Sagittarius Ponderosa

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Sagittarius Ponderosa
Written by MJ Kaufman
CharactersArcher, Mom, Pops, Owen, Grandma, Peterson (puppet)
Place premieredSan Francisco
Original languageEnglish
SubjectTransgender life

Sagittarius Ponderosa is a 2016 play by American writer MJ Kaufman. It tells the story of Archer, who is transgender and returns home to help care for his father. The production was noted for its use of "aroma-turgy" where scent is part of the staging. It has been performed at the New Conservatory Theatre Center in San Francisco, by the National Asian American Theater Company in New York and at Austin Rainbow Theatre in Texas. It is one of eight plays to be featured in the 2021 volume The Methuen Drama Book of Trans Plays. The work has been compared to The Trees by Agnes Borinsky and How to Live in a House on Fire by Kari Barclay.

Contents

Plot

Archer (referred to as Angela by his family) is transgender, and returns home to his family (Mom, Pops and Grandma) due to his father's illness. For respite from family dynamics, Archer visits a local pine tree and meets a forestry student (Owen) with whom he has an affair. As the family come to terms with Pops' terminal illness and his death, he returns as a ghost.

Productions

Ponderosa pines in Oregon Abies concolor Pinus ponderosa.jpg
Ponderosa pines in Oregon

The play was staged at the New Conservatory Theatre Center in San Francisco in February 2016. [1] The production was noted for its use of "aroma-turgy" where scent is part of the staging; here oil-infused melted wax was used to share the scent of the Ponderosa pine with the audience. [1] It later premiered in November 2016 off-broadway with National Asian American Theater Company, using traverse staging, directed by Ken Rus Schmoll. [2] [3] [4] The pine tree in this production was described by the New York Times as "enormous, ethereal, majestic — and translucent white, as if it had been pieced together from ghosts". [3]

The work had its Chicago premier at the Redtwist Theatre in 2018. [5] The staging was described as creating a "liminal space where the future and past as well as the living and the dead can mingle freely". [5] In 2023 the company Obvious Dad staged the play in Chattanooga. [6]

Reception

The San Francisco Examiner reviewed the February 2016 production, praised the dialogue and the performance of Archer by SK Kerestas, but felt that the storylines focussed on gender required the audience to know about them in advance. [7] It described the show ultimately as "an occasionally engaging but lumpily unsatisfying pudding". [7] The November 2016 production was reviewed by the New York Times and described as "flat"; this is attributed by the reviewer to the alley-style staging, which meant that the faces of the performers were difficult to see at key moments. [3] The portrayal of Mom by Mia Katigbak was praised by the reviewer, who also praised the set by Kimie Nishikawa and the sound design. [3] The New Yorker reviewed the acting as "assiduous and sometimes affecting" but felt that the direction was too under-stated for a play characterised by its reserve. [8]

Analysis

Sagittarius Ponderosa is one of eight plays to be featured in the 2021 volume The Methuen Drama Book of Trans Plays. [9] In their critical introduction to the play in the volume Jesse D. O'Rear describes how the core theme of the play is that of transition, related to gender, family, the environment and time. [10] The other works are in the volume are: The Betterment Society by Mashuq Mushtaq Deen; how to clean your room by j. chavez; She He Me by Raphael Khouri; The Devils Between Us by Sharifa Yasmin; Firebird Tattoo by Ty Defoe; Crooked Parts by Azure Osborne-Lee. [9] Kaufman, Mushtaq Deen and chavez's works are grouped together due to their use of puppetry. [11] The work has been compared to The Trees by Agnes Borinsky and How to Live in a House on Fire by Kari Barclay. [12] The three works examine the impact of (wild)fire through queer perspectives. [12] The work has also been part of studies that analyse multi-sensory performance, focussed on smell. [13]

References

  1. 1 2 Blankenship, Mark (2016-02-24). "Aroma-turgy: What's Smell Got to Do With It?". AMERICAN THEATRE. Retrieved 2026-01-13.
  2. ↑ "Play About Trans Identity in America Gets NYC Reading | Playbill". Playbill. Archived from the original on 2020-11-24. Retrieved 2026-01-13.
  3. 1 2 3 4 "Review: In 'Sagittarius Ponderosa,' New Self Confronts Old (Published 2016)". 2016-11-01. Archived from the original on 2022-06-21. Retrieved 2026-01-13.
  4. ↑ Medalle, Rovie Herrera (2016-02-24). "Breaking Racial and Ethnic Stereotypes on the American Stage: National Asian American Theatre Company's 25th Anniversary: Interview with Mia Katigbak (co-founder and artistic producing director of NAATCO)". Miranda (12). doi:10.4000/miranda.8330. ISSN   2108-6559.
  5. 1 2 Samarov, Dmitry (2018-07-06). "The family in Sagittarius Ponderosa can only truly see one another in dreams". Chicago Reader. Retrieved 2026-01-13.
  6. ↑ "Theatre Company Obvious Dad Opens Summer Season With Sagittarius Ponderosa". www.chattanoogan.com. 2023-06-08. Retrieved 2026-01-13.
  7. 1 2 Sokol, Robert (2016-02-04). "Family drama 'Sagittarius Ponderosa' needs focus". San Francisco Examiner. Retrieved 2026-01-13.
  8. ↑ Nast, Condé. "Sagittarius Ponderosa". The New Yorker. Retrieved 2026-01-13.
  9. 1 2 Keyes, Leanna; Mantoan, Lindsey; Schiller, Angela Farr, eds. (2021). The Methuen Drama book of trans plays. London: Methuen Drama. ISBN   978-1-350-17923-3.
  10. ↑ O'Rear, Jessie D. (2021-04-22). "Waiting, Watching and Witnessing as Queer Praxis in Sagittarius Ponderose". The Methuen Drama Book of Trans Plays: Sagittarius Ponderosa; The Betterment Society; how to clean your room; She He Me; The Devils Between Us; Doctor Voynich and Her Children; Firebird Tattoo; Crooked Parts. Bloomsbury Publishing. ISBN   978-1-350-17923-3.
  11. ↑ Sansonetti, Anthony (2022). "The Methuen Drama Book of Trans Plays Edited by Leanne Keyes, Lindsey Mantoan, and Angela Farr Schiller. London: Methuen Drama, 2021; pp. xi + 444. $31.45 e-book". Theatre Survey. 63 (2): 242–244. doi:10.1017/S0040557422000126. ISSN   0040-5574.
  12. 1 2 Barclay, Kari (2024). "Burning Hope: Staging Queer Ecology in a Time of Wildfire". New Theatre Quarterly. 40 (4): 372–386. doi:10.1017/S0266464X24000320. ISSN   0266-464X.
  13. ↑ Spence, Charles (2020). "Scent and the Cinema". i-Perception. 11 (6). doi:10.1177/2041669520969710. ISSN   2041-6695. PMC   7691926 . PMID   33282170.
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