Editor | David Lewis |
---|---|
Art director | Matt Petty |
Photo editor | Russell Yip |
Staff writer | Sam Whiting |
Categories | Sunday magazine |
Frequency | Monthly |
Circulation | 292,459 [1] |
Publisher | Hearst Publications |
First issue | November 26, 2000 [2] |
Company | San Francisco Chronicle |
Country | United States |
Based in | San Francisco |
Language | English |
Website | www |
ISSN | 1932-8672 |
OCLC | 1105224461 |
The San Francisco Chronicle Magazine is a Sunday magazine published on the first Sunday of every month as an insert in the San Francisco Chronicle . The current magazine is the successor of The San Francisco Examiner Magazine, Image Magazine, and California Living Magazine. The staff of the Chronicle and the Examiner were combined in 2000, following a sale of The San Francisco Examiner , for anti-trust reasons, to the Fangs . [2]
Prior to the creation of the magazine, the first issue of which appeared on Sunday, November 26, 2000, readers of the San Francisco Chronicle and The San Francisco Examiner were served by The San Francisco Examiner Magazine, included in the Sunday edition of the papers which were produced jointly under the joint operating agreement signed by the two papers. The San Francisco Examiner Magazine was preceded by Image Magazine, which was itself preceded by California Living Magazine. [3]
The San Francisco Chronicle, as the Daily Morning Chronicle, [4] was the first newspaper in the country to introduce a Sunday magazine when it did so in 1869 with the aim of providing a "literary dimension" to the newspaper. [5] That magazine, [6] co-edited (1919-1941 [7] ) by Leonard Sutton Wood, printed by an outside printer, [8] however, ended sometime prior to the Chronicle's absorption of the Examiner staff and the creation of the current San Francisco Chronicle Magazine.
The San Francisco Examiner Magazine, also known as Examiner Magazine, had won various awards in the years preceding its absorption by the Chronicle. In 2000, "India: Land of Marx and Maharjahs," by free-lance writer Adam Hochschild was given the Sigma Delta Chi Award for excellence in magazine reporting by the Society of Professional Journalists and a bronze medal from the Society of American Travel Writers' Lowell Thomas Awards for magazine writing on foreign travel. Also in 2000, the magazine was given several awards by the Sunday Magazine Editors Association: Second place in the essay category for "Boy's Life," by Theodore Roszak; third place in the overall design for Examiner Magazine art directors Josephine Rigg and Zahid Sardar; second place in the single spread design category for "Tale of the Tapes," about the Kennedy/Nixon tapes, went to Examiner artist Andrew Skwish; third place in the illustration category for "Boy's Life," Colin Johnson's illustration of Roszack's piece. At the time of these awards, Executive Editor of the Examiner Phil Bronstein said, "The San Francisco Examiner Magazine has become one of the top Sunday newspaper magazines in the country, offering our readers well-written and provocative articles accompanied by attractive, witty and sophisticated graphics." [9] In 1999, the Examiner's magazine won several awards as part of the annual Gold Ink Awards: the magazine's fall "Destinations" issues won the Silver Award; the magazine's two spring and fall Home Design issues and a spring "Destinations" issue, edited by John Flinn, each won Pewter awards. The Gold Ink Awards are given for quality of printing. [10] In 1998, the Examiner's magazine won four SunMag awards from the Sunday Magazine Editors Association: first place in Best Use of Illustration to Art Director Josephine Rigg and freelance illustrator Adam McCauley for a Bay to Breakers Race Day Map; third place in Overall Design to Rigg and Associate Art Director Zahid Sardar; Honorable Mention to Examiner Science Writer Keay Davidson for "Weird Science," about the 50th anniversary of the first "UFO sighting"'; Honorable Mention to writer Neal Gabler for a cover story about Walter Winchell and Herb Caen. Alluding the fact that many newspapers were cutting back or eliminating their Sunday magazines, Bronstein said at the time of the 1998 awards, "The Examiner bucked the national trend when we decided to revitalize our Sunday Magazine to provide more for our readers. We're honored to... [be] recognized by our peers from across the nation." [11]
Image Magazine, also known as Image: The Magazine of Northern California, was the second incarnation of the Examiner's Sunday magazine, following California Living Magazine. Image was edited for some time by David Talbot before he went on to found Salon.com.
