| S.A.-Mann Brand | |
|---|---|
 | |
| Directed by | Franz Seitz Sr. |
| Written by | Curt J. Braun Joe Stöckel |
| Produced by | Franz Seitz Sr. |
| Starring | Heinz Klingenberg Wera Liessem Rolf Wenkhaus |
| Edited by | Gottlieb Madl |
| Music by | Toni Thoms |
Production company | |
Release date |
|
Running time | 94 minutes |
| Country | Germany |
| Language | German |
S.A.-Mann Brand (Storm Trooper Brand) is a German film made around the time that Adolf Hitler became Chancellor of Germany. It was released in mid-June 1933.
The film presents the story of a truck driver, Fritz Brand, who joins the Nazi Sturmabteilung to defend Germany against communist subversion orchestrated from Moscow. He persuades his social circle of the imminent danger and the need to support Hitler in the federal election.
S.A.-Mann Brand was the first feature-length film by the Nazis to cover the SA. It was filmed in Munich by Bavaria Film under the direction of Franz Seitz Sr. and a low budget. It was one of three propaganda films about the rise of the Nazi Party, along with Hitlerjunge Quex and Hans Westmar , made in 1933. [1] It was written by Joe Stöckel. Over 1,600 extras were used for the film. [2]
The film was approved by censors on 9 June 1933, and released on 14 June. [3] An incident occurred at opening night at the Gloria-Palast where thousands of SA and SS members walked out at the orders of Adolf-Heinz Beckerle. Beckerle claimed that the publicity posters were created by a Polish person and ordered them removed, but the owners of Gloria-Palast refused to. [4] It was released in the United States as A Romance of Our Day. [2]
A review in The New York Times noted favorably the film's production value and the absence of any anti-Semitic message but also expressed contempt for its unsophisticated plot. [5] The film performed poorly even with the Nazi press as Der Angriff criticized Seitz for not having "the talent nor the competence necessary for a film of this importance". [6]
Nazism made extensive use of the cinema throughout its history. Though it was a relatively new technology, the Nazi Party established a film department soon after it rose to power in Germany. Both Adolf Hitler and his propaganda minister, Joseph Goebbels, used the many Nazi films to promote the party ideology and show their influence in the burgeoning art form, which was an object of personal fascination for Hitler. The Nazis valued film as a propaganda instrument of enormous power, courting the masses by means of slogans that were aimed directly at the instincts and emotions of the people. The Department of Film also used the economic power of German moviegoers to influence the international film market. This resulted in almost all Hollywood producers censoring films critical of Nazism during the 1930s, as well as showing news shorts produced by the Nazis in American theaters.
Otto Karl Robert Wernicke was a German actor. He is best known for his role as police inspector Karl Lohmann in the two Fritz Lang films M and The Testament of Dr. Mabuse.
The Hymn of Leuthen is a 1933 German film depicting Frederick the Great, directed by Carl Froelich starring Otto Gebühr, Olga Chekhova and Elga Brink. It was part of the cycle of nostalgic Prussian films popular during the Weimar and Nazi eras. The title refers to the 1757 Battle of Leuthen.
Refugees is the 1933 German drama film, directed by Gustav Ucicky and starring Hans Albers, Käthe von Nagy, and Eugen Klöpfer. It depicts Volga German refugees persecuted by the Bolsheviks on the Sino-Russian border in Manchuria in 1928.
Hans Westmar was the last of an unofficial trilogy of films produced by the Nazis shortly after coming to power in January 1933, celebrating their Kampfzeit – the history of their period in opposition, struggling to gain power. The film is a partially fictionalized biography of the Nazi martyr Horst Wessel.
I for You, You for Me is a 1934 German drama film directed by Carl Froelich and starring Ruth Eweler, Karl Dannemann and Carl de Vogt. It was made as a propaganda film in support of the Nazi regime's Reich Labour Service and the League of German Girls. It promoted the concepts of blood and soil.
Unternehmen Michael is a 1937 German film directed by Karl Ritter, the first of three films about the First World War which he made during the period when the Third Reich was rearming.
