Church of San Biagio | |
---|---|
Religion | |
Affiliation | Roman Catholic |
Province | Venice |
Location | |
Location | Venice, Italy |
Geographic coordinates | 45°25′57″N12°21′00″E / 45.4325°N 12.3501°E |
Architecture | |
Architect(s) | Filippo Rossi |
Type | Church |
Style | Baroque |
Completed | 1752 |
San Biagio is a church dedicated to Saint Blaise, in the sestiere of Castello in Venice, northern Italy.
The church now stands adjacent to the Museo Storico Navale, and is officiated by a military chaplain. Till 1511, this served as the church for the Greek community which had emigrated to Venice after the Fall of Constantinople. It was rebuilt in 1745-1752, likely to plans of Filippo Rossi. The vault was frescoed by Giovanni Scajaro with Saint Blaise in Glory. The altars were transferred here from the church of Sant'Anna. The left hand wall has funerary monument with the heart of Francis Frederick, Archduke of Austria (died 1847). The tomb of Admiral Angelo Emo (died 1792) has a statue (1818) by Giovanni Ferrari.
Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned. An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna.
The Church of Saint Roch is a Roman Catholic church dedicated to Saint Roch in Venice, northern Italy. It was built between 1489 and 1508 by Bartolomeo Bon the Younger, but was substantially altered in 1725. The façade dates from 1765 to 1771, and was designed by Bernardino Maccarucci. The church is one of the Plague-churches built in Venice.
BartolomeoMontagna was an Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's Lives as a student of Andrea Mantegna but this is widely contested by art historians.
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis, an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock".
San Bartolomeo is a church in Venice, Italy. It is near the Rialto Bridge in the sestiere (district) of San Marco.
Giustiniano Participazio was the eleventh (traditional) or ninth (historical) Doge of Venice from 825 to his death. His four years on the ducal throne were very eventful. He was made hypatus by the Byzantine emperor Leo V the Armenian.
Lorenzo di Niccolò or Lorenzo di Niccolò di Martino was an Italian painter who was active in Florence from 1391 to 1412. This early Renaissance artist worked in the Trecento style, and his work maintains influences of the Gothic style, marking a transitional period between the Gothic sensibilities of the Middle Ages while simultaneously beginning to draw on the Classical. Lorenzo's works were usually religious scenes in tempera with gold backgrounds.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
San Martino is a Renaissance Roman Catholic church in the sestiere of Castello of Venice, northern Italy.
San Giovanni Grisostomo is a small church in the sestiere or neighborhood of Cannaregio, Venice.
Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former Scuola Grande di Santa Maria del Carmelo, also known as the Scuola dei Carmini. This charitable confraternity was officially founded in 1597, and arose from a lay women's charitable association, the Pinzocchere dei Carmini. The members of this lay group were associated as tertiaries to the neighbouring Carmelite monastery. They were responsible for stitching the scapulars for the Carmelites.
San Silvestro is a church building in the sestiere of San Polo of Venice, northern Italy.
San Giorgio dei Greci is a church in the sestiere (neighborhood) of Castello, Venice, northern Italy. It was the center of the Scuola dei Greci, the Confraternity of the Greeks in Venice. Around this period there was a similar church in Naples called Santi Pietro e Paolo dei Greci. There was also a Greek Brotherhood of Naples.
San Trovaso is a church in the sestiere or neighborhood of Dorsoduro in Venice, northern Italy.
San Geremia is a church in Venice, northern Italy, located in the sestiere of Cannaregio. The apse of the church faces the Grand Canal (Venice), between the Palazzo Labia and the Palazzo Flangini. The edifice is popular as the seat of the cult of Saint Lucy of Syracuse, whose remains are housed inside.
The Gozzi Altarpiece is an oil painting by the Italian Renaissance master Titian, dating from 1520. It is located in the Pinacoteca civica Francesco Podesti in Ancona, central Italy.
The Church of St. Blaise is a former Roman Catholic parish church in the Diocese of Brooklyn, located at East Flatbush, Brooklyn, New York City, New York.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter is an oil painting on canvas by Titian, now in the Royal Museum of Fine Arts in Antwerp.
Madonna and Child with Four Saints or Madonna and Child with Saints John the Baptist, Paul, Mary Magdalene and Jerome is a c. 1516-1520 oil on panel painting by Titian, now in the Gemäldegalerie in Dresden. It belongs to the sacra conversazione genre and features saints John the Baptist, Paul, Mary Magdalene and Jerome.