Gentrification is the process whereby the character of a neighborhood changes through the influx of more affluent residents and investment. There is no agreed-upon definition of gentrification. In public discourse, it has been used to describe a wide array of phenomena, sometimes in a pejorative connotation.
Urban sociology is the sociological study of cities and urban life. One of the field’s oldest sub-disciplines, urban sociology studies and examines the social, historical, political, cultural, economic, and environmental forces that have shaped urban environments. Like most areas of sociology, urban sociologists use statistical analysis, observation, archival research, census data, social theory, interviews, and other methods to study a range of topics, including poverty, racial residential segregation, economic development, migration and demographic trends, gentrification, homelessness, blight and crime, urban decline, and neighborhood changes and revitalization. Urban sociological analysis provides critical insights that shape and guide urban planning and policy-making.
Spatial politics is an interdisciplinary field that analyses the ways in which space and geographic location influence political processes, power relations, and social dynamics. It examines how spatial arrangements, urban planning, and territorial boundaries impact societal structures and the distribution of resources, privileges, and disadvantages among different groups.
Feminist geography is a sub-discipline of human geography that applies the theories, methods, and critiques of feminism to the study of the human environment, society, and geographical space. Feminist geography emerged in the 1970s, when members of the women's movement called on academia to include women as both producers and subjects of academic work. Feminist geographers aim to incorporate positions of race, class, ability, and sexuality into the study of geography. The discipline was a target for the hoaxes of the grievance studies affair.
Écriture féminine, or "women's writing", is a term coined by French feminist and literary theorist Hélène Cixous in her 1975 essay "The Laugh of the Medusa". Cixous aimed to establish a genre of literary writing that deviates from traditional masculine styles of writing, one which examines the relationship between the cultural and psychological inscription of the female body and female difference in language and text. This strand of feminist literary theory originated in France in the early 1970s through the works of Cixous and other theorists including Luce Irigaray, Chantal Chawaf, Catherine Clément and Julia Kristeva, and has subsequently been expanded upon by writers such as psychoanalytic theorist Bracha Ettinger. who emerged in this field in the early 1990s,
Krzysztof Wodiczko is a Polish artist known for his large-scale slide and video projections on architectural facades and monuments. He has realized more than 80 such public projections in Australia, Austria, Canada, England, Germany, Holland, Ireland, Israel, Italy, Japan, Mexico, Poland, Spain, Switzerland, and the United States.
Martha Rosler is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, site-specific and performance, as well as writing about art and culture. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport.
Lorraine O'Grady was an American artist, writer, translator, and critic. Working in conceptual art and performance art that integrates photo and video installation, she explored the cultural construction of identity – particularly that of Black female subjectivity – as shaped by the experience of diaspora and hybridity. O'Grady studied at Wellesley College and the University of Iowa Writers' Workshop before becoming an artist at age forty-five. Regarding the purpose of art, O'Grady said in 2016: "I think art's first goal is to remind us that we are human, whatever that is. I suppose the politics in my art could be to remind us that we are all human."
Mark Andrew LeVine is an American historian, musician, writer, and professor. He is a professor of history at the University of California, Irvine.
Alexis Jan Atthill Hunter was a New Zealand painter and photographer, who used feminist theory in her work. She lived and worked in London UK, and Beaurainville France. Hunter was also a member of the Stuckism collective. Her archive and artistic legacy is now administered by the Alexis Hunter Trust.
Edward William Soja was an urbanist, a postmodern political geographer and urban theorist. He worked on socio-spatial dialectic and spatial justice.
Neil Robert Smith was a Scottish geographer and Marxist academic. He was Distinguished Professor of Anthropology and Geography at the Graduate Center of the City University of New York, and winner of numerous awards, including the Globe Book Award of the Association of American Geographers. Smith is known for his analysis of gentrification and his influential rent-gap theory.
Bracha Lichtenberg Ettinger is an Israeli-French artist, writer, psychoanalyst and philosopher based in France. Born in Mandatory Palestine, she lives and works in Paris. She is a feminist theorist and artist in contemporary New European Painting who invented the concepts of the matrixial space, Matrixial Gaze and related concepts around trauma, aesthetics and ethics. Ettinger is a professor at European Graduate School in Saas-Fee, Switzerland and at GCAS, Dublin. In 2023, she was part of the Finding Committee for the Artistic Director of Documenta's 2027 edition. She resigned from that role with a public letter intended to open a radical discussion in the artworld, following the administration's rejection of her request for a pause due to the attacks on civilians in Israel and in Gaza and the ongoing heavy losses of life.
Griselda Frances Sinclair Pollock is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual culture. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history, and gender studies. She is renowned for her innovative feminist approaches to art history which aim to deconstruct the lack of appreciation and importance of women in art as other than objects for the male gaze.
Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
Feminist ethics is an approach to ethics that builds on the belief that traditionally ethical theorizing has undervalued and/or underappreciated women's moral experience, which is largely male-dominated, and it therefore chooses to reimagine ethics through a holistic feminist approach to transform it.
Feminist art criticism emerged in the 1970s from the wider feminist movement as the critical examination of both visual representations of women in art and art produced by women. It continues to be a major field of art criticism.
Elke Krasny is a cultural and architectural theorist, urban researcher, curator, and author. Her work specializes in architecture, contemporary art, urbanism, feminist museology, histories and theories of curating, critical historiographies of feminism, politics of remembrance, and their intersections. Krasny received her Ph.D. from the University of Reading. She is Professor of Art and Education at the Academy of Fine Arts Vienna. She worked as a visiting professor at the University of Bremen and the Academy of Fine Arts Nuremberg. In 2012 she was visiting scholar at the Canadian Centre for Architecture CCA, Montréal. In 2014, she was City of Vienna Visiting Professor at the Interdisciplinary Centre for Urban Culture and Public Space (SKuOR) at the Vienna University of Technology. Using the framework of political care ethic developed by Joan Tronto, Krasny works on developing a perspective of critical care for architectural and urban practice and theory. In 2019, together with Angelika Fitz she edited Critical Care. Architecture and Urbanism for a Broken Planet.
Feminist urbanism is a theory and social movement concerning the impact of the built environment on women. The theory aims to understand what it means to be a woman in an urban space and what struggles and opportunities women encounter in these environments.
Mechtild Widrich is an Austrian art historian, curator, and Professor at the School of the Art Institute of Chicago.
