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Soukous is a genre of dance music originating from the Democratic Republic of the Congo and the Republic of the Congo. It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo and longer dance sequences.
François Luambo Luanzo Makiadi was a Congolese musician. He was a major figure in 20th-century Congolese music, and African music in general, principally as the leader for over 30 years of TPOK Jazz, the most popular and significant African band of its time. He is referred to as Franco Luambo or simply Franco. Known for his mastery of African Rumba, he was nicknamed by fans and critics "Sorcerer of the Guitar" and the "Grand Maître of Zairean Music", as well as Franco de Mi Amor by female fans. His most known hit, "Mario", sold more than 200,000 copies and was certified gold.
Sam Mangwana, is a Congolese-born musician, born to an Angolan mother and Zimbabwean father. He was the frontman of his bands Festival des Maquisards and African All Stars. Mangwana was a member of François Luambo Makiadi's seminal band TPOK Jazz, and Tabu Ley Rochereau's bands African Fiesta, African Fiesta National and Afrisa International.
L'Orchestra African Fiesta, often known simply as African Fiesta, was a Congolese soukous band started by Tabu Ley Rochereau and Dr. Nico Kasanda in 1963.
Pascal-Emmanuel Sinamoyi Tabu, better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of Orchestre Afrisa International, as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with Mobutu, marked Africa's 20th century history." He was dubbed "the African Elvis" by the Los Angeles Times. After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and '80s.
Nyboma Mwan'dido, often simply Nyboma, a prominent Congolese soukous tenor vocalist, has been over a fifty-year span a leading member of several outstanding bands, including Orchestre Bella Bella, Orchestre Lipua Lipua, Orchestre Kamale, Les Quatre Étoiles, and Kékélé, in addition to performing and recording as a solo artist. He is widely recognized as one of the best singers in Congolese music.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Democratic Republic of the Congo and the Republic of the Congo. With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage. In December 2021, it was added to the UNESCO list of intangible cultural heritage.
Antoine Wendo Kolosoy, known as Papa Wendo, was a Congolese musician. He is considered the "doyen" of Congolese rumba, a musical style blending traditional Kongolese rhythm and son cubano.
Joseph Kiambukuta Londa, known as Josky Kiambukuta, was a Congolese performing artist, singer, songwriter and composer. As a member of TPOK Jazz he played alongside Franco during their most popular period in the mid-1960s until the late 1980s.
The G.V. Series were a series of 10 inch 78 rpm Gramophone records produced in Europe and the United States from 1933 to 1958, and exported to colonial Tropical Africa. They are credited with introducing Afro-Cuban music into modern African popular culture. The resulting re-interpretations influenced the creation of several genres of African popular music.
Pierre Moutouari is a Soukous singer from the Republic of Congo. A relatively popular and successful soloist during the post civil-war culture boom of the 1970s, Moutouari is one of the few contemporaries of the early Soukous era still at work today.
Gaspard Wuta Mayi, commonly known as Wuta Mayi, is a Congolese rumba and soukous vocalist and composer from the Democratic Republic of the Congo (DRC). From 1974 to 1982, he was a member of the band TPOK Jazz, led by Franco, which dominated the Congolese music scene from the 1960s through the 1980s. Since leaving TPOK Jazz he has recorded and performed as a solo artist, in addition to being one of the four members of the "supergroup" Les Quatre Etoiles, and subsequently a member of Kékélé.
Georges Kiamuangana Mateta, known professionally as Verckys, was a Congolese saxophonist, composer, bandleader, producer, record label founder, and music-business executive. He was renowned as a talented and prolific musician, and was the first indigenous African to own a record label, through which he introduced many major Congolese artists to the world.
Empompo "Deyesse" Loway, was a Congolese soukous recording artist, composer and saxophonist. He was a member of the soukous band TPOK Jazz, led by Franco Luambo, which dominated the Congolese music scene from the 1950s through the 1980s.
"Indépendance Cha Cha" was a song performed by Joseph Kabasele from the group L'African Jazz in the popular African Rumba style. The song has been described as "Kabasele's most memorable song" and one of the first Pan-African hits.
Editions Esengo was a record studio in the Congo, which is noted for assembling to their label Rock-a-Mambo, African Jazz, and Conga Jazz, three of the great powerhouse bands of Congolese rumba. Esengo is taken from the Lingala language, and is the word for "happiness" or "joy."
Radio Congo Belge was a radio broadcaster in the Belgian Congo which played an important role in the early development and popularisation of Congolese rumba music across Africa in the aftermath of World War II.
Bopol Mansiamina, also known as Bopol or Don Paolo, was a prolific and renowned Congolese musician. He recorded and performed extensively over four decades as a solo artist, as a member of leading African bands, and in support of many African musicians. Bopol was best known for his work in the 1980s and early 1990s as one of the four members of the Paris-based supergroup Les Quatre Etoiles and as a solo artist.
Syran Mbenza is a guitarist, originally from the Democratic Republic of the Congo, who has lived in Paris since about 1981. He has recorded and performed prolifically over five decades, including as a solo artist; as one of the four members of the popular soukous "supergroup" Les Quatre Étoiles; as a founding member of the acoustic, Congolese rumba revival band Kékélé; in other bands; and in support of numerous artists. He has been described as one of the greatest guitar players of Africa.
Franklin Boukaka was a Congolese baritone singer, guitarist, and songwriter who is recognized as a pioneer of Congolese popular music. He performed in bands based in each of "the two Congos," i.e., the countries now named the Republic of the Congo and the Democratic Republic of the Congo; toured worldwide; achieved broad popularity; took outspoken political stances; and is widely believed to have been the victim of an extrajudicial execution during an attempted coup in the Republic of the Congo.
References
- 1 2 3 4 Rumba on the River: A History of the Popular Music of the Two Congos By Gary Stewart, Chapter 5: "A Change in Mentality"
- ↑ Stewart, Gary (2000). Rumba on the river : a history of the popular music of the two Congos. London: Verso. p. 123. ISBN 1-85984-744-7.
- 1 2 "Rockamambo". Muzikifan.com. 2009-11-01. Retrieved 2010-06-27.
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