Russell Lord

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Russell Lord (born 1977) is an American writer and curator working in the field of photography and the history of art. He is currently the Director of Exhibitions and Curatorial Initiatives at the American Federation of Arts. Previously he served as the Freeman Family Curator of Photographs, Prints, and Drawings at the New Orleans Museum of Art, a position he held from October 2011 to April 2023. [1]

Contents

Life and work

Lord was born and raised in Massachusetts and Virginia. He received a B.A. in art history and French from James Madison University in 2000, and an M.Phil. in art history from The Graduate Center of the City University of New York in 2009. His graduate work focused on 19th-century French and British photography and its relationship to printmaking. [2]

Prior to his graduate work, Lord worked at the Yale University Art Gallery in the Department of Prints, Drawings, and Photographs from 2000 to 2003. [3] During that time he coordinated the production of a major monograph on photographer Emmet Gowin’s aerial work, Changing the Earth. [2]

While enrolled as a graduate student, Lord was awarded a Jane and Morgan Whitney Fellowship to continue research on his doctoral dissertation and participate in the activities of the Metropolitan Museum of Art’s Department of Photographs. [4] During the course of the two-year fellowship, he researched the Met's collection of early photography, and presented excerpts from two chapters of his dissertation. [4] Lord organized an exhibition for the Johnson Galleries at the Met and assisted Malcolm Daniel on the exhibition Stieglitz, Steichen, Strand. [5]

In 2011, Lord accepted the position of "Freeman Family Curator of Photographs, Prints, and Drawings" at the New Orleans Museum of Art. [1] Since arriving at the museum, Lord has organized dozens of exhibitions on historic and contemporary photographs, prints, and drawings, working with artists such as Willie Birch, Edward Burtynsky, [6] Lee Friedlander, [7] Dawn DeDeaux, Vera Lutter, [8] and more. In conjunction with these exhibitions, Lord organized and participated in a variety of programs, including interviewing Pulitzer Prize winning writer Tony Kushner about his work on the Steven Spielberg film Lincoln. [9]

In 2013, Lord organized Gordon Parks: The Making of an Argument, an exhibition about the process behind Gordon Parks’ first photographic essay for LIFE magazine. [10] The exhibition originated at NOMA then traveled to five other venues: The Faulconer Gallery at Grinnell College, [11] The Fralin Museum of Art at the University of Virginia, [12] The Frances Lehman Loeb Art Center at Vassar College, [13] and the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley. [14]

During his time at NOMA, Lord has increased the museum's photography collection by over 30%, bringing the collection's total to around 12,000 works. [15] Along with museum Director Susan M. Taylor, Lord helped organize the creation and endowment in 2013 of the A. Charlotte Mann and Joshua Pailet Gallery, a gallery dedicated to photographic works on paper. [16] In 2018, the photography department was promised a donation of 1,300 photographs from the collection of Tina Freeman by artists such as Dorothea Lange, Sally Mann, Irving Penn, and Alfred Stieglitz. [17] This donation was hailed as the “largest and most significant single gift of photographs in the institution’s history.” [18]

In 2018, Lord published Looking Again: Photography at the New Orleans Museum of Art in conjunction with Aperture and the New Orleans Museum of Art. [15] The book, a survey of the museum's photography collection, examines 131 photographic objects, many of which "actively embraced [photography's] curious connection to death and its unique capacity to simultaneously record reality and warp it." [19]

In 2019, Lord secured another major gift for the photography department, when Del and Ginger Hall established a fund to support the department's activities. [20] As Ginger Hall explained, “[Lord] nurtured a relationship that’s helped us grow and consider ways we might inspire others.” [20] Also that year, In 2019, Lord was a visiting instructor at the University of New Orleans, teaching a class on the history of photography and curatorial practice.

It was announced in February, 2021, that NOMA was bequeathed Dr. H. Russell Albright's important photography collection of over 350 works. Primarily masterworks by contemporary photographers such as Thomas Ruff, Cindy Sherman, Lorna Simpson, and Hiroshi Sugimoto, the collection also includes some excellent examples of earlier twentieth-century photography by such artists as Brassaï, Bill Brandt, Man Ray, and many others. “Russell Albright’s eye was incredibly discerning, a trait that is visible across his collection, be it in his selection of a rich modernist print from the 1930s or a powerful contemporary photograph” said Lord. “Albright never shied away from adventurous or even controversial images, amassing a collection that is as critical as it is beautiful.” [21]

Lord serves on the advisory board of The Gordon Parks Foundation, and is an at-large board member of the New Orleans Photo Alliance. He lives in New Orleans with his wife and two children.

