Church of San Giovanni a Carbonara | |
---|---|
Chiesa di San Giovanni a Carbonara | |
40°51′22″N14°15′37″E / 40.856013°N 14.260372°E | |
Location | Naples Metropolitan City of Naples, Campania |
Country | Italy |
Denomination | Roman Catholic |
History | |
Status | Active |
Architecture | |
Architectural type | Gothic architecture |
Groundbreaking | 1339 |
Administration | |
Diocese | Roman Catholic Archdiocese of Naples |
San Giovanni a Carbonara is a Gothic church in Naples, Southern Italy. It is located at the northern end of via Carbonara, just outside what used to be the eastern wall of the old city. The name carbonara (meaning "coal-carrier") was given to this site allocated for the collection and burning of refuse outside the city walls in the Middle Ages.
The monastery/church complex of San Giovanni was founded by the Augustinians in 1343. The church was begun in Gotico Angioiano style, but completed in the early 15th century under King Ladislaus of Durazzo, who turned the church into a Pantheon-like tribute to the last of the Angevin rulers of Naples.
To the left of the entrance, almost at Via Carbonara is the church of the Pietatella.
The current façade, with its scenographic stairwell entrance was constructed in 1707 or 1708 by Ferdinando Sanfelice. It maintains the Gothic portal with a lunette frescoed by the Lombard Leonardo da Besozzo.
The interior is on the Latin Cross plan, with a rectangular nave. The main altar decorated with polychrome marble dates from 1746. The apse contains Ladislaus' tomb, commissioned by his sister Queen Joan II from the sculptor Andrea Ciccione. The sepulchre of Sergianni Caracciolo was also completed by Ciccione.
Among the main chapels are the following:
The church also contains a statue of the Madonna delle Grazie (1578) by Michelangelo Naccherino, and a sacristy whose decorative plan was formulated by Giorgio Vasari, with the help of Cristofano Gherardi.
The church was restored in 1856, but was severely damaged by Allied bombardments in 1943.
Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church.
The Basilica di Santa Croce is a minor basilica and the principal Franciscan church of Florence, Italy. It is situated on the Piazza di Santa Croce, about 800 metres southeast of the Duomo, on what was once marshland beyond the city walls. Being the burial place of notable Italians, including those from the Italian Renaissance such as Michelangelo, Galileo, and Machiavelli, as well as the poet Foscolo, political philosopher Gentile and the composer Rossini, it is also known as the Temple of the Italian Glories.
San Francesco a Ripa is a church in Rome, Italy. It is dedicated to Francis of Assisi who once stayed at the adjacent convent. The term Ripa refers to the nearby riverbank of the Tiber.
Santa Maria la Nova is a Renaissance style, now-deconsecrated, Roman Catholic church and monastery in central Naples. The church is located at the beginning of a side street directly across from the east side of the main post office, a few blocks south of the Church and Monastery of Santa Chiara. Today the adjacent monastery is a meeting site and hosts the Museo ARCA of modern religious art.
Sant'Anna dei Lombardi,, and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.
San Pietro Martire is a Roman Catholic church in Naples, Italy. It is located directly across from the principal building of the University of Naples on the main street, Corso Umberto corner with Via Porta di Massa, near the port area. In the piazza in front of the church is a statue of Ruggero Bonghi.
San Pietro a Majella is a church in Naples, Italy. The term may also refer to the adjacent Naples music conservatory, which occupies the premises of the monastery that used to form a single complex with the church.
Andrea Ciccione (1388–1455), also known as Andrea di Onofrio, Nofri, and da Firenze, was an Italian architect and sculptor of the Renaissance. He was born and died in Florence, but spent much of his career in Naples.
Annibale Caccavello (1515–1595) was an Italian sculptor of the Renaissance, active in his native city of Naples.
Michelino Molinari da Besozzo was a notable fifteenth century Italian painter and illuminator, who was widely praised for his work. He worked mostly in Milan and Lombardy, and was employed by the Visconti family, rulers of Milan. Michelino's work follows the traditions of the Lombard School, and maintains the Trecento style.
Pistoia Cathedral, or Cathedral of Saint Zeno is the main religious building of Pistoia, Tuscany, central Italy, located in the Piazza del Duomo in the centre of the city. It is the seat of the Bishop of Pistoia and is dedicated to Saint Zeno of Verona.
Christianity and religion in general has always been an important part of the social and cultural life of Naples. It is the seat of the Archdiocese of Naples, and the Catholic faith is highly important to the people of Naples and there are hundreds of historic churches in the city. The Cathedral of Naples is the most important place of worship in the city, each year on September 19 it hosts the Miracle of Saint Januarius, the city's patron saint. In the miracle which thousands of Neapolitans flock to witness, the dried blood of Januarius is said to turn to liquid when brought close to relics said to be of his body: this is one of the most important traditions for Neapolitans.
The Basilica of San Pietro ad Aram is a Baroque-style, Roman Catholic church in Naples, Italy. It is located about a block from the church of the Santissima Annunziata on Corso Umberto I.
Santa Maria dell'Incoronata is an ancient church on Via Medina in Naples, Italy. It is located just south of San Giorgio dei Genovesi and across the street from the Church of Pietà dei Turchini.
The Basilica of San Giovanni Maggiore is a church in Largo San Giovanni Maggiore in central Naples, Italy.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Girolamo D'Auria (1577–1620) was an Italian sculptor, active mainly in Naples, Italy. His first name is variously used as Hieronymus, Ieronimo, Hieronimo, Jeronimo, Geronimo or Gerolamo. Girolamo's father, Giovanni Domenico D'Auria, and Annibale Caccavello, were pupils of Giovanni da Nola. his main task was sculpting funereal monuments including some in Santi Severino e Sossio, the church of Santa Maria di Monteoliveto, and the monument of Giovanni Alfonso Bisvallo, sculpted in 1617 at San Severo al Pendino.
Leonardo Da Besozzo or Leonardo Dei Molinari was an Italian painter, active in Lombardy and Naples.
Perinetto da Benevento or Perrinetto di Maffeo da Benevento was an Italian painter, active in Naples.
Gothic art in Milan denotes the city's artistic period at the turn of the second half of the 13th century and the first half of the 15th century. The Gothic style, initially introduced into Milanese territory by Cistercian monks, was the main artistic style of the vast patronage and self-celebrating agenda of the Visconti family, lords of Milan, whose rule over the city is usually associated with the Milanese Gothic period.