy Awards and was nominated for eight more in the same category. After starting 1919 in Hollywood as camera assistant he worked from 1932 until 1953 on the visual and special effects of more than 180 films. His older brother was cinematographer Devereaux Jennings (1884-1952), who filmed, for instance, Buster Keaton's monumental The General in 1926.
Nathan Levinson was an American sound engineer. He won an Oscar in the category Sound Recording for the film Yankee Doodle Dandy and was nominated for 16 more in the same category. He was also nominated seven times in the category Best Special Effects.
Jack Whitney was an American sound engineer. He won two Academy Awards, one for Best Sound Recording and the other for Best Visual Effects. He was nominated six more times in the category Best Sound.
Farciot Edouart, ASC was a film special-effects artist and innovator perhaps best known for his work with process photography, also known as rear projection.
Robert Legato is an American visual effects supervisor, second unit director, and second unit director of photography.
John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).
Vernon L. Walker was an American special effects artist and cinematographer. He was nominated for four Academy Awards for Best Special Effects. He worked on more than 220 films during his career, starting out as a head cameraman for Otis B. Thayer's Art-O-Graf Film Company in 1919.
Ben Snow is a special effects artist who has been nominated four times at the Academy Awards. He works at Industrial Light & Magic.
Joel Hynek is a visual effects artist who has worked on over 30 films since 1980.
Suzanne M. Benson is a visual effects producer born in 1958. She studied visual effects at the University of Arizona. She is best known for her work in Creature, Aliens, Spy Hard and Street Fighter. In 1987, she became the first woman to win an Oscar for special effects work in recognition for her work on the 1986 film Aliens. The film also won a BAFTA for special effects and a Saturn Award.
Roy Field was a British special effects artist in the film industry. He worked on the first seven James Bond films before joining the team of 1978's Superman. He experimented with using animation to depict the flight of Superman and also used optical printing techniques to depict bullets bouncing off his body. The team shared the 1978 Academy Award for Best Visual Effects and the 1978 Michael Balcon award for Outstanding British Contribution to Cinema. Field received two BAFTA nominations for visual effects on the Jim Henson films The Dark Crystal (1982) and Labyrinth (1986).
References
- ↑ "The 17th Academy Awards (1945) Nominees and Winners". oscars.org. Retrieved June 23, 2013.