In April 2023, Lord was appointed Director of Exhibitions and Curatorial Initiatives at the American Federation of Arts. https://www.amfedarts.org/afa-staff/

Selected exhibitions curated by Lord

Books and essays

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References

  1. 1 2 "NOMA Names Russell Lord New Curator Of Photographs". New Orleans Museum of Art. 17 October 2011. Retrieved 22 April 2020.
  2. 1 2 Blaustein, Jonathan (16 April 2015). "Russell Lord NOMA Curator of Photographs Interview – Part 1". A Photo Editor. Retrieved 23 April 2020.
  3. ↑ Russeth, Andrew (14 September 2011). "Met Photo Fellow Russell Lord Heads to New Orleans Museum of Art". Observer. Retrieved 22 April 2020.
  4. 1 2 The Metropolitan Museum of Art Former Fellows: 2009-2014 (PDF). The Metropolitan Museum of Art. pp. 29, 37. Retrieved 22 April 2020.
  5. ↑ "Three Masters of 20th-Century Photography Featured in Stieglitz, Steichen, Strand at Metropolitan Museum". Metropolitan Museum of Art. Retrieved 22 April 2020.
  6. 1 2 Bookhardt, D. Eric. "Review: Edward Burtynsky's Water". Gambit Weekly. Retrieved 22 April 2020.
  7. 1 2 Harrison, Alexa Renee (June 2018). "Lee Friedlander in Louisiana". My New Orleans. Retrieved 23 April 2020.
  8. 1 2 "Vera Lutter: Inverted Worlds". Artsy. Retrieved 23 April 2020.
  9. ↑ "Tony Kushner In Conversation With Russell Lord". New Orleans Museum of Art. 31 March 2014. Retrieved 22 April 2020.
  10. 1 2 Fussell, Genevieve (28 October 2013). "Gordon Parks: The Making of an Argument". New Yorker. Retrieved 22 April 2020.
  11. ↑ "Gordon Parks' Photos and German Expressionist Prints to Open at Faulconer Gallery Jan. 23". Our Grinnell. January 8, 2015. Retrieved 22 April 2020.
  12. ↑ "Gordon Parks - The Making of an Argument". UVA Fralin Art Museum. Retrieved 22 April 2020.
  13. ↑ "Gordon Parks: The Making of an Argument". Vassar College. Retrieved 22 April 2020.
  14. ↑ Berger, Maurice (11 November 2015). "Gordon Parks's Harlem Argument". The New York Times Lens Blog. Retrieved 22 April 2020.
  15. 1 2 3 Lord, Russell (2018). Looking Again: Photography at the New Orleans Museum of Art. New York: Aperture, New Orleans Museum of Art. p. 7. ISBN   978-1-59711-442-4.
  16. ↑ "New Orleans Museum Of Art Names Gallery In Honor Of Joshua Mann Pailet And His Mother, Charlotte, Establishing An Endowment For Photography Initiatives". New Orleans Museum of Art. 5 November 2013. Retrieved 23 April 2020.
  17. ↑ "New Orleans Museum of Art Gifted More than 1,300 Works from Tina Freeman Collection". ArtForum. September 11, 2018. Retrieved 23 April 2020.
  18. ↑ Massa, Dominic (September 11, 2018). "New Orleans Museum of Art announces largest photography gift in its history". WWL New Orleans. Retrieved 23 April 2020.
  19. ↑ Teicher, Jordan G. (January 10, 2019). "The Strange, the Surreal and the Downright Scary". The New York Times. Retrieved 23 April 2020.
  20. 1 2 "Del and Ginger Hall establish a fund to support NOMA's photography department". New Orleans Museum of Art. 9 January 2020. Retrieved 4 May 2020.
  21. ↑ "New Orleans Museum of Art Acquires Transformative Gift of Photography from Dr. Russell Albright". Art Fix Daily. Retrieved 8 February 2021.
  22. ↑ "Making a Mark: The Dorothy and Herbert Vogel Collection". New Orleans Museum of Art. Retrieved 22 April 2020.
  23. ↑ "What is a Photograph?". New Orleans Museum of Art. Retrieved 22 April 2020.
  24. ↑ "Shadow and Light". New Orleans Museum of Art. Retrieved 22 April 2020.
  25. ↑ "The Story in Pictures: Social Documents from the Permanent Collection". New Orleans Museum of Art. Retrieved 22 April 2020.
  26. ↑ "Photography at NOMA". New Orleans Museum of Art. Retrieved 22 April 2020.
  27. ↑ "Photo-Unrealism". New Orleans Museum of Art. Retrieved 23 April 2020.
  28. ↑ Hasselle, Della (22 January 2015). "NOMA premiers new work by artist Josephine Sacabo". Mid City Messenger. Retrieved 23 April 2020.
  29. ↑ Esker, Fritz. "NOMA's 'Ten Years Gone' reflects on Katrina's 10th Anniv". Louisiana Weekly. Retrieved 23 April 2020.
  30. ↑ "Paper Negatives". New Orleans Museum of Art. Retrieved 23 April 2020.
  31. ↑ "Kenneth Josephson: Photography Is". New Orleans Museum of Art. Retrieved 23 April 2020.
  32. ↑ "Something in the Way: A Brief History of Photography and Obstruction". New Orleans Museum of Art. Retrieved 23 April 2020.
  33. ↑ Lord, Russell (June 2017). "Restlessly Inventive". 64 Parishes. Retrieved 23 April 2020.
  34. ↑ "Past, Present & Future: Photography at NOMA". Inside NOLA. Retrieved 23 April 2020.
  35. ↑ "You Are Here: A Brief History of Photography and Place". Country Roads Magazine. Retrieved 22 April 2020.
  36. ↑ Lord, Russell (2013). Gordon Parks: The Making of an Argument. Steidl. ISBN   978-3869307213.
  37. ↑ Lord, Russell (2013). Edward Burtynsky: Water. Steidl. ISBN   978-3869306797.
  38. ↑ Lord, Russell; Waggoner, Diane; Rabb, Jennifer (2017). East of the Mississippi: Nineteenth Century American Landscape Photography. Yale University Press. ISBN   978-0300224016.
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