Santa Maria Donnalbina is a church located on the street of the same name in Naples, Italy.
A church at the site existed in the 9th century, but was reconstructed in the 17th century by Bartolomeo Picchiatti, and the Baroque style church underwent further reconstructions under Arcangelo Guglielmelli.
Interior
The interior was heavily encrusted with stucco decorations (1701) by Antonio Guidetti, and the altar is made of polychrome marbles. The counterfacade has an organ from 1699. The ceiling was decorated with canvases by Nicola Malinconico, also the author of the paintings depicting the saints, as well as the fresco in the counter-facade. In the second chapel on right are two saints (1736) painted by Domenico Antonio Vaccaro; in the presbytery and transepts are frescoes and canvases by Francesco Solimena.
The church holds the funereal monument of Giovanni Paisiello, sculpted in Neoclassic style by Angelo Viva in 1816, which originally stood in the small church of the Immacolata del Terz'Ordine di San Francesco, which was torn down during the opening of via Guglielmo Sanfelice during the so-called Risanamento of Naples, in which a rationalizing enlargement of streets was attempted. The church, closed since 1972, has been reopened to the public after 2010.
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Bibliography
Vincenzo Regina, Le chiese di Napoli. Viaggio indimenticabile attraverso la storia artistica, architettonica, letteraria, civile e spirituale della Napoli sacra, Newton and Compton editor, Naples 2004.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre.
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