| Saint Sebastian Thrown into the Cloaca Maxima | |
|---|---|
 | |
| Artist | Ludovico Carracci |
| Year | 1612 |
| Medium | oil on canvas |
| Dimensions | 167 cm× 233 cm(66 in× 92 in) |
| Location | Getty Museum, Los Angeles |
Saint Sebastian Thrown into the Cloaca Maxima is an oil on canvas painting by Ludovico Carracci, from 1612. It is held in the Getty Museum, in Los Angeles, which acquired it in 1971. [1] A preparatory drawing survives in the Louvre. [2]
It was commissioned by Maffeo Barberini, the future Pope Urban VIII, then papal legate in Bologna for a hypogeum under his chapel in the new church of Sant’Andrea della Valle, as evidenced in a contemporary letter. That chapel would be dedicated to Saint Sebastian and was built on the site of a small 12th century chapel, popularly known as San Bastianello and erected on the site where the martyr's body had been recovered from the Cloaca Maxima, Rome's main drain. However, the plan for an underground chapel did not come to fruition and the legate did not feel the work was suitable for public display in the main chapel., [3] replacing it with the more edifying Saint Sebastian's Body Recovered from the Cloaca Maxima by Passignano [4]
Carracci's painting instead became part of the private Barberini family collection, appearing in several of its inventories. Carlo Cesare Malvasia, in Felsina Pittrice (1678), states the work as made "For the Lord Prince of Palestrina at Le Quattro Fontane", a title held by the Barberini family, with the Quattro Fontane being the site of their Palazzo Barberini, and as then being entitled "Palinurus Buried by Soldiers, made as a Saint Sebastian".
Agostino Carracci was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati in Bologna. Intended to devise alternatives to the Mannerist style favored in the preceding decades, this teaching academy helped propel painters of the School of Bologna to prominence.
Francesco Borromini, byname of Francesco Castelli, was an Italian architect born in the modern Swiss canton of Ticino who, with his contemporaries Gian Lorenzo Bernini and Pietro da Cortona, was a leading figure in the emergence of Roman Baroque architecture.
Giovanni Francesco Barbieri, better known as (il) Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Guido Reni was an Italian Baroque painter, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
LudovicoCarracci was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619.
The Palazzo Barberini is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome.
The church of San Carlo alle Quattro Fontane, also called San Carlino, is a Roman Catholic church in Rome, Italy. The church was designed by the architect Francesco Borromini and it was his first independent commission. It is an iconic masterpiece of Baroque architecture, built as part of a complex of monastic buildings on the Quirinal Hill for the Spanish Trinitarians, an order dedicated to the freeing of Christian slaves. He received the commission in 1634, under the patronage of Cardinal Francesco Barberini, whose palace was across the road. However, this financial backing did not last and subsequently the building project suffered various financial difficulties. It is one of at least three churches in Rome dedicated to San Carlo, including San Carlo ai Catinari and San Carlo al Corso.
Carlo Maratta or Maratti was an Italian Baroque painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Antonio Barberini was an Italian Catholic cardinal, Archbishop of Reims, military leader, patron of the arts and a prominent member of the House of Barberini. As one of the cardinal-nephews of Pope Urban VIII and a supporter of France, he played a significant role at a number of the papal conclaves of the 17th century. With his brothers Cardinal Francesco Barberini and Taddeo Barberini he helped to shape politics, religion, art and music of 17th century Italy. He is sometimes referred to as Antonio the Younger or Antonio Barberini iuniore to distinguish him from his uncle Antonio Marcello Barberini.
Lorenzo Garbieri was an Italian painter of the early-Baroque period, active mainly in Bologna. He was one of the painters in the studio of Ludovico Carracci and is sometimes called il nipote dei Carracci. He was said to be one of the most successful imitators of Ludovico, to whose style he added the character of Caravaggio.
The Carracci were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the Accademia degli Incamminati, and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion.
Santa Maria Lacrimosa degli Alemanni is a small church and sanctuary, built during the Renaissance era, and located on Via Mazzini number 65 in central Bologna, Italy.
Christ in Glory with Saints and Odoardo Farnese or 'Christ in Glory with Odoardo Farnese and Saints Peter, John the Evangelist, Mary Magdalene, Hermenegild and Edward is a painting by Annibale Carracci. Placed in the Eremo di Camldoli either early in its life or straight after its creation, at the end of the 17th century Ferdinando II de' Medici moved it to the Galleria Palatina in Florence, where it still hangs.
The Palazzo Sampieri frescoes are a set of paintings by Annibale, Agostino and Ludovico Carracci in the Palazzo Sampieri in Bologna. They form the last surviving collection of works by the three artists.
Madonna and Child with Saints, Madonna and Child Enthroned with the Infant St John the Baptist, St John the Evangelist and Saint Catherine of Alexandria or the San Giorgio Madonna is a 1593 oil on canvas painting by Annibale Carracci, originally in the Landini chapel in the church of San Giorgio in Poggiale, Bologna. During the 19th century the conservation conditions there worsened and it was moved to the Accademia di Belle Arti for restoration, before being moved to its current home in the then-new Pinacoteca Nazionale di Bologna.. It is signed and dated "ANNI CARR FE MDXCIII".
The Death of Saint Francis is the probable subject of two lost paintings by Annibale Carracci, both possibly dating to 1597-1598. One is known solely through a print and the other through a series of painted copies.
Saint Margaret of Antioch is a 1599 oil on canvas painting by Annibale Carracci, showing Margaret of Antioch. It hangs in Santa Caterina dei Funari church in Rome.
Entombment of Christ is a c.1595 oil on copper painting by Annibale Carracci, now in the Metropolitan Museum of Art
The Last Communion of Saint Jerome or The Communion of Saint Jerome is an oil on canvas painting by Italian painter Agostino Carracci, created c. 1592-1597. It was produced for San Girolamo alla Certosa church in Bologna and it is now held in the Pinacoteca Nazionale di Bologna.