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Roy Dowell is an American contemporary visual artist, based in California. [1]
He was born in 1951 in New York City [2] and his work combines collage and painted elements, and elements of mass media to create abstract compositions. [3]
Dowell has had a solo installation at the Los Angeles County Museum of Art. His work is in the collections of that museum, and of the Los Angeles Museum of Contemporary Art, the Hammer Museum of UCLA, Berkeley Museum of Art and the Oakland Museum.[ citation needed ]
In 1990, Dowell established a graduate fine arts department at Otis College of Art and Design in Westchester. [4] In 2010, the Ben Maltz Gallery of the school showed "The Story of O", with work by twenty graduates of the department. [5] He was a "critic's pick" in the May 2010 issue of ARTnews . [6]
He has been awarded a J. Paul Getty Fellowship in the Visual Arts, and has served as artist in residence at the Anderson Ranch Arts Center, Snowmass, Colorado.[ citation needed ]
He is partnered to artist Lari Pittman. [7] [8]
Paul Edmund Soldner was an American ceramic artist and educator, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku. He was the founder of the Anderson Ranch Arts Center in 1966.
The Museum of Contemporary Art, Los Angeles (MOCA) is a contemporary art museum with two locations in greater Los Angeles, California. The main branch is located on Grand Avenue in Downtown Los Angeles, near the Walt Disney Concert Hall. MOCA's original space, initially intended as a temporary exhibit space while the main facility was built, is now known as the Geffen Contemporary and located in the Little Tokyo district of downtown Los Angeles. Between 2000 and 2019, it operated a satellite facility at the Pacific Design Center facility in West Hollywood.
Otis College of Art and Design is a private art and design school in Los Angeles, California, United States. Established in 1918, it was the city's first independent professional school of art. The main campus is located in the former IBM Aerospace headquarters at 9045 Lincoln Boulevard in Westchester, Los Angeles. The school's programs, accredited by the WSCUC and National Association of Schools of Art and Design, include BFA and MFA degrees.
Alison Saar is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
The Ben Maltz Gallery at the Otis College of Art and Design was an art space in Los Angeles, California, that closed permanently in 2020.
Nancy Chunn is an American artist based in New York, New York. Known for her commitment to geopolitical issues, Chunn’s work includes a diverse range of paintings.
Kenneth Price was an American artist who predominantly created ceramic sculpture. He studied at the Chouinard Art Institute and Otis Art Institute in Los Angeles, before receiving his BFA degree from the University of Southern California in 1956. He continued his studies at Chouinard Art Institute in 1957 and received an MFA degree from New York State College of Ceramics at Alfred University in 1959. Kenneth Price studied ceramics with Peter Voulkos at Otis and was awarded a Tamarind Fellowship.
Enrique Martínez Celaya is a contemporary Cuban-born painter, sculptor, author and former physicist whose work has been exhibited and collected by major international institutions. He trained and worked as a laser physicist, completing all coursework for his doctorate, before devoting himself full-time to his artwork. He holds master's degrees in physics and fine arts and has authored books on art and philosophy as well as scientific articles. He is currently a Montgomery Fellow at Dartmouth College, and the Provost Professor of Humanities and Arts at USC.
Mark Dean Veca is an American artist based in Altadena, California. He creates paintings, drawings and large-scale installations.
The Rosamund Felsen Gallery is one of the longest-running art galleries in Los Angeles, California, involved in and influencing the broader American art community since its establishment in 1978. The gallery has operated four locations since its inception: first on La Cienega Boulevard in Los Angeles, then on Santa Monica Boulevard in West Hollywood, later at Bergamot Station in Santa Monica, and finally in the Arts District, Los Angeles in Downtown Los Angeles.
Meg Linton is an American curator of contemporary art and a writer. Her curatorial efforts have ranged from historical investigations such as "Doin’ It in Public: Feminism and Art at the Woman’s Building", "The Los Angeles School: Karl Benjamin, Lorser Feitelson, Frederick Hammersley, June Harwood, Helen Lundeberg, John McLaughlin", and "In the Land of Retinal Delights: The Juxtapoz Factor" to showcasing the work of single artists who are stylistically different such as "Alison Saar: STILL.. .", "Robert Williams: Through Prehensile Eye," and "Joan Tanner: On Tenderhook" to group exhibitions such as "Mexicali Biennial 2010," "Do It Now: Live Green!" and "Tapping the Third Realm."
