Saints and Soldiers: The Void | |
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Directed by | Ryan Little |
Written by | Ryan Little |
Produced by |
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Starring |
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Cinematography | Ryan Little |
Edited by |
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Music by | James Schafer |
Production companies |
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Distributed by | Purdie Distribution |
Release date |
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Running time | 94 minutes |
Country | United States |
Languages | English German |
Saints and Soldiers: The Void (also known as Saints and Soldiers: Battle of the Tanks), is a 2014 war drama film directed and written by Ryan Little. It serves as the third installment in the Saints and Soldiers film series, and is a standalone sequel to Saints and Soldiers: Airborne Creed . The film stars K. Danor Gerald, Adam Gregory, and Matt Meese. The Void was the most expensive of the Saints and Soldiers films due to its use of tanks. It was filmed in Alpine, Utah. The film received mixed reviews with some critics calling it a "riveting drama" and some critics stating that more focus on writing and execution would have improved the film.
In May 1945, remnants of the German Army continue to fight in the Harz mountains, nicknamed "The Void" by American troops. An American M18 Hellcat tank destroyer, "The Avenging Angel", fires on a German prison and liberates the Allied prisoners held there, including Lieutenant Goss (Ben Urie). The next day the prisoners are to be transported to the rear by Sergeant Jesse Owens, formerly 827th Tank Destroyer Battalion (K. Danor Gerald), and Private Perry (Alex Boyé). Owens is not respected by some of the white soldiers because he is African-American.
Captain Briton McConkie orders Sergeant John Atwood, commander of the Angel, and Max Whitaker, to take their respective tanks to clear the roads of any Germans to protect Owens' and Perry's convoy. The two tanks travel along the roads, with some tension arising between Private Daniel Barlow (Matt Meese) and Rodney Mitchell. Corporal Carey Simms (Adam Gregory) stops the arguments. The convoy comes across a fake body in the road, where a hidden German Panzer III tank fires, destroying Perry's truck, killing everyone inside. The Germans open fire at Owens's truck, and he and Goss manage to escape. Further encounters ensue, ending when Owens destroys a German tank with a panzerfaust. Barlow and Mitchell reconcile from their previous arguments, and Simms and Owens befriend one another over the course of the conflict.
Ryan Little wrote the script for Saints and Soldiers: The Void a few years before it was released. He had K. Danor Gerald picked out for the role of Owens before production even started, having worked with Gerald on Forever Strong and House of Fears . [1] Saints and Soldiers: The Void was the most expensive to film of the Saints and Soldiers franchise, because of the use of tanks. Ryan Little and Adam Abel gathered tanks from Utah, New Mexico, Colorado, and Arizona to use for filming. [2] It was filmed in Alpine, Utah. During production, Gerald would be the last cast member to eat lunch to better understand racism for his role of an African-American soldier. [2] [3]
The film was released on August 14, 2014, in a select number of theaters. [2] [3] The film was released on DVD in November 2014. [3] Saints and Soldiers: The Void received mixed reviews. The Salt Lake Tribune called the film a, "riveting action drama with a strong message". [4] However, Deseret News wrote that the film, "offers an important message and some nice visuals. But there's still the feeling that a little more focus on writing and execution would have etched a more enduring experience." [5]
A standalone sequel titled Saints and Soldiers: War Pigs was released in 2015.
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The Saints and Soldiers film series consists of American war dramas, based loosely on true events. The plot overall explores various battles of World War II through the use of historical fiction, and uses an overarching message that people with unjustified predispositions over someone else can work together to overcome insurmountable odds; as well as the reality that they can learn to appreciate each other. Directed by Ryan Little from a concept he developed while in college, the movies depict the power of virtue, decency, and humanity of men, during the evils of war. Starring an ensemble cast, each installment is standalone in storytelling, but all set within historical reality.