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Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Geoffrey Charles Ryman is a Canadian writer of science fiction, fantasy, slipstream and historical fiction. Ryman has written and published seven novels, including an early example of a hypertext novel, 253. He has won multiple awards, including the World Fantasy Award.
William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans, a "combination of lowlife and high tech"—and helped to create an iconography for the Information Age before the ubiquity of the Internet in the 1990s. Gibson coined the term "cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s.
Speculative and science fiction writers have often addressed the social, political, technological, and biological consequences of pregnancy and reproduction through the exploration of possible futures or alternative realities.
The Science Fiction Research Association (SFRA), founded in 1970, is the oldest, non-profit professional organization committed to encouraging, facilitating, and rewarding the study of science fiction and fantasy literature, film, and other media. The organization’s international membership includes academically affiliated scholars, librarians, and archivists, as well as authors, editors, publishers, and readers. In addition to its facilitating the exchange of ideas within a network of science fiction and fantasy experts, SFRA holds an annual conference for the critical discussion of science fiction and fantasy where it confers a number of awards, and it produces the quarterly publication, SFRA Review, which features reviews, review essays, articles, interviews, and professional announcements.
The Graduate Student Paper Award is presented by the Science Fiction Research Association to the outstanding scholarly essay read at the annual conference of the SFRA by a graduate student.
Pamela Sargent is an American feminist, science fiction author, and editor. She has an MA in classical philosophy and has won a Nebula Award.
Science fiction is an important genre of modern Japanese literature that has strongly influenced aspects of contemporary Japanese pop culture, including anime, manga, video games, tokusatsu, and cinema.
The literary genre of science fiction is diverse, and its exact definition remains a contested question among both scholars and devotees. This lack of consensus is reflected in debates about the genre's history, particularly over determining its exact origins. There are two broad camps of thought, one that identifies the genre's roots in early fantastical works such as the Sumerian Epic of Gilgamesh. A second approach argues that science fiction only became possible sometime between the 17th and early 19th centuries, following the scientific revolution and major discoveries in astronomy, physics, and mathematics.
Lawrence F. McCaffery Jr. is an American literary critic, editor, and retired professor of English and comparative literature at San Diego State University. His work and teaching focuses on postmodern literature, contemporary fiction, and Bruce Springsteen. He also played a role in helping to establish science fiction as a major literary genre.
Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto" in 2004, signed by author Geoff Ryman and "The Clarion West 2004 Class". The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
Christopher D. Evans is a British science fiction writer and children's author. His novels include Capella's Golden Eyes (1980); The Insider (1981); Mortal Remains (1995); and Ice Tower (2000). He is the co-editor of three original SF anthologies, Other Edens (1987); Other Edens II (1988); and Other Edens III (1989).
There have been many attempts at defining science fiction. This is a list of definitions that have been offered by authors, editors, critics and fans over the years since science fiction became a genre. Definitions of related terms such as "science fantasy", "speculative fiction", and "fabulation" are included where they are intended as definitions of aspects of science fiction or because they illuminate related definitions—see e.g. Robert Scholes's definitions of "fabulation" and "structural fabulation" below. Some definitions of sub-types of science fiction are included, too; for example see David Ketterer's definition of "philosophically-oriented science fiction". In addition, some definitions are included that define, for example, a science fiction story, rather than science fiction itself, since these also illuminate an underlying definition of science fiction.
Science fiction studies is the common name for the academic discipline that studies and researches the history, culture, and works of science fiction and, more broadly, speculative fiction.
Martin Livings is an Australian author of horror, fantasy and science fiction. He has been writing short stories since 1990 and has been nominated for both the Ditmar Award and Aurealis Award. Livings resides in Perth, Western Australia.
The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer. Gibson's early short fiction is recognized as cyberpunk's finest work, effectively renovating the science fiction genre which had been hitherto considered widely insignificant.
Rodica Bretin is a Romanian writer specialized in history and fantastic literature.
Andrea Hairston is an African-American science fiction and fantasy playwright and novelist. Her novel Redwood and Wildfire won the James Tiptree Jr. Award for 2011. Mindscape, Hairston's first novel, won the Carl Brandon Parallax Award and was short-listed for the Philip K. Dick Award and the James Tiptree Jr. Award. Hairston was one of the Guests of Honor at the science fiction convention Wiscon in May 2012.
The following outline is provided as an overview of and topical guide to science fiction:
Abyss & Apex Magazine (A&A) is a long-running, semi-pro online speculative fiction magazine. The title of the zine comes from a quote by Friedrich Nietzsche (1844-1900), "And if you gaze long into the abyss, the abyss gazes also into you." The stories and poetry therefore follow the pattern of "how would humans react?" if a new technology or a type of magic or supernatural power affected them.
References
- 1 2 "The SFRA Innovative Research Award". SFRA. Retrieved 27 February 2024.
Science Fiction Research Association website