Sam Rizzetta | |
---|---|
Born | Chicago, Illinois, United States | May 23, 1942
Died | October 26,2021 |
Genres | Folk |
Occupation(s) | Musician, instrument builder |
Instrument(s) | Hammered dulcimer |
Years active | 1960s~2021 |
Website | www |
Sam Rizzetta (born May 23, 1942 died October 26, 2021 [2] ) was a hammered dulcimer player, builder, and designer originally from Chicago, had lived in Inwood, West Virginia.
Rizzetta discovered the hammered dulcimer while working in the repair of guitars and illustrated books in the 1960s to put himself through graduate school. His first exposure to the instrument was hearing the traditional player Chet Parker. Sam and his wife Carrie moved east around 1968, and he took a job with the Smithsonian Institution. Within a few years he transitioned to playing and building instruments on a full-time basis.
In 1974, Rizzetta and Paul Reisler formed a string band called Trapezoid, along with Pete Vigour and Paul Yeaton. The group's trademark was hammered dulcimer quartets, which included soprano and bass models designed by Rizzetta. Rizzetta performed with the group until 1978, when he decided to pursue solo playing, and concentrate more on building and composing. As a performer he is best known for his hammered dulcimer playing, but his recordings often feature the Appalachian dulcimer as well. He was active in teaching the dulcimer at the Augusta Heritage Center at Davis and Elkins College for many years starting in 1981. Rizzetta has also been a regular columnist in Dulcimer Players News, writing the Technical Dulcimer column.
Rizzetta is particularly noted for a number of innovations in hammered dulcimer design. These include bridge markers (a standard feature of modern instruments), chromatic designs, extra bridges, damper pedals, and many more. Rizzetta has collaborated closely with the Dusty Strings Company of Seattle, Washington; they have produced a "Rizzetta series" of chromatic models for many years.
The word dulcimer refers to two families of musical string instruments.
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock and heavy- metal guitar playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.
The hammered dulcimer is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman word dulcimer derives from the Latin dulcis (sweet) and the Greek melos (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked.
The piano is a keyboard instrument that produces sound when pressed on the keys. Most modern pianos have a row of 88 black and white keys: 52 white keys for the notes of the C major scale and 36 shorter black keys raised above the white keys and set further back, for sharps and flats. This means that the piano can play 88 different pitches, spanning a range of a bit over seven octaves. The black keys are for the "accidentals", which are needed to play in all twelve keys.
Zithers are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety.
The tsymbaly is the Ukrainian version of the hammer dulcimer. It is a chordophone made up of a trapezoidal box with metal strings strung across it. The tsymbaly is played by striking two beaters against the strings.
The cimbalom, cimbal or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe.
The Appalachian dulcimer is a fretted string instrument of the zither family, typically with three or four strings, originally played in the Appalachian region of the United States. The body extends the length of the fingerboard, and its fretting is generally diatonic.
The trapezoidal yangqin is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer. It used to be written with the characters 洋琴, but over time the first character changed to 揚, which means "acclaimed". It is also spelled yang ch'in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names "santoor" and "cymbalom". This instrument had an influence on the Thai classical instrument, known as Khim (ขิม).
John Rea was a hammered dulcimer player from Glenarm in County Antrim, Northern Ireland.
Paul Van Arsdale was an American hammered dulcimer player from North Tonawanda in upstate New York.
Chet Parker was a hammered dulcimer player from Michigan.
The khim is a stringed musical instrument derived from the Mesopotamian or Persian Santur. It is similar to the Hammered Dulcimer or Cimbalom. This khim was introduced to Thailand from China, where a similar instrument is called yangqin, and introduced to Laos and Cambodia from Thailand later. It is played with two flexible bamboo sticks with soft leather at the tips to produce a soft tone. This instrument can be played by either sitting down on the floor with the khim on the floor, or by sitting on a chair or standing while the khim is on a stand. The khim produces a bright and expressive sound when played. It is made of wood, with brass strings that are laid across the instrument. The Australian-born musician and vocal artist Lisa Gerrard specialises in the use of a khim hammered dulcimer, featuring its music on several albums and performing with the instrument live on tour.
Salterio is the Italian, Spanish, and Portuguese term for either of two types of zither: the hammered dulcimer or psaltery.
Geoff Smith is a musical performer and composer from Brighton, England. He was previously a member of the group Attacco Decente. He was a pupil at Varndean College from 1974.
Trapezoid is an American folk music group led by Paul Reisler. Founded in 1975 by Sam Rizzetta and Reisler, they began as a quartet of hammer dulcimer players. Two of the four played the traditional hammer dulcimer, while the other two played baritone and treble hammer dulcimers specially designed by Rizzetta. The name of the band reflects the shape of the hammer dulcimer. Since 1975, the group's membership and instrumentation has changed repeatedly, always with Paul Reisler as a member. Their sound has been described as a "plinking and plunking, buzzing, sweeping, ringing, droning, and wailing acoustic construction" and as "a delightful musical melange" by the New York Times.
The épinette des Vosges is a traditional plucked-string instrument of the zither family, whose use was confined to two areas in the Vosges mountains of France approximately 50 km apart: around Val-d'Ajol and around Gérardmer.
The santur, is a hammered dulcimer of Iranian origins.
The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. The instrument is generally made of walnut and has 25 bridges. Each bridge has 4 strings, making for a total of 100 strings. It is a traditional instrument in Jammu and Kashmir, and dates back to ancient times. It was called Shatha Tantri Veena in ancient Sanskrit texts.