Critic Greil Marcus said of Image that it was "the most consistently high-quality, surprising, challenging arts and politics magazine the Bay Area has had in my memory." [12]
When the Hearst Corporation, owner of the Examiner, bought the Chronicle in 2000, it sold the Examiner and offered positions at the Chronicle to all Examiner staff members. The Examiner Magazine was discontinued by the new owners of the newspaper, and the staff migrated the Chronicle, creating the new San Francisco Chronicle Magazine. In a letter to readers of the new magazine, the editors wrote, "Now that the... staffs have merged, we plan to deliver an even better Sunday Magazine, larger in scope and full of new material, as part of the ongoing changes that will make the Chronicle a truly great regional newspaper," the editors' note continued, "We welcome you to the new San Francisco Chronicle Magazine, and promise to do our level best to deliver literate, exciting and visually attractive journalism." [13]
In 2001 the magazine underwent a redesign as part of a general overhaul of the Sunday edition of the Chronicle with the professed goal, "to put [readers] in touch with where [they] live, and... to celebrate and highlight the rich tapestry of diversity that makes us unique." The redesigned magazine sported a "cleaned-up design" and five new departments. Bay Wrap, "a compendium of people, places and things," was put at the front of each edition, and Food, Fashion, Design and Neighborhoods, were put at the back of each edition. [14]
In 2002, weekly production halted and the magazine became biweekly. Chronicle Editor Phil Bronstein told Editor & Publisher magazine that the newspaper was hemorrhaging money on the magazine but readers were furious about the halting of weekly publication. "We were getting completely hammered [financially]. But then we decided we ought to either kill it, or bring it back every week." [15]
In 2003, the magazine underwent another redesign. In addition to returning to weekly publication, restaurant critic Michael Bauer's weekly reviews moved to the magazine from Sunday Datebook and Merl Reagle's popular crossword puzzle returned to the magazine after being moved to the Datebook when the magazine became biweekly. A weekly San Francisco/Bay Area focused literary essay was introduced inside the back cover and featured essays by the likes of Garrison Keillor. The fashion and design departments of the magazine were visually overhauled for a "brand-new look." The magazine's paper stock was upgraded to a heavier grade for improved display of photography. [16] According to published letters in the Chronicle, the 2003 redesign was quite popular among readers, with many specifically hailing the return of Reagle's crossword puzzle. [17]
Shortly after the 2003 redesign, in February of that year, the magazine featured stories from Zoetrope , the "all story magazine" created by Francis Ford Coppola, the San Francisco film director. [18]
The magazine underwent a third redesign in 2007. This redesign brought several new features to the magazine: Tripping, a travel column; Perspectives, an expert advice column; Healthy Obsessions, featuring local athletes; Take Two, a design column by Design Editor Zahid Sardar; Bright Ideas by Sam Whiting, exploring new ideas in the Bay Area; On the Couch, about how couples met, which later moved to the Style section of the Chronicle, before eventually being discontinued. Additionally, Michael Bauer's restaurant reviews were integrated with SFGate, the Chronicle's website, where 360-degree views of the restaurants were featured. [19]
On July 6, 2008, the Chronicle announced that the issue of the magazine in that newspaper would be the last weekly issue and that, starting August 3, the magazine would be published the first Sunday of each month. Each issue of the new magazine would focus on a single subject such as home design, travel, food or weddings. Many weekly magazine features migrated to other sections of the newspaper. Merle Reagle's crossword puzzle moved the Datebook, On the Couch and Michael Bauer's restaurant reviews moved to Style, and Zahid Sardar's Take Two moved to Home & Garden. [20]
In contrast to the 2003 redesign, readers widely panned the magazine's move to monthly publication in published letters to the Chronicle. [21]
The Independent is a British online newspaper. It was established in 1986 as a national morning printed paper. Nicknamed the Indy, it began as a broadsheet and changed to tabloid format in 2003. The last printed edition was published on Saturday 26 March 2016, leaving only the online edition.
The San Francisco Chronicle is a newspaper serving primarily the San Francisco Bay Area of Northern California. It was founded in 1865 as The Daily Dramatic Chronicle by teenage brothers Charles de Young and Michael H. de Young. The paper is owned by the Hearst Corporation, which bought it from the de Young family in 2000. It is the only major daily paper covering the city and county of San Francisco.
The Mercury News is a morning daily newspaper published in San Jose, California, in the San Francisco Bay Area. It is published by the Bay Area News Group, a subsidiary of Media News Group which in turn is controlled by Alden Global Capital, a vulture fund. As of March 2013, it was the fifth largest daily newspaper in the United States, with a daily circulation of 611,194. As of 2018, the paper has a circulation of 324,500 daily and 415,200 on Sundays. As of 2021, this further declined. The Bay Area News Group no longer reports its circulation, but rather "readership". For 2021, they reported a "readership" of 312,700 adults daily.
