Church of San Nicola di Trullas San Nicola di Trullas(in Italian) | |
---|---|
Religion | |
Affiliation | Roman Catholic |
Province | Archdiocese of Sassari |
Rite | Latin Rite |
Location | |
Location | Semestene, Italy |
Geographic coordinates | 40°23′36″N8°42′16″E / 40.39333°N 8.70444°E |
Architecture | |
Type | Church |
Style | Romanesque |
Groundbreaking | 12th century |
San Nicola di Trullas (Sardinian : Santu Nicolau de Truddas or Sanctu Nichola de Trullas) is a countryside church between the communes of Semestene and Pozzomaggiore, in the province of Sassari, Sardinia, Italy
The church was built by the Athen family of Pozzomaggiore, belonging to the Giudicale aristocracy, who donated it to the Camaldolese monks. The deed of donation was signed by Pietro de Athen on 29 October of 1113, with the consent of Constantine I of Torres and bishop Albert of the Roman Catholic Diocese of Sorres entrusted the church with all the peretinences to San Salvatore a Camaldoli [1] ., on a parchment which is currently kept in the State Archives of Florence. [2]
The church, of very small dimensions (6 m. X 12 m.), is nevertheless of excellent workmanship. The building is generated by the juxtaposition of two cubes with cross vaults and an apse with a semicatino vault. According to Raffaello Delogu, the construction scheme is based on the duplication of a Lombard span, as already happened in the palatine chapel of Santa Maria del Regno in Ardara and in the church of San Nicola di Silanis in Sedini. [3]
The interior has cross vaults and several frescoes. Near the church there was also a convent, of which only ruins remain,where the homonymous condaghe was compiled. That condaghe is a valuable source for medieval Sardinian history.
Sardinian or Sard is a Romance language spoken by the Sardinians on the Western Mediterranean island of Sardinia.
Sardinia is the second-largest island in the Mediterranean Sea, after Sicily, and one of the twenty regions of Italy. It is located west of the Italian Peninsula, north of Tunisia and 16.45 km south of the French island of Corsica.
The Judicates, in English also referred to as Sardinian Kingdoms, Sardinian Judgedoms or Judicatures, were independent states that took power in Sardinia in the Middle Ages, between the eleventh and fifteenth centuries. They were sovereign states with summa potestas, each with a ruler called judge, with the powers of a king.
The flag of Sardinia, also referred to as the Four Moors, represents and symbolizes the island of Sardinia (Italy) and its people. It was also the historical flag and coat of arms of the Aragonese, then Spanish, and later Savoyard Kingdom of Sardinia. It was first officially adopted by the autonomous region in 1950 with a revision in 1999, describing it as a "white field with a red cross and a bandaged Moor's head facing away from the hoist in each quarter".
Constantine I was the giudice of Logudoro. He was co-ruling by 1082 and sole ruler by 1113. His reign is usually said to have begun about 1112.
The Nuragic civilization, also known as the Nuragic culture, formed in the Mediterranean island of Sardinia, Italy in the Bronze Age. According to the traditional theory put forward by Giovanni Lilliu in 1966, it developed after multiple migrations from the West of people related to the Beaker culture who conquered and disrupted the local Copper Age cultures; other scholars instead hypothesize an autochthonous origin. It lasted from the 18th century BC, or from the 23rd century BC, up to the Roman colonization in 238 BC. Others date the culture as lasting at least until the 2nd century AD, and in some areas, namely the Barbagia, to the 6th century AD, or possibly even to the 11th century AD. Although it must be remarked that the construction of new nuraghi had already stopped by the 12th-11th century BC, during the Final Bronze Age.
The Sardinians, or Sards, are a Romance language-speaking ethnic group indigenous to Sardinia, from which the western Mediterranean island and autonomous region of Italy derives its name.
A condaghe, also known as a fundaghe, was a kind of administrative document used in the Sardinian judicates between the 11th and 13th centuries. They are one of the earliest witnesses for the development of the Sardinian language and are an important source for historians of medieval Sardinia. The word derives from the medieval Sardinian term kondake, from Medieval Greek: κοντάκιον, romanized: kontákion, lit. 'the pole around which a scroll is wound'.
Sardinian nationalism or also Sardism is a social, cultural and political movement in Sardinia calling for the self-determination of the Sardinian people in a context of national devolution, further autonomy in Italy, or even outright independence from the latter. It also promotes the protection of the island's environment and the preservation of its cultural heritage.
The literature of Sardinia is the literary production of Sardinian authors, as well as the literary production generally referring to Sardinia as an argument, written in various languages.
Salvatore Satta was an Italian jurist and writer. He is famous for the novel The Day of Judgment (1975), and for several important studies on civil law.
Hampsicora was a Sardo-Punic political leader and landowner of Sardinia, and the leader of the major anti-Roman revolt in the province of 215 BC.
Sardinia's Day, also known as Sardinian people's Day, is a holiday in Sardinia commemorating the Sardinian Vespers occurring in 1794–96.
The Byzantine age in Sardinian history conventionally begins with the island's reconquest by Justinian I in 534. This ended the Vandal dominion of the island after about 80 years. There was still a substantial continuity with the Roman phase at this time.
The Sardinian Romanesque is the Romanesque architectural style that developed in Sardinia. The Romanesque architecture in Sardinia has had a remarkable development since the early origins, during the Giudicati era, and for a long period. His expressions, although autonomous, are not classifiable in a recognizable image, since in the island the Romanesque manifested itself with unusual results but in numerous forms; this is due to the establishment in Sardinia of several religious orders, coming from various Italian regions and from France. Consequently, in the architectures of that era Pisan, Lombard and Provençal influences are recognizable as well as traces of the passage of workers, coming from the Iberian Peninsula, of Islamic culture. In total there are over 150 Romanesque monuments in Sardinia.
Limba Sarda Comuna (LSC) is an orthography for the Sardinian language, created with the aim of transcribing the many variants of spoken Sardinian, with their distinctive characteristics, in the same way, and adopted experimentally in 2006 by the Autonomous Region of Sardinia for the official writing of its acts, jointly with Italian.
The Chiesa di San Nicola di Silanis is a church in a state of ruins in the comune of Sedini, northern Sardinia, Italy.
Sardinian surnames are surnames with origins from the Sardinian language or a long, identifiable tradition on the Western Mediterranean island of Sardinia.
Architecture of Sardinia has developed since 4000 B.C., presenting characteristic aspects in certain historical periods, especially in the Nuragic age.
Francesco Cesare Casula is a Sardinian historian from Italy.