Rosa Branson MBE (born 1933) is a British painter and fabric designer, [1] living in Highgate, London. She is the daughter of Clive Branson [2] and Noreen Branson, and a second cousin of Richard Branson.
Rosa graduated from the Camberwell School of Art as a painter, [3] and after studying at the Slade School, she trained under Professor Helmut Ruhemann, the Chief Restorer of the National Gallery, and spent six years copying works by the Old Masters at the National Gallery in London.
In her career, Rosa has worked in fabric collage design, watercolour and glass design, but her main speciality is the Old Masters oil painting technique of layering subtle glazes of translucent paint over each other. In Rosa's words she is painting the 'modern world using the Old Masters technique'.
In a career spanning over 60 years, she has covered a variety of topics, including portraiture, still life, landscape, as well as producing many large-scale charity paintings for organisations such as Oxfam, the Red Cross, and the Salvation Army. In 2010 recognised for her achievements in art and charity work with the MBE.
Rosa is associated with The Worlington Movement, which seeks to promote classical training for art students and to assist young artists in acquiring essential skills in drawing and oil painting. She runs a busy studio in Highgate, assisting in the development of artists such as Heath Rosselli Yuliya Lennon Tanja Hassel, Tracy Field, Cynthia Anatole, Dawn Kay and Sandra Busby. [4]
Born to Clive and Noreen Branson, Rosa had a remarkable upbringing. Both of her parents came from a wealthy background but decided to abandon their privileged lives to join the Communist Party and live in Battersea. Her mother later became a historian of the Communist Party. Her father, a successful artist, was killed in Burma at the age of 36, which had a profound effect on Rosa. Before his death, her father has promised to teach her to paint, which made Rosa determined to become a real painter.
After graduating from Camberwell School of Art, Rosa realised that she hadn't acquired the painting skill she needed to paint her visions. She joined the Slade, but found that the school teaching methods still did not meet her needs and went on to learn by copying various works by artists such as Rembrandt, Turner, El Greco at the National Gallery. Noticed by the Chief restorer, Professor Helmut Ruhemann, she received guidance and tuition from him for the next six years.
Rosa's work first found recognition in her early 20s when she was admitted to the prestigious Royal Academy. Rosa's second subject in Camberwell was embroidery and when she had small children she stopped painting and applied her training at the National Gallery to creating fabric collages using the glazing technique of Old Masters. She completed over 100 collages.
Rosa works every day, with no weekends and very occasional holidays. She gets up at 5 o'clock and starts work at 9, with her day finishing at 5 pm. She has followed the same working pattern for over 60 years, which has allowed her to produce an enormous volume of work. She believes that it is hard work that makes a successful painter, and that great works of art can only be created by combining great ideas with great skill.
Rosa has completed over 600 paintings, which include a variety of subjects. In the last 20 years, the majority of her paintings are large-scale (5 feet by 8 feet) to fit the scope of her charity paintings. Examples of Rosa's paintings in publicly owned British collections can be found on the Art UK website. [5]
London Group
Private collections:
Sir Terence Ernest Manitou Frost RA was a British abstract artist, who worked in Newlyn, Cornwall. Frost was renowned for his use of the Cornish light, colour and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognised figure of the British art establishment.
Clive Ali Chimmo Branson was an English artist and poet, and an active communist in the 1930s. A number of his paintings are in the Tate Gallery. His wife was Noreen Branson. Their daughter is the artist Rosa Branson.
Noreen Branson was a British communist activist, historian, founder of Revolt newspaper, and a life-long member of the Communist Party of Great Britain (CPGB). In 1931 she married fellow communist and International Brigadeer, Clive Branson, and in 1934 she carried out a mission for Harry Pollitt to smuggle funding to Indian communists resisting the British colonial occupation of India. Noreen Branson was most known for her work as a historian, working as a researcher for the Labour Research Department, collaborating with historians Eric Hobsbawm and Roger Simon, and writing the 3rd and 4th volumes of the CPGB's official history.
Pauline Boty was a British painter and co-founder of the 1960s' British Pop art movement of which she was the only acknowledged female member. Boty's paintings and collages often demonstrate a joy in self-assured femininity and female sexuality, as well as criticism of the "man's world" in which she lived. Her rebellious art, combined with her free-spirited lifestyle, has made Boty a herald of 1970s' feminism.
Euan Ernest Richard Uglow was a British painter. He is best known for his nude and still life paintings, such as German Girl and Skull.
The Portrait of Philip IV or Philip IV in Brown and Silver is a portrait of Philip IV of Spain painted by Diego Velázquez. It is sometimes known as Silver Philip and is now in the National Gallery in London. It was the main portrait of Philip painted by Velázquez in the 1630s, used as the model for many workshop versions.
The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in.
Eileen Forrester Agar was an Argentine-British painter and photographer associated with the Surrealist movement.
Lubaina Himid is a British artist and curator. She is a professor of contemporary art at the University of Central Lancashire. Her art focuses on themes of cultural history and reclaiming identities.
Sarah Natasha Raphael was an English artist best known for her portraits and draughtsmanship.
Andrew Murray Forge was an English painter, academic, and art critic.
David Gommon was a British painter born in Battersea, South London.
Frances Richards was a British painter, embroiderer, and illustrator.
Yolanda Paulina Tamara Sonnabend was a British theatre and ballet designer and painter, primarily of portraits.
Edith Martineau was a British watercolour painter.
Louisa Starr, later Louisa Canziani was a British painter.
Blanche Jenkins was a British portrait painter.
Sheila May Girling, Lady Caro was a British artist who worked across painting, collage and clay. She was one of the first British artists to use acrylic medium and is known for working directly on the floor to immerse herself in the detail of her canvases. Girling was married to the sculptor Sir Anthony Caro.
Edith Marguerite Galliner, née Goldschmidt, (1914–2000) was an Anglo-German artist who painted in acrylic and produced pottery, collages and etchings. Galliner was born in England but grew up in Germany only to return to England when the Nazi Party came to power in 1933. After the Second World War she divided her time between Britain and Germany and exhibited work in both countries.
Sheila Mary Denning (1920–2015) was a British painter.