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Rodolfo Goulart Damaggio (born April 11, 1965) [1] is a Brazilian comic book artist, animator, concept artist and storyboard artist. [2]
Ziraldo Alves Pinto, known mononymously as Ziraldo, was a Brazilian author, painter, comics creator, and journalist. His books have sold about ten million copies, have been translated to many foreign languages and adapted to the theater and cinema. His children's books, such as the popular O Menino Maluquinho, have also been the basis of successful films and television series in Brazil.
Tarzanesque is a term created by Frenchman Francis Lacassin used to describe characters in comic books inspired by Tarzan. A tarzanesque character resembles Tarzan in his physical resourcefulness, within a line of action that includes an adventurous life in the jungle, the gift of understanding and being understood by animals, contact with lost civilizations and courage combined with the ability to deal with nature. The creation of such characters may have been propitiated by the success that Tarzan had achieved since his appearance in literature in 1912, culminating with the release of daily comic strips in 1929, which paved the way for a genre that combined the allure of the unknown environment, the need for the archetypal characteristics of the hero and the popularity of access.
Lourenço Mutarelli is a Brazilian comic book artist, writer and actor who became well regarded in the Brazilian underground comics scene in the late 1980s and 1990s.
The Guarani: Brazilian Romance is a 1857 Brazilian novel written by José de Alencar. It was first serialized in the newspaper Diário do Rio de Janeiro, but due to its enormous success Alencar decided to compile his writing in a volume. A plausible explanation for this success might be in the fact that the novel spoke of freedom and independence, arguing for a nativeness that could be found in tropical nature and in the indigenous people of Brazil.
Simon Schwartzman is a Brazilian social scientist. He has published extensively, with many books, book chapters and academic articles in the areas of comparative politics, sociology of science, social policy, and education, with emphasis on Brazil and Latin America. He was the President of the Brazilian Institute for Geography and Statistics (IBGE) and is a retired professor from the Federal University of Minas Gerais. He is member of the Brazilian Academy of Sciences, holder of the Grand Cross of the Brazilian Order of Scientific Merit (1996). He is currently associate researcher at the Institute for Studies in Economic Policy Instituto de Estudos de Política Econômica / Casa das Garças - Rio de Janeiro.
Beto Carrero was a Brazilian theme park owner and entertainer. He was the creator of the Beto Carrero World Park, in the municipality of Penha, on the northern coast of the Brazilian state of Santa Catarina, which is the largest theme park in Latin America and the third largest in the world.
Luis Carlos Verzoni Nejar, better known as Carlos Nejar, is a Brazilian poet, author, translator and critic, and a member of the Academia Brasileira de Letras. One of the most important poets of its generation, Nejar, also called "o poeta do pampa brasileiro", is distinguished for his use of an extensive vocabulary, alliteration, and pandeism. His first book, Sélesis, was published in 1960.
Jabaquara Atlético Clube, or simply Jabaquara, is a Brazilian football team based in Santos, São Paulo. Founded in 1914, it plays in Campeonato Paulista Segunda Divisão.
Yeda Pessoa de Castro is a Brazilian ethnolinguist. With a PhD in African Languages at the National University of Zaire, she is a Technical Consultant in African Languages for the Museu da Língua Portuguesa at the Estação da Luz in São Paulo, a Member of the Academia de Letras da Bahia and of the ANPOLL's GT de Literatura Oral e Popular. Also is a Permanent Member of the Brazilian Scientific Committee of the Project "Slave Route" by UNESCO.
Caipira is a Portuguese dialect spoken in the rural areas of the State of São Paulo and adjacent parts of neighbouring Mato Grosso do Sul, Goiás, Minas Gerais, and Paraná.
André Diniz is a Brazilian comics artist. He began working with comics in 1994 with the fanzine Grandes Enigmas da Humanidade, which had a circulation of 5,000 copies.
Guia dos Quadrinhos is a Brazilian comic book database created with the objective of cataloging all comics published in Brazil, whether graphic novels, magazines, fanzines or independent publications.
Marcelo D'Salete is a Brazilian comic book writer, illustrator and professor. He holds a master's degree in art history from the University of São Paulo.
Sábato Antonio Magaldi was a Brazilian theater critic, playwright, journalist, teacher, essayist and historian.
Lucio Luiz is a Brazilian journalist, writer, editor, podcaster and comics author. He holds a degree in Journalism and has Master's degree and Doctorate in Education.
Rodolfo Zalla was an Argentine comics artist. He started drawing comics while still in Argentina in 1953, but his career gained prominence after moving to Brazil with fellow comic artist José Delbo in 1963. He started producing comic strips of characters such as Targo, O Vingador and O Escorpião. He has worked for several comic book publishers and has produced stories in various genres, such as war and terror. He also produced Disney Comics about Zorro for editora Abril. In 1985, he was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. He remained active drawing comics until his death in 2016, at 84 years old.
Gedeone Malagola was a Brazilian comics artist and editor. He started his career in the 1940s, drawing for the newspaper A Marmita. He worked for several comic book publishers until he founded his own, Editora Júpiter. His main works were in the 1960s at GEP, where he created the superheroes Raio Negro, Hydroman and Homem Lua. In the late 1960s, Malagola wrote unofficial stories of the X-Men for GEP. In 1986, he was awarded the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Flavio Colin was a Brazilian comic artist and illustrator, considered one of the most important comic artists in Brazil. He began his career in the 1950s with an adaptation for the comic book radio series As Aventuras do Anjo, influenced by Milton Caniff, but began to gain prominence with the development of his own stylized artist style. In 1987, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years. He also won the Troféu HQ Mix in 1994 and 1995. Flávio Colin died in Rio de Janeiro on 2002.
Miguel Penteado was a Brazilian publisher, printer and comic artist. He started his career working at La Selva publishing house in the 1950s, illustrating horror comic book covers. In 1959, he founded, together with Jayme Cortez, the publishing house Continental with the objective of publishing only Brazilian comics. It was in this publishing house that Mauricio de Sousa debuted in comic books with Bidu. After leaving Outubro due to disagreements with Cortez and other partners, Penteado founded the publishing house GEP, which, among other publications, was responsible for part of the material from Marvel Comics in Brazil from 1969, publishing for the first time in the country characters like the Silver Surfer, the X-Men and Captain Marvel. He gave up working as a publisher in 1972, after having several of his magazines censored by the then Brazilian military dictatorship, retiring in 1980. In 1990, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Primaggio Mantovi is an Italian-born Brazilian comics artist. Born in Italy, he moved with his family to Brazil at age nine. He began his career at publishing house Rio Gráfica Editora (RGE) in 1964, where he produced around 200 magazine covers and wrote and illustrated comics about western and humor. In 1972, he released his own character at RGE, the clown Sacarrolha, who had his own comic book that was quite successful at the time. Mantovi also created the comic strip Dr. Zoo, o Veterinário, which was published in newspapers in Brazil, Cuba and the Netherlands. From 1973, Mantovi also worked with Disney comics at editora Abril, being responsible for the coordination of "Escolinha Disney", an Abril project that sought to create new talent for the then great Brazilian production of Disney comics. In 1991, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.