Max Bruch's Romance for Violin and Orchestra in A minor, Op. 42, was composed in 1874. Bruch had intended the piece to form the first movement of a projected second violin concerto. [lower-alpha 1] [1] [2] However the composer found himself unable to progress beyond the first movement and chose to publish the work as a standalone concert piece dedicated to violinist Robert Heckmann who along with Joseph Joachim had assisted Bruch with the violin part. [lower-alpha 2] [3]
Bruch started work on what he had planned to be his second violin concerto while preparing to conduct his choral work Odysseus: Szenen aus der Odyssee, Op. 41 in Cologne, by the 11th of February he had completed the first movement and indicated to friends that he had beginnings of the projected second and third movements. However, perhaps due to personal issues, most notably a relationship with Amalie Heydweiller, which Christopher Fitfield speculates may have been the inspiration for the completed movement, Bruch found himself unable to complete the remaining movements. His decision to publish the work as a single movement concert piece, was based in part on the positive reception of his friends to the completed movement. [4]
The composition is scored for solo violin and an orchestra comprising strings, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 trumpets, 4 horns and timpani.
The composition consists of a single movement marked Andante sostenuto and typical performances last between 10 and 12 minutes.
Max Bruch was a German Romantic composer, violinist, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a staple of the violin repertoire.
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto. Since then it has become one of the best-known and regularly performed violin concertos.
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
A violin concerto is a concerto for solo violin and instrumental ensemble. Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire.
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti:
The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's.
Felix Mendelssohn's Violin Concerto in E minor, Op. 64, MWV O 14, is his last concerto. Well received at its premiere, it has remained among the most prominent and highly-regarded violin concertos. It holds a central place in the violin repertoire and has developed a reputation as an essential concerto for all aspiring concert violinists to master, and usually one of the first Romantic era concertos they learn. A typical performance lasts just under half an hour.
The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.
The Scottish Fantasy in E-flat major, Op. 46, is a composition for violin and orchestra by Max Bruch. Completed in 1880, it was dedicated to the virtuoso violinist Pablo de Sarasate.
Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in solo violin repertoire and, along with the Scottish Fantasy, the composer's most famous work. It has been recorded often.
The Violin Concerto in A minor, Op. 53, is a violin concerto composed by Antonín Dvořák in 1879. It was premiered in Prague on 14 October 1883.
Ernst Friedrich Karl Rudorff was a German composer and music teacher, also a founder of nature protection movement.
Max Bruch's Violin Concerto No. 2 in D minor, Op. 44 was composed during 1877, following a failed attempt in 1874, and dedicated to the great Spanish violinist, Pablo de Sarasate. It was premiered in London by Sarasate, conducted by Bruch, on 4 November 1877.
Max Bruch's Violin Concerto No. 3 in D minor, Op. 58, was composed in 1891 and dedicated to the violinist/composer Joseph Joachim, who had persuaded him to expand a single movement concert piece into a full violin concerto.
Max Bruch's Serenade in A minor, Op. 75 is a composition for violin and orchestra that was composed in Cologne in 1899.
The Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88, is a composition by Max Bruch which was composed in 1911. It premiered on 5 March 1912 in Wilhelmshaven by the piece's dedicatees, violist Willy Hess and the composer's son and clarinet soloist, Max Felix Bruch. The score however was published 23 years after the composer's death, finally being released in 1942.
The Concerto for Two Pianos and Orchestra, Op. 88a, was written by Max Bruch in 1912. It is in 4 movements, written in the rarely seen key of A-flat minor, and takes about 25 minutes to perform.
Elisabeth Johanna Lamina Kuyper was a Dutch Romantic composer and conductor.
A concert piece is a musical composition, in most cases in one movement, intended for performance in a concert. Usually it is written for one or more virtuoso instrumental soloists and orchestral or piano accompaniment.
The Piano Concerto in A minor, Op. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann. She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn.
The String Octet in B♭ major, Op. posth., was composed by Max Bruch for four violins, two violas, cello and double bass. Completed in 1920, the year of his death, it is his last work and would not be published until 1996. The work is also known under the name Concerto for String Orchestra (Octet).