Sanam Khatibi | |
---|---|
Born | 1979 (age 44–45) |
Known for | Painting, sculpture, embroidery, tapestry |
Sanam Khatibi (born 1979) [1] is a Belgian artist. [2] Her work consists of paintings, embroideries, tapestries, and sculptures. Themes of her work relate to humanity's primal instincts and animality, male-female dynamics, balance of power between the sexes, domination and submission, and fear and desire. [3] Her works have been shown in solo and group exhibitions in Europe and the U.S. [4] [5] [6] She lives and works in Brussels, Belgium.
Khatibi cites Frida Kahlo, Hieronymus Bosch, and Henry Darger as her sources of inspiration. Khatibi's paintings often resemble Renaissance imagery, with groups of almost transparent nude female figures against backgrounds of pastel-coloured landscapes. [7] The ghost-like women interact with the surrounding wildlife and explore their animal impulses. [8] Her work is seen as putting "a contemporary spin on surrealism and the uncanny." [9]
A self-taught artist, [6] [8] Khatibi is described as "guided by an untamed instinct", and "each work seems to be an invitation to a sexual game, tender or brutal, romantic or savage." [8] Khatibi explains, “No matter how much society tries to cover it up, no matter how polite and educated we act, our impulses remain primitive.” [10]
The emotional tone of her work is considered benign, despite the underlying themes: "Along with the apparent bestiality and the violence of the depicted scenes, the artist keeps an amused eye on the joyful carnival." [11] Furthermore, "her female subjects are presented as protagonists, not victims. They hunt, tame, or seduce the wild beasts, rather than being ravaged by them." [12]
Khatibi says her female figures are "the predators, the dominant figures, who are quite impulsive and playful... often depicted within the same plane as the flora and fauna." [13] A review notes that "the women have an ambiguous relationship with power, violence, sensuality, and one another." [14] Khatibi adds that “I suppose they are all me—and they are all bits and pieces of us all.” [14]
Her series, "The Murders of the Green River," exhibited in 2019 at the Rodolphe Janssen gallery in Brussels, examined the crimes of the serial killer Gary Ridgway in the Green River area of Washington State. [1]
Khatibi has shown her work in various exhibitions throughout Europe and the United States. Notable solo exhibitions include:
Pieter Brueghelthe Younger was a Flemish painter known for numerous copies after his father Pieter Bruegel the Elder's work, as well as original compositions and Bruegelian pastiches. The large output of his studio, which produced for the local and export market, contributed to the international spread of his father's imagery.
Luc Tuymans is a Belgian visual artist best known for his paintings which explore people's relationship with history and confront their ability to ignore it. World War II is a recurring theme in his work. He is a key figure of the generation of European figurative painters who gained renown at a time when many believed the medium had lost its relevance due to the new digital age.
Anne-Mie Van Kerckhoven is a Belgian artist whose work involves painting, drawing, computer art and video art.
Raoul De Keyser was a Belgian painter who lived and worked in Deinze, Belgium.
Emile Claus was a Belgian painter.
David Ratcliff is a painter based in Los Angeles. His work involves spray painting on collages using appropriated images.
James Sidney Edouard, Baron Ensor was a Belgian painter and printmaker, an important influence on expressionism and surrealism who lived in Ostend for most of his life. He was associated with the artistic group Les XX.
Meeli Kõiva is an Estonian-American artist, curator, and art filmmaker who primarily works with architectural glass, light and multimedia. She is active in Finland, Belgium, and the United States, where she has produced a range of paintings, architectural lighting sculptures, multimedia installations, videos, and architectural stained glass. She pioneered a new era of architectural light-art space by bringing in the participation of light observers, focusing on "light motion via glass surfaces and esoteric meanings: limits of the mind and body"
Jan Vercruysse was a Belgian contemporary visual artist, sculptor and photographer.
Rodolphe Paul Marie Wytsman was a Belgian Impressionist painter. He trained at the Académie Royale des Beaux-Arts in Brussels, and was one of the founding members of Les XX, a group of avant-garde Belgian artists.
E'wao Kagoshima is a Japanese artist whose varying media includes painting, sculpture and collage. Kagoshima's work is known through the canon of Japanese Pop Art, and he has had solo exhibitions at the Nagai Gallery, Tokyo; Gabrielle Bryers Gallery, New York; The New Museum, New York; Mitchell Algus Gallery, New York; and Algus Greenspon, New York. Kagoshima has been included in exhibitions at the Institute of Contemporary Arts, London; The Asian American Art Center, New York; The Laforet Museum, Tokyo and Osaka; Marlborough Gallery, New York; MoMA PS1, New York; White Columns, New York; Martos Gallery, New York; Galerie Rodolphe Janssen, Brussels; and Sculpture Center, New York.
Jeanne (Jenny) Montigny was a Belgian painter.
Juliette Wytsman was a Belgian impressionist painter. She was married to painter Rodolphe Wytsman. Her paintings are in the collections of several museums in Belgium.
Michaelina Wautier, also Woutiers (1604–1689), was a painter from the Southern Netherlands. Only since the turn of the 21st century has her work been recognized as that of an outstanding female Baroque artist, her works having been previously attributed to male artists, especially her brother Charles.
The Brussels Gallery Weekend is an event dedicated to contemporary visual art in Brussels. This weekend usually occurs in September and is divided in two main tours. One throughout the main art galleries of the city and one, curated by an independent curator, in the main artistic institutions.
Walter Swennen is a Belgian artist who lives and works in Brussels.
Jan Van der Stock is a Belgian art historian and exhibition curator. He is a full professor at the University of Leuven, where he lectures on Medieval and Renaissance Arts, Graphic Arts, Iconography, Iconology, and Curatorship. He is the director of Illuminare – Centre for the Study of Medieval Art and holder of the Van der Weyden Chair – Paul & Dora Janssen, the Veronique Vandekerchove Chair of the City of Leuven and the Chair of Medieval Sculpture in the Low Countries. Jan Van der Stock was the husband of Prof. dr. Christiane Timmerman and is the father of Willem and Liza Van der Stock.
Emily Mae Smith is a visual artist from Austin, Texas. Her sly, humorous, and riveting compositions nod to art historical movements such as Greek Mythology and Surrealism through with a distinctly 21st century spin. Her genre-defying paintings speak through a vocabulary of signs and symbols addressing timely subjects including gender, class, and violence. Smith’s paintings tackle art history’s phallocentric myths and create imagery for subjectivities absent in visual culture, specifically the feminist perspective.
Jan David Col was a Belgian painter known for his anecdotal genre scenes.
Pierre Clemens, born in Brussels on 6 July 1970, is a Belgian visual artist and composer.