Sir Francis Leg(g)att Chantrey was an English sculptor. He became the leading portrait sculptor in Regency era Britain, producing busts and statues of many notable figures of the time. Chantrey's most notable works include the statues of King George IV ; King George III (Guildhall), and George Washington. He also executed four monuments to military heroes for St Paul's Cathedral, London. He left the Chantrey Bequest for the purchase of works of art for the nation, which was available from 1878 after the death of his widow.
Tilman Riemenschneider was a German sculptor and woodcarver active in Würzburg from 1483. He was one of the most prolific and versatile sculptors of the transition period between late Gothic and Renaissance, a master in stone and limewood.
Gabriel Hayes (1909–1978) was an Irish artist born in Dublin. She was a sculptor and medallist who studied in Dublin, France, and Italy and was also an accomplished painter.
Donald Steele Potter was an English sculptor, wood carver, potter and teacher.
Dibden Purlieu is a village situated on the edge of the New Forest in Hampshire, England. The village merges with the nearby town of Hythe. It is in the civil parish of Hythe and Dibden.
The Church of Our Lady in Bruges, Belgium, dates mainly from the 13th, 14th and 15th centuries. This church is essentially "...a monument to the wealth, sophistication, taste, and devotion of this most Catholic city, whose history and faith stand today celebrated in this wonderful building."
Charles John Allen was a British sculptor, and a figure in the New Sculpture movement.
St Margaret's Church is an Anglican church in the Ifield neighbourhood of Crawley, a town and borough in West Sussex, England. It is the ancient parish church of the village of Ifield; the medieval settlement was expanded to form one of the New Town of Crawley's 13 neighbourhoods, and the church's modern parish now serves several other neighbourhoods as well.
Alan Collins was an English-born sculptor noted for his work at Guildford Cathedral. After continuing his career in England, Collins moved to the United States and continued working there as an artist and, for more than 20 years, as a professor of art at Seventh-day Adventist universities.
Alan Lydiat Durst (1883–1970) was a British sculptor and wood carver and member of the London Group of artists. Three of Durst's work are held in the permanent collection of Tate Gallery.
John Stephen Skelton MBE FRBS was a British letter-cutter and sculptor.
Thomas Earp (1828–1893) was a British sculptor and architectural carver who was active in the late 19th century. His best known work is his 1863 reproduction of the Eleanor Cross which stands at Charing Cross in London. He specialised in sculpture for Gothic Revival churches and worked closely with the architect George Edmund Street in the 1860s and 1870s.
Denis Alva Parsons MBE ARBS was an English sculptor and carver in wood and stone, working in the tradition of "direct carving" technique and figurative bronzes.
Guy Jocelyn Reid is a British sculptor, best known for creating portraits carved from limewood. He currently lives and works in Benque d’Aurignac in South West France.
Lilias Marianne Ar de Soif Farley was a Canadian painter, sculptor, designer, and muralist in realism and abstraction. In 1967, she was awarded the Centennial Medal for Service to the Nation in the Arts. She was an alumna of the Vancouver School of Decorative and Applied Arts and was a member of the school's first graduating class.
Angela Godfrey is an English sculptor and Member of the Royal Society of Sculptors.
Robert Mawer was an architectural sculptor, based in Leeds, West Yorkshire, England. He specialised in the Gothic Revival and Neoclassical styles. He created the Neoclassical keystone heads on St George's Hall, Bradford and on Moorland's House, Leeds, and was working on the keystone heads at Leeds Town Hall when he died. He was a founding member of the Mawer Group of Leeds architectural sculptors, which included his wife, Catherine Mawer, his son Charles Mawer, and his apprentices William Ingle, Matthew Taylor and Benjamin Payler, who all became sculptors with their own careers. Many of the buildings enhanced with sculpture by Robert Mawer are now listed by Historic England.
Catherine Mawer was an architectural sculptor who worked alongside her husband Robert Mawer, then following his death in 1854 she ran the family stone yard as a master sculptor at Great George Street, Leeds, West Yorkshire, England, until 1859. The other master sculptor in her 1854–1859 company, which was known as Mrs Mawer, was her nephew William Ingle who supervised the stone yard and onsite works from 1854. Her apprentices were Matthew Taylor, Benjamin Payler, and her son Charles Mawer. All the apprentices later had independent careers as sculptors. After her son came of age in 1870, she continued working alongside Charles and her nephew William in the partnership Mawer and Ingle at the same address. Catherine was a founder member of the Mawer Group, which comprised all of the above Leeds architectural sculptors. During her lifetime, the Mawer group produced some strongly lifelike and often unflattering portraits, full of movement, including portraits of men with overhanging moustaches and cavernous mouths. These portraits continued after the deaths of Robert Mawer and William Ingle, but stopped appearing at her death in 1877. It is therefore reasonable to conclude that this style of work was her own.
Charles Mawer (1839–1903) was an architectural sculptor, based in Leeds, West Yorkshire, England. He was the son of sculptors Robert and Catherine Mawer and the cousin of William Ingle. He was apprenticed to his father, and worked within the partnership Mawer and Ingle alongside his cousin William and his own mother between 1860 and 1871, and then ran the stone yard himself until he formed a partnership with his fellow-apprentice Benjamin Payler in 1881. Following that date, his whereabouts and death are unknown. His last major work for Mawer and Ingle was Trent Bridge, where he carved alone, following the death of William Ingle. He is noted for his work on the rebuilding of the mediaeval Church of St Michael and All Angels, Barton-le-Street, completed in 1871, where he repaired and recreated damaged and missing Romanesque carvings, and for his carving on William Swinden Barber's 1875 Church of St Matthew, Lightcliffe. Charles' last known work ornaments another Barber church: the 1880 Church of St Thomas the Apostle, Killinghall. Charles was a member of the Mawer Group of Leeds architectural sculptors, which included those mentioned above, plus Matthew Taylor.
