A round-robin story, or simply "round robin", is a type of collaborative fiction or storytelling in which a number of authors write chapters of a novel or pieces of a story, in rounds. Round-robin novels were invented in the 19th century, and later became a tradition particularly in science fiction. In modern usage, the term often applies to collaborative fan fiction, particularly on the Internet, though it can also refer to friends or family telling stories at a sleepover, around a campfire, etc.
Laurence van Cott Niven is an American science fiction writer. His 1970 novel Ringworld won the Hugo, Locus, Ditmar, and Nebula awards. With Jerry Pournelle he wrote The Mote in God's Eye (1974) and Lucifer's Hammer (1977). The Science Fiction and Fantasy Writers of America gave him the 2015 Damon Knight Memorial Grand Master Award.
Michael John Moorcock is an English–American writer, particularly of science fiction and fantasy, who has published a number of well-received literary novels as well as comic thrillers, graphic novels and non-fiction. He has worked as an editor and is also a successful musician. He is best known for his novels about the character Elric of Melniboné, which were a seminal influence on the field of fantasy in the 1960s and 1970s.
A storytelling game is a game where multiple players collaborate on telling a spontaneous story. Usually, each player takes care of one or more characters in the developing story. Some games in the tradition of role-playing games require one participant to take the roles of the various supporting characters, as well as introducing non-character forces, but other systems dispense with this figure and distribute this function among all players.
Abraham Grace Merritt – known by his byline, A. Merritt – was an American Sunday magazine editor and a writer of fantastic fiction.
Steve Rune Lundin, known by his pseudonym Steven Erikson, is a Canadian novelist who was educated and trained as both an archaeologist and anthropologist.
Foreshadowing is a narrative device in which a storyteller gives an advance hint of what is to come later in the story. Foreshadowing often appears at the beginning of a story, and it helps develop or subvert the audience's expectations about upcoming events.
Interactive storytelling is a form of digital entertainment in which the storyline is not predetermined. The author creates the setting, characters, and situation which the narrative must address, but the user experiences a unique story based on their interactions with the story world. The architecture of an interactive storytelling program includes a drama manager, user model, and agent model to control, respectively, aspects of narrative production, player uniqueness, and character knowledge and behavior. Together, these systems generate characters that act "human," alter the world in real-time reactions to the player, and ensure that new narrative events unfold comprehensibly.
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories, presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action.
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. The term is an anglicisation of French narratologie, coined by Tzvetan Todorov. Its theoretical lineage is traceable to Aristotle (Poetics) but modern narratology is agreed to have begun with the Russian formalists, particularly Vladimir Propp, and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in The Dialogic Imagination (1975).
Marc Laidlaw is an American writer. He is a former lead writer for the video game company Valve, where he worked on the Half-Life series before his departure in 2016. Before joining Valve, Laidlaw was a novelist working in the fantasy and horror genres, and in 1996 won the International Horror Guild Award for his novel The 37th Mandala.
Collaborative fiction is a form of writing by a group of authors who share creative control of a story.
An addventure, also known as a collaborative gamebook, is a type of online interactive fiction that combines aspects of round-robin stories and Choose Your Own Adventure-style tales. Like a round-robin story, an addventure is a form of collaborative fiction in which many authors contribute to a story, each writing discrete segments. However, like a gamebook, the resulting narrative is non-linear, allowing authors to branch out in different directions after each segment of the story. The result is a continually growing work of hypertext fiction.
Slice of life is a depiction of mundane experiences in art and entertainment. In theater, slice of life refers to naturalism, while in literary parlance it is a narrative technique in which a seemingly arbitrary sequence of events in a character's life is presented, often lacking plot development, conflict, and exposition, as well as often having an open ending.
Laura J. Mixon is an American science fiction writer and a chemical and environmental engineer. In 2011, she began publishing under the pen name Morgan J. Locke. Under that name, she is one of the writers for the group blog Eat Our Brains.
Lance Weiler is an American filmmaker and writer from Pennsylvania, and the Director of the Digital Storytelling Lab at Columbia University School of the Arts. He first was known for The Last Broadcast (1997), a found footage horror film which he co-wrote, co-produced, co-directed, and co-starred in with Stefan Avalos. The Last Broadcast made cinematic history on October 23, 1998 as the first all-digital release of motion picture to be stored and forwarded via geosynchronous satellite. Initially working as an assistant cameraman and camera operator on large commercial shoots, in Pennsylvania and later New York City, Weiler is known for increasing work in experimental combinations of film, AI, gaming, and related media.
Transmedia storytelling is the technique of telling a single story or story experience across multiple platforms and formats using current digital technologies.
Round-robin may refer to:
King's Man is the third novel of the eight-part Outlaw Chronicles series by British writer of historical fiction Angus Donald, released on 21 July 2011 through Little, Brown and Company.
Lady of the Forest: A Novel of Sherwood is a 1992 historical fiction novel by American author Jennifer Roberson. A re-telling of the Robin Hood legend from the perspective of twelve characters associated with the legend, the story centers around English noblewoman Lady Marian FitzWalter's encounters with Lord Robert of Locksley and his scheming rival the Sheriff of Nottingham amid the backdrop of Prince John's schemes – he aims to increase his own wealth and power at the expense of post-Conquest England and his brother, King Richard.
Twitterature is a literary use of the microblogging service of X. It includes various genres, including aphorisms, poetry, and fiction written by individuals or collaboratively. The 280-character maximum imposed by the medium, upgraded from 140 characters in late 2017, provides a creative challenge.