Salah Taher (1911–2007) was an Egyptian painter.
He worked for some time as a drawing and art teacher in Al-Abaseyya High School in Alexandria. [1] He went on to fame in the 1960s as he was appointed head of the Museum of Modern Arts. In 1962, he was appointed head of the Opera. In 1966, he joined Al-Ahram. He painted more than 35 paintings, for Al-Ahram that decorate the walls of its building. Overall, he painted 15000 paintings and held more than 80 art fairs for his work in Egypt, Venice, New York City, San Francisco, Geneva, Beirut, Kuwait and Jeddah. [2] He also participated in 67 collective fairs in Egypt. [2]
He’s work is also part of the White House collection and is on rotation and often displayed in the White House
His work was shown in numerous exhibitions sometimes in collaboration with institutions like the Institut des cultures arabes et méditerranéennes in Geneva.2017. [3]
He was granted the highest awards in Egypt and internationally, among them in 1961 was the Guggenheim Award. In 2001, he was honored alongside Nobel laureate Naguib Mahfouz in the soft opening of the Bibliotheca Alexandrina, which was entitled “The brush and the pen," by publishing a book about his work.
He remained in the position of the artistic consultant for Al-Ahram till his death. He died, at the age of 95, on February 6, 2007 of bladder cancer. He is survived by a son, Ayman, who is also a painter, and two grandchildren. [4]
His work in collected by Mathaf: Arab Museum of Modern Art in Doha, and included in its permanent exhibition. In 2018, his work titled 'Metaphysic' was acquired by the Barjeel Art Foundation in Sharjah and is now part of a long-term exhibition at the Sharjah Art Museum. [5]
Mohammed Seif al-Din Wanly, most commonly referred to simply as Seif Wanly was an Egyptian painter.
Osman Waqialla, was a 20th century Sudanese painter and calligrapher, noted for his creative use of Arabic letter forms in his artworks, thereby integrating African and Islamic cultural traditions into the contemporary art of Sudan. This use of Arabic calligraphy as a modern, non-religious graphic form places Waquialla within the Arabic art movement that became known as the Hurufiyya movement.
Abdel Hadi Al Gazzar was an Egyptian painter. He occupies a unique position among the artists of his generation. His membership in the Contemporary Art Group elevated his status as an artist through his utilization of social commentary in addition to the group's focus on traditional, Egyptian identity. This commentary is most widely recognized in his painting, The High Dam, in which he comments on the effects of modernization by the Egyptian government on society and their way of life. Since his death, his work has not ceased to challenge artists, intellectuals and critics both in Egypt and abroad.
Inji Aflatoun was an Egyptian painter and activist in the women's movement. She was a "leading spokeswoman for the Marxist-progressive-nationalist-feminist movement in the late 1940s and 1950s", as well as a "pioneer of modern Egyptian art" and "one of the important Egyptian visual artists".
Yehia Dessouki is an Egyptian painter and visual artist making contemporary art using diverse kinds of media both traditional and digital. He is also an architect, who graduated from the faculty of fine-arts, architecture department, of Helwan University. He has participated in many group exhibitions showing several art works featuring different themes, such as: Architecture of Old Islamic Cairo - Still Life - Lanterns of Ramadan Fawanees - Circus, and later on he made his first solo exhibition about "Joy of Roses" including soft pastel sketches and also oil paintings.
The Sharjah Art Museum is an art museum in the city of Sharjah, United Arab Emirates. It was housed in Bait Al Serkal in Al Shuwaihean Area. It is one of the leading art institutions in the Persian Gulf region.
Hassan Al Sharif was an Emirati artist and prolific writer. He lived and worked in Dubai, United Arab Emirates. He is widely regarded as a central figure in contemporary and conceptual art in the region, often known as the father of conceptual art in the Gulf. He founded Al Marijah Art Atelier, and through his extensive work and writings, he inspired the next generation of artists in the United Arab Emirates. His work is represented in major public collections, such as the Guggenheim New York, Guggenheim Abu Dhabi, Centre Pompidou, Mathaf Arab Museum of Modern Art, Tate Modern, and Sharjah Art Foundation.
Wajih Nahlé, , born in Beirut, Lebanon, was a Lebanese postwar and contemporary master painter, calligrapher and sculpture who has created new and original forms of expression, a pioneer in his generation. He studied painting in the workshop of the Lebanese painter Moustafa Farroukh. Nahlé's work shows an interest for the decorative aspect of calligraphy.
Sultan Sooud Al-Qassemi is an Emirati educator, art collector, scholar, and columnist. Sultan is a member of the ruling Al Qasimi family of Sharjah.
Mahmoud Said Bey was an Alexandrian judge and modern painter.
Nja Mahdaoui is a Tunisian artist known for his use of calligraphy as a graphic art form. He has often been described as a 'choreographer of letters.'
Salah Elmur also spelled Salah El Mur is a contemporary Sudanese painter, graphic designer, author, and filmmaker, who lives and works in Cairo, Egypt. His paintings have been exhibited in Sudan, the Middle East, East Africa, Europe and the United States and are held in notable museum collections, including the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakesh, the Sharjah Art Foundation (SAF) in the UAE, the Zeitz Museum of Contemporary Art Africa MOCAA in Cape Town, the Minneapolis Institute of Art (MIA) and the Centre Pompidou in Paris.
Mohammed Kazem is a contemporary Emirati artist working in Dubai, United Arab Emirates. He works primarily with video, sound art, photography, found objects and performance art.
Armen Agop is a contemporary Egyptian artist who is changing perspectives and pushing the boundaries on contemporary art. He is known for his spiritually charged contemplative works, which were described to reminiscence the harmony, balance and purity of the human soul. Agop engages meditative practices in his processes, prioritizing inwardness and inner monumentality. Soberness, slowness and renouncement of demonstrative abilities, are features that characterize his ascetic approach.
Youssef Rakha is an Egyptian writer. His work explores language and identity in the context of Cairo, and reflects connections with the Arab-Islamic canon and world literature. He has worked in many genres in both Arabic and English, and is known for his essays and poems as well as his novels.
The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art. By combining tradition and modernity, these artists worked towards developing a culture-specific visual language, which instilled a sense of national identity in their respective nation-states when many of these states were shaking off colonial rule and asserting their independence. They adopted the same name as the Hurufi, an approach of Persian Sufism which emerged in the late 14th–early 15th century. Art historian Sandra Dagher has described Hurufiyya as the most important movement to emerge in Arabic art in the 20th century.
Barjeel Art Foundation is a non-profit arts organisation based in Sharjah, United Arab Emirates. The foundation was established in 2010 by Emirati commentator Sultan Sooud Al Qassemi to manage and exhibit his personal art collection. There are over 1,000 pieces of modern and contemporary art in the foundation's art collection. The organisation primarily focuses on artwork produced by Arab artists worldwide and includes paintings, sculptures and installations.
The Institut des cultures arabes et méditerranéennes is an association and Geneva cultural center for the promotion of Arab and Mediterranean cultures in Switzerland.
The visual arts of Sudan encompass the historical and contemporary production of objects made by the inhabitants of today's Republic of the Sudan and specific to their respective cultures. This encompasses objects from cultural traditions of the region in North-East Africa historically referred to as the Sudan, including the southern regions that became independent as South Sudan in 2011.
Nadia Saikali is a Lebanese Abstract Expressionist painter. She attended the Lebanese Academy of Fine Arts (ALBA), the Académie de la Grande Chaumière, and the L'École des Arts Decoratifs.