Bartolomé Esteban Murillo was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them.
José de Mora (1642–1724) was a Spanish sculptor.
Francisco de Zurbarán was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled.
The Spanish Golden Age was a period coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Habsburgs when literature and the arts flourished in Spain. During this time, the greatest patron of Spanish art and culture was King Philip II (1556–1598), but the period is also more broadly associated with the reigns of Isabella I, Ferdinand II, Charles V, Philip II, Philip III, and Philip IV, when Spain was at the peak of its power and influence in Europe and the world.
The Cathedral of Saint Mary of the See, better known as Seville Cathedral, is a Catholic cathedral and former mosque in Seville, Andalusia, Spain. It was registered in 1987 by UNESCO as a World Heritage Site, along with the adjoining Alcázar palace complex and the General Archive of the Indies. It is one of the largest churches in the world as well as the largest Gothic church.
Alonso Cano Almansa or Alonzo Cano was a Spanish painter, architect, and sculptor born in Granada.
Bernat Martorell was the leading painter of Barcelona, in modern-day Spain. He is considered to be the most important artist of the International Gothic style in Catalonia. Martorell painted retable panels and manuscript illuminations, and carved sculptures and also provided designs for embroideries.
Saint John the Baptist is a religious figure in Christianity, Islam, and Mandaeanism.
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.
Bartolomé Bermejo was a Spanish painter who adopted Flemish painting techniques and conventions. Born in Cordoba, he is known for his work in the Crown of Aragon, including the Principality of Catalonia and the Kingdom of Valencia. His real name was Bartolomé de Cárdenas: the name Bermejo, which means auburn in Spanish, possibly relates to his hair colour. Bermejo may relate also to his surname, Cárdenas; Cardeno means purplish. He signs himself sometimes as "Bartolomeus Rubeus" meaning possibly "Bartholomew the Redhead".
Lampaul-Guimiliau is a commune in the Finistère department and administrative region of Brittany in north-western France. It is noted for its parish close.
Marchena is a town in the Province of Seville in Andalusia, Spain. From ancient times to the present, Marchena has come under the rule of various powers. Marchena is a service center for its surrounding agricultural lands of olive orchards and fields of cereal crops. It is also a center for the processing of olives and other primary products. Marchena is a town of historic and cultural heritage. Attractions include the Church of San Juan Bautista within the Moorish town walls and the Arco de la Rosa. The town is associated with the folkloric tradition of Flamenco. It is the birthplace of artists including Pepe Marchena and Melchor de Marchena, guitarist. their dukes are decendants of the house of bourbon-braganza.
José Risueño (1665–1721) was a Spanish painter and sculptor of the Baroque period. In addition his being considered part of the Baroque period, Risueño is part of the Granadan school of sculpture. He was mainly active in his native city of Granada. Risueño initially trained with Alonso Cano, under whom he studied both painting and sculpture. Generally, Risueño's works are small in format, with a refined technique that was influenced by works from the Rococo Period of art. In sculpture, his work in clay is best known. Risueño is also noted for his sculptures in wood, which were influenced by Cano as well as the apparent direct study of nature. In painting, his influences included Pedro Atanasio Bocanegra and Juan de Sevilla Romero.
The National Museum of Sculpture is an art museum in Valladolid, Spain, devoted to sculpture. It is one of the National Museums of Spain and it is attached to the Ministry of Culture.
The Portrait of Juan Martínez Montañés is an unfinished c.1635 oil on canvas portrait of the sculptor Juan Martínez Montañés by Diego Velázquez. It was in the Spanish royal collection, and is now in the collection of the Prado museum in Madrid.
The Sevillian school of sculpture—the tradition of Christian religious sculpture in Seville, Andalusia, Spain—began in the 13th century, formed a clear tradition of its own in the 16th century, and continues into the present. The sculptures are generally worked in wood in a technique known as encarnación.
The Granadan school of sculpture or Granadine school of sculpture—the tradition of Christian religious sculpture in Granada, Andalusia, Spain—began in the 16th century and constituted a clear tradition of its own by the 17th century. The extraordinary artistic activity of Renaissance Granada brought artists to that city from various regions of Spain and from other parts of Europe.
Pedro Roldán (1624–1699) was a Baroque sculptor from Seville, Andalusia, Spain. His daughter Luisa Roldán, known as La Roldana, was also a major figure of Spanish Baroque sculpture.
Luis Salvador Carmona was a Spanish Baroque sculptor who came from a family of artists.