Tameka Norris, also known as T.J. Dedeaux-Norris and Meka Jean, is an American visual and performing artist. Norris uses painting, sculpture, and performance art to create work about racial identity and the simultaneous visibility and invisibility of blackness through cultural appropriation in modern society. Her work critiques the presence of the Black body in the history of painting and fine art.
Lari George Pittman is a Colombian-American contemporary artist and painter. Pittman is an Emeritus Distinguished Professor of Painting and Drawing at the UCLA School of the Arts and Architecture.
Renée Petropoulos, is an American contemporary artist, and educator. She lives in the Venice neighborhood of Los Angeles, California.
James Hayward is a contemporary abstract painter who lives and works in Moorpark, California. Hayward's paintings are usually divided in two bodies of work: flat paintings (1975-1984) and thick paintings. He works in series, some of which are ongoing, and include The Annunciations, The Stations of the Cross, the Red Maps, Fire Paintings, Smoke Paintings, Sacred and Profane and Nothing's Perfect series.
Ayin Es is a self-taught visual artist, writer, musician (drummer), and book artist from Los Angeles, California. They have written articles for Coagula Art Journal and the Huffington Post. As a musician, they played for 20 years as an R&B drummer touring and recording drums with various artists. They played drums on Rickie Lee Jones' Ghostyhead album in 1997.
Cindy Bernard is a Los-Angeles based artist whose artistic practice comprises photography, video, performance, and activism. In 2002, Cindy Bernard founded the Society for the Activation of Social Space through Art and Sound, which presents site-relational experimental music. Her numerous Hitchcock references have been discussed in Dan Auiler's Vertigo: The Making of a Hitchcock Classic (1998), essays by Douglas Cunningham and Christine Spengler in The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage and Commemoration (2012) and Spengler's Hitchcock and Contemporary Art (2014).
Audrey Chan is a Chinese-American Los Angeles–based artist, writer, and educator known for her research-based projects that articulate political and cultural identities through her allegorical narrative and the feminist construct of "the personal is political." Her works include paintings, digital compositions, installation, video, public performance, murals and symposiums.
Doug Harvey is an artist, curator and writer based in Los Angeles. For 15 years he was a freelance arts writer and Lead Art Critic for LA Weekly and during his tenure there was considered “one of the most important voices on art in the city” by editor Tom Christie, "an art critic who is read all over the country, is smart, snappy, original, has an independent open eye, a quick wit, is not boring and never academic" by New York Magazine critic Jerry Saltz, and "a master of the unexpected chain-reaction of thought" by Pulitzer Prize winning LA Times critic Christopher Knight.
Lynn Aldrich is an American sculptor whose diverse works draw on a wide range of high and low cultural influences and materials. Her work can range from what art writers describe as "slyly Minimalist meditations" on color, light and space to whimsical "Home Depot Pop" that reveals and critiques the excesses—visual, formal and material—of unbridled consumption. Critics Leah Ollman and Claudine Ise of the Los Angeles Times have described Aldrich's art, respectively, as a "consumerist spin on the assemblage tradition" and a "witty and inventive brand of kitchen-sink Conceptualism" LA Weekly critic Doug Harvey calls her "one of the most under-recognized sculptors in L.A.," whose hallmarks are the poetic transformation of found/appropriated materials, formal inventiveness and restless eclecticism. Aldrich has exhibited at the Museum of Contemporary Art, Los Angeles (MOCA), Los Angeles County Museum of Art (LACMA), Hammer Museum, Santa Monica Museum of Art, and venues throughout the United States and Europe. She has been recognized with a Guggenheim Fellowship (2014) and public art collection acquisitions by LACMA, MOCA Los Angeles and the Portland Art Museum, among others.