Ruthless Records | |
---|---|
Founded | 1981 |
Founder | John Kezdy Jon Babbin |
Defunct | 1990 |
Genre | Punk rock, noise rock |
Country of origin | United States |
Location | Chicago, Illinois |
Ruthless Records was the name of a Chicago punk record label. Founded in 1981 by the Effigies, it was not a real business, but a name used by Chicago and Minneapolis punk bands from 1981 to 1990: Big Black, the Effigies, [1] End Result, Naked Raygun, [2] Rifle Sport and Urge Overkill. The Effigies operated the label from its creation in 1981 until 1984, when they found the label to be distracting from their priorities with the band. They handed the label over to Big Black founder Steve Albini, who ran the label until it dissolved in 1990.
Ruthless Records was an independent label run as a cooperative by Jon Babbin (later founder of Criminal IQ Records), The Effigies, Naked Raygun and Steve Albini of Big Black fame. After the release of The Effigies' Haunted Town EP, frontman John Kezdy was dissatisfied with the way Autumn Records handled their expenses and decided to start the label with Babbin. Naked Raygun and Big Black came on board shortly after and all three acts worked together to get their initial records released. It wasn't really a company or anything of that sort, just a way for these bands to get their records out. [1] The bands themselves were pretty much responsible for the creation and costs of their own records; Ruthless was just a central name/address to give the appearance of a record company to join like-minded bands.
The latter half of Ruthless' existence (from about 1985 on) was run almost exclusively by Steve Albini and most of the releases were by bands outside Chicago. [3] The label ended around 1990.
Urge Overkill is an American alternative rock band, formed in Chicago, consisting of Nathan Kaatrud, who took the stage name Nash Kato (vocals/guitar), and Eddie "King" Roeser. They are widely known for their song "Sister Havana" and their cover of Neil Diamond's "Girl, You'll Be a Woman Soon", which was used in Quentin Tarantino's Pulp Fiction. Oui, their latest album, was released in 2022.
Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded by singer and guitarist Steve Albini, the band's initial lineup also included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black's two full-length studio albums, Atomizer (1986) and Songs About Fucking (1987).
Naked Raygun is an American punk rock band that formed in Chicago in 1980. The band was active from 1980 to 1992, along with reunion shows in 1997, and since 2006.
Jeffrey Neal "Jeff" Pezzati is the lead singer of the Chicago punk band Naked Raygun. From 1983 to 1985, he also played bass for the band Big Black. In 1980 Pezzati was asked to audition for Naked Raygun. Pezzati passed the audition and became the band's longest-running member. The band has been credited by Dave Grohl of Nirvana/Foo Fighters fame for inspiring the then 13 year old Grohl to get into punk music.
Santiago Alonso Durango is a Colombian–American attorney and retired musician. He is best known for his work with the 1980s punk rock groups Naked Raygun and Big Black.
Criminal IQ Records is an independent record label based in Chicago, Illinois, founded by Jon Babbin and Darius Hurley to facilitate releases from Chicago's no-wave/punk scene that began in around 2003. Notable releases include garage pop-punk band M.O.T.O.'s LP Kill Moto, the Functional Blackouts' self-titled LP, and dark wave psyche punk band Vee Dee's Furthur LP.
Steve Albini was an American musician and audio engineer who was a member of the influential post-hardcore and noise rock bands Big Black (1981–1987), Rapeman (1987–1989) and Shellac (1992–2024). He was the founder, owner, and principal engineer of the Chicago recording studio Electrical Audio, where he recorded thousands of records, for acts including Nirvana, Pixies, the Breeders, PJ Harvey, the Jesus Lizard and Jimmy Page and Robert Plant.
Pegboy is an American punk band from Chicago, Illinois with a relatively large cult following. They were founded in 1990 by John Haggerty, along with his brother Joe Haggerty, Larry Damore (vocals/guitar), and Steve Saylors (bass). Both Damore and Saylors had been members of the Chicago-based hardcore band Bhopal Stiffs, whose 1987 demo had been produced by John Haggerty. Pegboy's 1990 debut EP, "Three-Chord Monte", was also the first release by Quarterstick Records, an offshoot of Touch and Go Records. Steve Saylors dropped out in 1992 after job commitments prevented him from touring. Steve Albini, a longtime friend of the band, filled the bass slot on the "Fore" EP. Former Naked Raygun bassist Pierre Kezdy became the permanent bass player in 1994. After the reformation of Naked Raygun, Mike Thompson took over for Kezdy on bass.
