Church of Santa Maria di Piedigrotta | |
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Chiesa di Santa Maria di Piedigrotta | |
40°49′50″N14°13′09″E / 40.830600°N 14.219160°E | |
Location | Chiaia Naples Province of Naples, Campania |
Country | Italy |
Denomination | Roman Catholic |
History | |
Status | Active |
Architecture | |
Architectural type | Church |
Style | Renaissance architecture |
Groundbreaking | 1352 |
Administration | |
Diocese | Roman Catholic Archdiocese of Naples |
Santa Maria di Piedigrotta is a Baroque-style church in Naples, Italy; it is located in the neighborhood or quartiere of Piedigrotta.
A church at the site was consecrated by 1353, and dedicated to the Birth of the Virgin. It was established at the site of an older chapel sheltering a wooden Byzantine icon of the Virgin dell'Itria (Odigitria). Legend holds the Virgin appeared to three individuals requesting the church to be built. In 1453, it was ceded to the Canons Regular of the Lateran, and it is still belongs to the order. It has undergone a number of restorations and reconstructions including 1520, 1820, and 1853. The present facade dates from 1853, and was designed by Errico Alvino, with sculptures by Bernardo Manco . The adjacent cloister was designed by Tommaso Malvito.
In the chapel of the Madonna di Pompei are a Crucifixion, and a Pietà with Anthony of Padua by Wenzel Cobergher. The next chapel has a Martyrdom of Agostino d'Ipponi by Giuseppe Mancinelli and a Marriage of Joseph and Mary by Bernardo Cavallino .
The church once held works by Hemsel, Francesco Santafede, Giovanni Bernardo Lama, Maerten de Vos, and Belisario Corenzio.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre.
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