The San Francisco Bay Guardian was a free alternative newspaper published weekly in San Francisco, California. The paper was shut down on October 14, 2014. Parts of the paper were relaunched online in February 2016.
The Chicago Reader, or Reader, is an American alternative newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. The Reader has been recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote:
[T]he most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the Chicago Reader pioneered the practice of free circulation, a cornerstone of today's alternative papers. The Reader also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people.
David Talbot is an American journalist, author, activist and independent historian. Talbot is known for his books about the "hidden history" of U.S. power and the liberal movements to change America, as well as his public advocacy. He was also the founder and former editor-in-chief of the early web magazine Salon.
SF Weekly is an online music publication and formerly alternative weekly newspaper founded in the 1970s in San Francisco, California. It was distributed every Thursday, and was published by the San Francisco Print Media Company. The paper has won national journalism awards, and sponsored the SF Weekly Music Awards.
Benjamin Fong-Torres is an American rock journalist best known for his association with Rolling Stone magazine and the San Francisco Chronicle.
Jon Carroll is a retired newspaper columnist, best known for his work for the San Francisco Chronicle from 1982, when he succeeded columnist Charles McCabe, to 2015, when he retired. His column appeared on the back page of the Chronicle's Datebook section Tuesdays through Fridays.
The Berkeley Daily Planet was a free weekly newspaper published in Berkeley, California, which continues today as an internet-based news publication.
Donald Asmussen was an American cartoonist working for the San Francisco Chronicle and Universal Press Syndicate.
Merl Harry Reagle was an American crossword constructor. For 30 years, he constructed a puzzle every Sunday for the San Francisco Chronicle, which he syndicated to more than 50 Sunday newspapers, including the Washington Post, the Los Angeles Times, the Philadelphia Inquirer, the Seattle Times, The Plain Dealer, the Hartford Courant, the New York Observer, and the Arizona Daily Star. Reagle also produced crossword puzzles for AARP: The Magazine and the American Crossword Puzzle Tournament.
Phil Bronstein is an American journalist and editor. He serves as executive chair of the board for the Center for Investigative Reporting in Berkeley, California. He is best known for his work as a war correspondent and investigative journalist. In 1986, he was a finalist for the Pulitzer Prize for his reporting on the fall of Philippine dictator Ferdinand Marcos. Later, he held leadership positions with the San Francisco Examiner, San Francisco Chronicle, and Hearst Newspapers Corporation.
Stanlee Ray Gatti is an American event designer and arts administrator, based in San Francisco, California. He is famous for his innovation and unique style in the decoration and design of large and lavish parties.
The San Francisco Examiner is a newspaper distributed in and around San Francisco, California, and published since 1863.
Christian Frederick "Chris" Gulker was an American photographer, programmer, writer, and pioneer in electronic publishing.
The San Francisco newspaper strike of 1994 was a labor dispute called by the Newspaper Guild in November 1994. Employees of San Francisco's two major daily newspapers, the San Francisco Chronicle and The San Francisco Examiner walked off the job for eleven days.
The San Francisco Independent was the largest non-daily newspaper in the United States. It helped to popularize the free newspaper as a business model at the beginning of the 21st century, and also rescued one of the city's two major daily newspaper, the afternoon / evening San Francisco Examiner. The efforts of the Fang Family through its purchase to keep it from being shut down a century and a half later by the descendent Hearst Communications media empire, after they bought the longtime morning competitor, the San Francisco Chronicle with its De Young family ownership in 2000 from the remaining family ownership members.
Sandra Eisert is an American photojournalist, now an art director and picture editor. In 1974 she became the first White House picture editor. Later she was named Picture Editor of the Year by the National Press Photographers Association in its annual competition. She contributed to 1989 earthquake coverage that won a Pulitzer Prize for the San Jose Mercury News. As of 2012, she has her own business providing strategic planning for startups.
Catherine Wagner is an American photographer, professor and conceptual artist. Wagner has created large-scale, site-specific public artworks for the cities of San Francisco, Los Angeles, San Jose, and Kyoto, Japan. Her work is represented in major national and international collections, including those of the Museum of Modern Art, New York; the Los Angeles County Museum of Art; the San Francisco Museum of Modern Art; the Whitney Museum of American Art, New York; and the Museum of Fine Arts, Houston. Wagner's process involves the investigation of what art critic David Bonetti called "the systems people create, our love of order, our ambition to shape the world, the value we place on knowledge, and the tokens we display to express ourselves." In addition to being a practicing artist, Wagner has been a professor of art at Mills College in Oakland, California, since 1979. She received the Rome Prize in 2013, a Guggenheim Fellowship, National Endowment for the Arts Fellowships and the Ferguson Award.