The Effigies were an American punk band from Chicago. The band played its first show in 1980 and was active initially for approximately a decade, undergoing multiple personnel changes with frontman John Kezdy the only constant, before disbanding in 1990. The band released 5 albums and several EPs, most on the record label they founded in 1981, Ruthless Records, which was distributed by Enigma. Later albums were on the Fever Records and Roadkill Records labels. They toured the U.S. and Canada and played notable venues, including CBGB, Maxwell's, First Avenue, Mabuhay Gardens, Paycheck's (Detroit), Exit (Chicago) and The Rathskeller, among others. They also received a significant amount of national airplay on college radio at a time when it was the only medium for alternative music.
Breaking Circus was a post-punk band from the 1980s, based in Chicago and later Minneapolis, founded by guitarist and vocalist Steve Björklund.
David Michael Riley was an American musician who was the bassist in the punk rock band Big Black from 1985 until the band's dissolution in 1987. Riley moved to Chicago in 1982 from Detroit, where he had worked as a recording engineer. He played on Big Black's two studio albums, Atomizer (1986) and Songs About Fucking (1987), as well as their Headache EP (1987), several singles, and two live albums. After Big Black, Riley recorded tracks with several other artists before being incapacitated by a stroke in 1993, losing the ability to walk. He became a blogger, and published a book in 2006 titled Blurry and Disconnected: Tales of Sink-or-Swim Nihilism. He died in late 2019 from squamous cell carcinoma.
Flour is the musical project and nickname of Minneapolis musician Pete Conway, who wrote songs and played bass guitar in the bands Rifle Sport and Breaking Circus until the mid-1980s. He released four solo albums on Touch and Go Records from 1988 to 1994 on which he plays most of the instruments himself. Flour toured as a live band twice with a lineup that featured ex-Big Black guitarist Steve Albini on bass and former Breaking Circus percussionist Todd Trainer on drums before they went on to form the band Shellac. Flour's solo recordings feature the drum machine sound characteristic of Big Black, which was also toyed with by many other independent rock bands in the Midwest during that time period. Flour's third solo album Machinery Hill was described by Allmusic's Richard Foss as "an oddball masterpiece of grinding guitar, fluid bass, hammering drums, and very creative ideas".
Bulldozer is the second EP by American punk rock band Big Black, released in 1983. It was their first release to feature an actual band performing, including Pat Byrne from Urge Overkill playing drums on some of the songs in addition to the Roland TR-606 drum machine that provided rhythm tracks on all of Big Black's records.
Racer-X is the third EP by American post-hardcore band Big Black. It was released by Homestead Records in 1985 and reissued by Touch and Go Records in 1992.
You Weren't There: A History of Chicago Punk, 1977–1984 is a 2007 documentary film about punk subculture in Chicago from 1977 through 1984. The film was written and directed by Joe Losurdo and Christina Tillman, and profiles the punk bars and local bands that gave rise to the city's punk rock scene in the late 1970s and early 1980s. Losurdo was the one-time bass player for the Chicago-based 1980s hardcore band, Life Sentence, although his group is not profiled in the movie. Reviewer Max Goldberg of the San Francisco Bay Guardian called the film "a thrillingly exhaustive survey of early Chicago punk."
Basement Screams is the debut EP by American punk rock band Naked Raygun, released on Ruthless Records in 1983. Quarterstick Records reissued the EP in 1999, and added the street version of "I Lie" and the 222 S. Morgan St. sessions as bonus material. The 1982 Morgan St. sessions feature the band's original line-up, which would change significantly by the time the band went into the studio to record Basement Screams the following year, and then again with the release of Naked Raygun's first full-length LP.
Throb Throb is an album by American punk rock band Naked Raygun, released on Homestead Records in 1985. It was the first of the band's releases to feature the musicianship of John Haggerty whose guitar playing distinguished the band's sound during the 1980s. Quarterstick Records reissued the album in 1999, and added an early version of "Libido" as bonus material, which originally appeared on the Flammable Solid 7".
Iain Burgess was an English record producer and audio engineer. He helped define the sound of the Chicago post-punk music scene in the 1980s and early 1990s. Burgess worked with a number of key underground bands including: Big Black, Naked Raygun, The Effigies, Rifle Sport, Toothpaste, Get Smart!, Ministry, Green, Bloodsport, Pegboy, Poster Children, and Bhopal Stiffs.
All Rise is the second full-length album recorded by Chicago punk rock band Naked Raygun in 1985 and released on LP by Homestead Records in 1986. When Quarterstick Records re-released all of Naked Raygun's early albums in the late 90s, two bonus tracks were added to the CD album.
Mark Panick is an American musician, bandleader and songwriter best known for fronting the underground rock groups Bonemen of Barumba and Razorhouse.