The Ruler is a 1937 German drama film directed by Veit Harlan. It was adapted from the play of the same name by Gerhart Hauptmann. Erwin Leiser calls it a propagandistic demonstration of the Führerprinzip of Nazi Germany. The film's sets were designed by the art director Robert Herlth. Location shooting took place around Oberhausen and Pompeii near Naples. It premiered at the Ufa-Palast am Zoo in Berlin.
Hitlerjunge Quex,, is a 1933 German film directed by Hans Steinhoff, based on the similarly named 1932 novel Der Hitlerjunge Quex by Karl Aloys Schenzinger. It was released in the United States as Our Flag Leads Us Forward.
Jürgen Ohlsen was a German actor best remembered for portraying "Heini "Quex" Völker" in the 1933 Nazi propaganda film Hitlerjunge Quex.
Robert and Bertram is a 1939 German musical comedy film directed by Hans H. Zerlett and starring Rudi Godden, Kurt Seifert, and Carla Rust. It premiered in Hamburg on 7 July 1939. It was based on the 1856 play Robert and Bertram by Gustav Räder about two wandering vagrants which had been adapted into several film versions including a Polish film of the same title the previous year. It was set in 1839.
The Burning Secret is a 1933 Austrian-German drama film directed by Robert Siodmak and starring Alfred Abel, Hilde Wagener and Hans Joachim Schaufuß. It was based on the 1913 novella of the same title by Stefan Zweig. It was released by the German branch of Universal Pictures. It was shot at the EFA Studios in Berlin and on location around Ascona in Switzerland. The film's sets were designed by the art director Robert A. Dietrich.
Robert Koch is a 1939 Nazi propaganda film directed by Hans Steinhoff and starring Emil Jannings, Werner Krauss and Viktoria von Ballasko. The film was a biopic of the German pioneering microbiologist Robert Koch (1843–1910). It was shot at the Johannisthal Studios in Berlin and premiered at the city's Ufa-Palast am Zoo. The film was made by the Tobis Film company, and was also distributed in the United States by the largest German studio UFA.
The Gasman is a 1941 German comedy film directed by Carl Froelich and starring Heinz Rühmann, Anny Ondra and Walter Steinbeck. It was shot at the Tempelhof Studios in Berlin and premiered in the city's Gloria-Palast. The film's sets were designed by Walter Haag. It was made by Froelich's separate production unit, and distributed by the major studio UFA.
The Beautiful Adventure is a 1932 West German romantic comedy film directed by Reinhold Schünzel and starring Käthe von Nagy, Wolf Albach-Retty and Alfred Abel. It was shot at the Babelsberg Studios in Berlin and premiered at the city's Gloria-Palast cinema. The film's sets were designed by the art director Werner Schlichting. A separate French language version was also made.
Frederica is a 1932 German historical musical drama film directed by Fritz Friedmann-Frederich and starring Mady Christians, Hans-Heinz Bollmann and Veit Harlan. It is based on the 1928 operetta of the same name by Franz Lehar which depicts the love affair between Friederike Brion and the young Goethe.
A City Upside Down is a 1933 German comedy film directed by Gustaf Gründgens and starring S.Z. Sakall, Jenny Jugo and Hermann Thimig. It is based on the 1836 play The Government Inspector by Nikolai Gogol. A separate Czech adaptation of the story The Inspector General was made the same year.
Between Heaven and Earth is a 1934 German historical drama film directed by Franz Seitz and starring Rudolf Klein-Rogge, Heinz Klingenberg, Attila Hörbiger and Karin Hardt. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art director Max Seefelder. It is based on the 1856 novel of the same title by Otto Ludwig which was subsequently remade as a 1942 film.
Ball at the Metropol is a 1937 German drama film directed by Frank Wisbar and starring Heinrich George, Heinz von Cleve and Hilde Weissner. The film's sets were designed by the art directors Fritz Maurischat and Anton Weber. It was based on the 1888 novel Irrungen, Wirrungen by Theodor Fontane. It premiered at the Gloria-Palast in Berlin.
The Tannhof Women is a 1934 German drama film directed by Franz Seitz and starring Rudolf Klein-Rogge, Paul Richter and Ursula Grabley. It was distributed in America in 1936 and reviewed by the New York Times.
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