East Los Angeles College (ELAC) is a public community college in Monterey Park, California, a suburb of Los Angeles. It is part of the California Community Colleges System and the Los Angeles Community College District. With fourteen communities comprising its primary service area and an enrollment of 35,403 students, ELAC had the largest student body campus by enrollment in the state of California as of 2018. It was situated in northeastern East Los Angeles before that part of unincorporated East Los Angeles was annexed by Monterey Park in the early 1970s. ELAC offers associate degrees and certificates.
Edward Ralph Kienholz was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife, Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s.
The culture of Los Angeles is rich with arts and ethnically diverse. The greater Los Angeles metro area has several notable art museums including the Los Angeles County Museum of Art (LACMA), the J. Paul Getty Museum on the Santa Monica Mountains overlooking the Pacific, the Museum of Contemporary Art (MOCA), and the Hammer Museum. In the 1920s and 1930s Will Durant and Ariel Durant, Arnold Schoenberg and other intellectuals were the representatives of culture, in addition to the movie writers and directors. As the city flourished financially in the middle of the 20th century, culture followed. Boosters such as Dorothy Buffum Chandler and other philanthropists raised funds for the establishment of art museums, music centers and theaters. Today, the Southland cultural scene is as complex, sophisticated and varied as any in the world. Los Angeles is strongly influenced by Mexican American culture due to California formerly being part of Mexico and, previously, the Spanish Empire.
Estrada Courts is a low-income housing project in the Boyle Heights area of Los Angeles, California. It is located on E. Olympic Blvd & S. Lorena st.
Carlos D. Almaraz was a Mexican-American artist and a pioneer of the Chicano art movement. He was one of the founder of the Centro de Arte Público (1977–1979), a Chicano/Chicana arts organization in Highland Park, Los Angeles.
Los Four was a Chicano artist collective active based in Los Angeles, California. The group was instrumental in bringing the Chicano art movement to the attention of the mainstream art world.
Millard Owen Sheets was an American artist, teacher, and architectural designer. He was one of the earliest of the California Scene Painting artists and helped define the art movement. Many of his large-scale building-mounted mosaics from the mid-20th century are still extant in Southern California. His paintings are in the Metropolitan Museum of Art and the Whitney Museum in New York, the Chicago Art Institute, the National Gallery in Washington D.C.; and the Los Angeles County Museum.
Judy Fiskin is an American artist working in photography and video, and a member of the art school faculty at California Institute of the Arts. Her videos have been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at the Los Angeles County Museum of Art, the Hammer Museum in Los Angeles, and at the J. Paul Getty Museum in Los Angeles; her photographs have been shown at MOCA, the Museum of Contemporary Art in Los Angeles, at the Getty Museum in Los Angeles, at The New Museum in New York City, and at the Pompidou Center in Paris.
Helen Lundeberg (1908–1999) was an American painter. Along with her husband Lorser Feitelson, she is credited with establishing the Post-Surrealist movement. Her artistic style changed over the course of her career, and has been described variously as Post-Surrealism, Hard-edge painting and Subjective Classicism.
Fourteen Rembrandt paintings are held in collections in Southern California. This accumulation began with J. Paul Getty's purchase of the Portrait of Marten Looten in 1938, and is now the third-largest concentration of Rembrandt paintings in the United States. Portrait of Marten Looten is now housed at the Los Angeles County Museum of Art (LACMA).
Rico (Federico) Lebrun was an Italian-American painter and sculptor.
Judithe Hernández is an American artist and educator, she is known as a muralist, pastel artist, and painter. She is a pioneer of the Chicano art movement and a former member of the art collective Los Four. She is based in Los Angeles, California and previously lived in Chicago.
Virginia Dwan was an American art collector, art patron, philanthropist, and founder of the Dwan Light Sanctuary in Montezuma, New Mexico. She was the former owner and executive director of Dwan Gallery, Los Angeles (1959–1967) and Dwan Gallery New York (1965–1971), a contemporary art gallery closely identified with the American movements of minimalism, conceptualism, and land art.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
Dora De Larios was an American ceramist and sculptor working in Los Angeles. She was known for her work's clean lines and distinctive glazes, as well as for her line of tableware created under her family-run company Irving Place Studio. Also a muralist working with tile, De Larios was noted for her style, which reflects mythological and pan-cultural themes.
Sonia Amalia Romero is an American artist, she is known for her printmaking, mixed media linocut prints, murals, and public art based in Los Angeles. She is known for depicting Los Angeles, Latin American imagery, and Chicano themes in her work.
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
Vincent Valdez is an American artist born in San Antonio, Texas, who focuses on painting, drawing, and printmaking. His artwork often emphasizes themes of social justice, memory, and ignored or under-examined historical narratives. Valdez completed his B.F.A. at the Rhode Island School of Design in 2000. He lives and works in Houston, Texas, and is represented by the David Shelton Gallery (Houston) and Matthew Brown Gallery. Valdez's work has been exhibited at Museum of Fine Arts, Houston, Ford Foundation, Los Angeles County Museum of Art, National Portrait Gallery, Blanton Museum of Art, Parsons School of Design, and the Fundacion Osde Buenos Aires.
Elizabeth Sisco is an artist active in the Chicano art movement.
Chon A. Noriega is an American art historian, media scholar, and curator. Noriega is professor of cinema and media studies at UCLA School of Theater, Film and Television. He was also the director of the UCLA Chicano Studies Research Center (CSRC) from 2002 to 2021.
