Sarah Foster-Sproull | |
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Citizenship | New Zealand |
Occupation(s) | Dancer, choreographer and lecturer in dance studies |
Sarah Foster-Sproull is a New Zealand choreographer, dancer and senior lecturer in dance studies at the University of Auckland.
Foster-Sproull was born in Dunedin and attended Otago Girl's High School. [1] [2] She began dancing at age 6 being taught by Robyn Sinclair at the Dunedin School of Ballet. [1] She went on to attend the New Zealand School of Dance and in 2017 gained a Masters in Dance Studies from the University of Auckland. [2] Her masters thesis was entitled Embodied economies: Locating the ‘prosumer-dancer’ within dancers’ experiences of choreographic practice. [3] As at 2021 Foster-Sproull is undertaking a doctorate in the dance studies programme at the University of Auckland. [4]
During her dancing career Foster-Sproull has performed with Soapbox Productions, the Douglas Wright Dance Company, and the Commotion Company amongst others. [1] Foster-Sproull went on to become a founding member of The New Zealand Dance Company, performing as a dancer as well as choreographing works for that company. [5] In 2008 she performed a role in Parmenter's Tent at the Tempo Dance Festival and was awarded best female performer. [1] In 2015 Foster-Sproull was chosen as one of five choreographers to contribute to the Craft of Embodiment workshop in Canada and also had a residency at the T.H.E Second Company, a dance company in Singapore. [1]
From 2017 to 2019 Foster-Sproull was the Creative New Zealand Choreographic Fellow. [6] In 2018 Foster-Sproull was commissioned by Patricia Barker to choreograph a work to commemorate the 125th anniversary of women’s suffrage in New Zealand. [7] For this commission, Foster-Sproull created Despite The Loss Of Small Detail, and it was this work that began her association with the Royal New Zealand Ballet. [7] Foster-Sproull then went on to create the work Artemis Rising in 2019. [7] This work was produced to honour Abigail Boyle, a Royal New Zealand Ballet Principal who was retiring. [7] Artemis Rising was again performed by the Royal New Zealand Ballet in 2020. [7] Her choreographic work Orchids (2019) produced by her company Foster Group Dance at Circa Theatre and Q Theatre received critical acclaim with an intergeneration group of women dancers; Marianne Schultz, Katie Burton, Rose Philpott, Jahra Wasasala, Joanne Hobern, Tori Manley- Tapu and Ivy Foster. [8] [9]
Also in 2019, Foster-Sproull was appointed the Director of Choreography for the 2019 World of Wearable Art performances. [4] [2]
As at 2021 she lives in Auckland and is the artistic director of the Foster Group Dance company as well as a senior lecturer in dance studies at the University of Auckland. [2] [10] She is also a choreographer in residence at the Royal New Zealand Ballet. [6] [11]
She says of creativity: "How you can make art and not think about it critically?" [12]