Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive.
Ottavio Amigoni was an Italian painter of the Baroque period, active in Brescia. He was trained by Antonio Gandini. Among his masterpieces is a large fresco about the life of Sant'Alberto in the Carmelite church of Brescia, painted with Gandino's son, Bernardino.
Giacomo Barucco was an Italian painter, active in a Mannerist style.
Luca Mombello was an Italian painter of the late-Renaissance periods, mainly active in Brescia.
The church of Santa Maria dei Miracoli is located on Corso Vittorio Emanuele in Brescia.
The church of Santi Nazaro e Celso is located on Corso Giacomo Matteotti, at the intersection with via Fratelli Bronzetti, in Brescia, Lombardy, Italy. The church contains the Averoldi Polyptych (1522), a masterwork of Titian.
The church of Sant'Afra in Brescia, also known as the church of Sant'Afra in Sant'Eufemia, is located on Corso Magenta, near Piazzale Arnaldo.
The church of Santa Maria delle Grazie in Brescia is located on at the west end of Via Elia Capriolo, where it intersects with the Via delle Grazie. Built in the 16th century and remodeled in the 17th century, it still retains much of its artwork by major regional artists, including one of its three canvases by Moretto. The other two are now held at the Pinacoteca Tosio Martinengo. The interior is richely decorated in Baroque fashion. Adjacent to the church is the Sanctuary of Santa Maria delle Grazie, a neo-gothic work.
The Duomo Nuovo or New Cathedral is the largest Roman Catholic church in Brescia, Italy.
Sant'Alessandro is a Baroque style, Roman Catholic parish church located on Via Moretto, 73/A in Brescia, region of Lombardy, Italy.
San Francesco is a Romanesque-Gothic style, Roman Catholic church and Franciscan monastery located on Via San Francesco d'Assisi in central Brescia, region of Lombardy, Italy.
San Giorgio is a Roman Catholic church located on the Piazza of the same name, just outside Porta Bruciata, in Brescia, region of Lombardy, Italy.
San Pietro in Oliveto is a Roman Catholic church located at the end of via del Castello in central Brescia, region of Lombardy, Italy.
San Barnaba is a deconsecrated Baroque-style, Roman Catholic church, located on Corso Magenta #44, near Piazzale Arnaldo, in Brescia, region of Lombardy, Italy. The church in the 20th century became an auditorium and conference hall, and home of the Conservatorio Luca Marenzio.
Madonna and Child with Saint Martin and Saint Catherine is a oil on canvas painting by Moretto da Brescia, executed c. 1530, now on the high altar in the church of San Martino in Porzano, Province of Brescia. It is the painter's first mature work and forms an important step towards his Coronation of the Virgin Altarpiece.
The Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.
The Rovelli Altarpiece is a 1539 oil on canvas painting by Moretto da Brescia, which since 1899 has been in the Pinacoteca Tosio Martinengo in Brescia, Italy. Strongly influenced by Titian, it is named after the schoolmaster Galeazzo Rovelli who commissioned it for the church of Santa Maria dei Miracoli in Brescia in 1539, where it remained until being removed in the 19th century and replaced by a copy. Its composition was reused by Moroni in his Mystic Marriage of Saint Catherine in the 1560s.
The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.
St Anthony of Padua with Two Saints is a c.1530 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. The other two saints shown are Antony the Great and Nicholas of Tolentino.
The Dead Christ Adored by Saint Jerome and Saint Dorothy or Saint Jerome and Saint Dorothy Adoring Christ in the Tomb is a 1520-1521 tempera verniciata on canvas painting by Moretto da Brescia. It is on show above the left-hand side door to the church of Santa Maria in Calchera in Brescia, though it is not thought to have originally been produced for that church as neither Jerome nor Dorothy had an active cult in that parish and they rarely appear in art together.
