San Pancrazio, Genoa

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San Pancrazio

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Basic information
Location Genoa, Italy
Geographic coordinates Coordinates: 44°24′40.96″N8°55′45.22″E / 44.4113778°N 8.9292278°E / 44.4113778; 8.9292278
Affiliation Roman Catholic
Province Genoa
Architectural description
Architectural type Church
Architectural style Baroque

The church of San Pancrazio is found in central Genoa, in front of the piazza named after the same saint. A church at the site was first linked to the nearby Benedictine Abbey of San Siro in the 11th century. A document from the 16th century notes that the church had been for centuries endowed by prominent Genoese families including the Calvi and Pallavicini. [1] The present layout dates into the 18th century. In 1684, the church was demolished by the bombardment of Genoa by the naval forces of Louis XIV of France. The architect Antonio Maria Ricca designed the present structure. The church was again damaged by aerial bombing during the Second World War. It is now attached to the Sovereign Military Order of Malta as evidenced by the cross above the portal.

Genoa Comune in Liguria, Italy

Genoa is the capital of the Italian region of Liguria and the sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, counted 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera.

Pancras of Rome Roman Catholic saint

Saint Pancras was a Roman citizen who converted to Christianity, and was beheaded for his faith at the age of fourteen, around the year 304. His name is Greek (Παγκράτιος) and means "the one that holds everything".

San Siro (Genoa)

San Siro is a Roman Catholic basilica located on the street of the same name, in the quartiere of the Maddalena in central Genoa, Liguria, Italy.

The apse frescoes were completed by Giacomo Antonio Boni, while the triptych of the Life of St. Pancras, attributed to Adriaen Isenbrandt, has been reconstructed within a decorative marble main altar.

Adriaen Isenbrandt Early Netherlandish painter

Adriaen Isenbrandt or Adriaen Ysenbrandt was a Northern Renaissance painter. Documentary evidence suggests he was a significant artist of his period, even though no specific works by his hand are clearly documented. Art historians have conjectured that he operated a large workshop specializing in religious subjects and devotional paintings, which were executed in a conservative style in the tradition of Early Netherlandish painting. He was believed by Georges Hulin de Loo to be the same person as the anonymous Master of the Seven Sorrows of the Virgin or Pseudo-Mostaert. Other art historians doubt that any works can be reliably attributed to him, and the number of paintings attributed to him by major museums has been in decline for many decades.

Sources

  1. Pareto et al. page 116

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