Roland Wilson (born 1956 in Leeds, West Yorkshire, England) is a British cornett player, and conductor based in Germany.
Roland Wilson originally studied trumpet at the Royal College of Music, London, then specializing in the baroque cornett. [1] After moving to Germany, he worked as a soloist for other ensembles, for example alongside fellow cornettist Bruce Dickey, in the March 1985 recording of the Heinrich Schütz Opus Ultimum with the Hilliard Ensemble and Knabenchor Hannover for EMI.
In 1976 he founded Musica Fiata, [2] an ensemble specialising in baroque wind music. Musica Fiata's first major recordings were supporting Kammerchor Stuttgart conducted by Frieder Bernius in Heinrich Schütz Symphoniae Sacrae III, Christmas and Resurrection oratorios and Psalmen Davids , and Monteverdi's Vespro della Beata Vergine from 1989-1991. The Wilson expanded Musica Fiata to include La Capella Ducale, a choir. Musica Fiata has recorded for DHM, Sony Vivarte, Glissando and CPO. [3]
Wilson is not the only cornettist to have founded his own ensemble; Jean Tubéry directs La Fenice, Arno Paduch directs the Johann Rosenmüller Ensemble, Bruce Dickey and trombonist Charles Toet direct Concerto Palatino.
Wilson regularly speaks at symposia and writes on early wind instrument construction, performance practice, and historical pitch. [4]
A sackbut is a type of trombone from the Renaissance and Baroque eras, characterised by a telescopic slide that is used to vary the length of the tube to change pitch. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide, with two parallel sliding tubes, which allows for playing scales in a lower range.
The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. It was used in what are now called alta capellas or wind ensembles. It is not to be confused with the trumpet-like cornet.
Giovanni Valentini was an Italian Baroque composer, poet and keyboard virtuoso. Overshadowed by his contemporaries, Claudio Monteverdi and Heinrich Schütz, Valentini is practically forgotten today, although he occupied one of the most prestigious musical posts of his time. He is best remembered for his innovative usage of asymmetric meters and the fact that he was Johann Kaspar Kerll's first teacher. The family name comes from deep roots in the native country of Greece. Well known for their classical music but also known for the family that branched off to the neighbouring country of Italy.
The tenor cornett or lizard was a common musical instrument in the Renaissance and Baroque periods. This instrument was normally built in C and the pedal (lowest) note of the majority of tenor cornetts was the C below middle C. A number of surviving instruments feature a key to secure the lowest note. The instrument has a useful range of approximately two and a half octaves, however, an experienced player with a strong embouchure may be able to push the instrument higher.
Pro Cantione Antiqua of London (PCA) is a British choral group which was founded in 1968 by tenor James Griffett, counter-tenor Paul Esswood, and conductor and producer Mark Brown. Their first concert was at St Bartholomew's, Smithfield with Brian Brockless conducting but, from an early stage, they were closely associated with conductor and musicologist Bruno Turner. Arguably, they were the leading British performers of a cappella music, especially early music, prior to the founding of the Tallis Scholars.
Konrad Junghänel is a German lutenist and conductor in the field of historically informed performance, the founder and director of the vocal ensemble Cantus Cölln.
Johann Vierdanck was a German violinist, cornettist, and composer of the Baroque period.
Peter Kooij is a Dutch bass singer who specializes in baroque music.
The mute cornett was an important variant of the treble cornett and it was used in compositions by European composers in the 16th, 17th and 18th centuries. A significant number of mute cornetts have survived and are preserved in various European museums. Modern makers of cornetts produce mute cornetts and the numbers of recordings of music featuring this instrument has increased in recent years.
Musikalische Exequien, Op. 7, SWV 279–281 is a sacred composition by Heinrich Schütz, dating from c. 1635/36. Written for the funeral services of Count Henry II, Count of Reuss-Gera, who had died on 3 December 1635, it is Schütz's most famous work of funeral music. It comprises the following sections:
Johann Schelle was a German Baroque composer.
Angst der Hellen und Friede der Seelen is a collection of sixteen settings of Psalm 116 in German, "Das ist mir lieb", commissioned by the Jena merchant Burckhard Grossmann in 1616 and eventually published in 1623. The composers are Heinrich Schütz, then in alphabetical order Michael Altenburg, Christoph Demantius, Nicolaus Erich, Andreas Finold, Melchior Franck, Abraham Gensreff, Johannes Groh, Johann Krause, Christian Michael, Daniel Michael, Rogier Michael, Tobias Michael, Michael Praetorius, Johann Hermann Schein and Caspar Trost. The settings range in complexity from that of Schütz, for 7 voices, down to settings for 3 or 2 voices. The setting of Schütz (SWV51) has been recorded several times, the whole collection was recorded by the Alsfelder Vocal Ensemble and Musica Fiata Köln under Wolfgang Helbich in August 1994.
Frieder Bernius is a German conductor, the founder and director of the chamber choir Kammerchor Stuttgart, founded in 1968. They became leaders for historically informed performances. He founded the Stuttgart festival of Baroque music, "Internationale Festtage Alter Musik", in 1987, and is a recipient of the Edison Award (1990), Diapason d'Or (1990) and the Order of Merit of the Federal Republic of Germany (1993).
Musica Fiata, also Musica Fiata Köln, is a German instrumental ensemble, founded in Cologne in 1976 by director Roland Wilson. According to AllMusic it is "appreciated for its dynamic vivacity, virtuosic precision, and the historical accuracy of its performance practices." The group has collaborated with La Capella Ducale on numerous occasions and has a reputation for performing Renaissance works and Baroque wind music.
Jean Tubéry is a French player of the cornett (cornetto) and conductor. He is noted for being, along with his own teacher Bruce Dickey and his colleague Jean-Pierre Canihac, one of the main cornett players to resurrect the baroque instrument, cornet à bouquin, as part of the historically informed performance movement and early music revival.
Bruce Dickey is an American cornett player. He is regarded as the doyen of the modern generation of cornett players, many of whom were his students at the Schola Cantorum Basiliensis and Early Music Institute at Indiana University, or students of his students. In 1987 he founded the ensemble Concerto Palatino with the Dutch baroque trombonist Charles Toet, following the name of the original eight-man Concerto Palatino della Signoria di Bologna of San Petronio which was famed from 1530 to 1800. He is married to the American singer and conductor Candace Smith, with whom he founded Artemisia Editions, which specializes in publishing editions of 17th-century Italian sacred music.
The Concerto Palatino was a wind ensemble and important civic institution in Bologna associated with San Petronio. The band performed morning and evening concerts in the city.
Gabriela Eibenová is a Czech soprano in opera and concert, specialising in music of the Baroque and classical period in historically informed performance.
His Majestys Sagbutts & Cornetts (HMSC) is a British early music group founded in 1982. The ensemble presently consists of three cornetts and four sackbuts, with chamber organ or harpsichord. The group frequently collaborates with other instrumentalists and singers, and has an extensive discography on Hyperion Records and other labels.