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Sarah Lowndes is a writer and curator based in Norwich, where she is also Research Fellow at Norwich University of the Arts. Lowndes is Director of Kunsthalle Cromer and previously contributed to the Public Programme of the Sainsbury Centre at the University of East Anglia. Lowndes's research focusses upon artist-led projects, interdisciplinary and performance-related practice and contemporary art. A lecturer at Glasgow School of Art between 2002 and 2015, Lowndes has written extensively on post-war art, music and politics in Glasgow in publications including Studio 58: Women Artists in Glasgow Since World War II (Glasgow: Glasgow School of Art Exhibitions, 2012), Social Sculpture: The Rise of the Glasgow Art Scene (Luath Press, 2010) and "The Glasgow Scene", The History of British Art, Volume III (London: Tate Publishing, 2008). Other single author books authored by Lowndes include All Art is Political: Writings on Performative Art (2014), The DIY Movement in Art, Music and Publishing: Subjugated Knowledges (2016), Contemporary Artists Working Outside the City: Creative Retreat (2018) and Crowds, Community and Contagion in Contemporary Britain (2022). Lowndes co-edited Actions: The Image of the World Can Be Different, with Andrew Nairne (2018) and edited Like the Sea I Think: New Marine Writing from East Anglia (2019) and Field Work: New Nature Writing from East Anglia (2020).
Lowndes has contributed to Frieze, Art on Paper, Untitled, MAP, 2HB, Spike Art Quarterly and Afterall and to catalogues for international institutions, including Richard Wright (2009), Robert Rauschenberg: Botanical Vaudeville (2011) and Dieter Roth: Diaries (2012).[ citation needed ] Her curatorial projects include "Three Blows", a weekend of experimental acoustic performance by visual artists and musicians (2008), [1] the symposium Subject in Process: Feminism and Art (2009) the international group exhibition Votive at CCA Glasgow (2009) and the all-women performance event Urlibido (Glasgow International 2010). Her curatorial projects include the sculpture park "Dialogue of Hands" (Glasgow International, 2012) and Studio 58: Women Artists in Glasgow Since WWII (Mackintosh Museum, 2012) and she was also the editor of art magazine The Burning Sand'(2013-2016)'. [2]
Lowndes is married to 2009 Turner Prize winner Richard Wright. [3]
The Solomon R. Guggenheim Foundation is a nonprofit organization founded in 1937 by philanthropist Solomon R. Guggenheim and his long-time art advisor, artist Hilla von Rebay. The foundation is a leading institution for the collection, preservation, and research of modern and contemporary art and operates several museums around the world. The first museum established by the foundation was The Museum of Non-Objective Painting, in New York City. This became The Solomon R. Guggenheim Museum in 1952, and the foundation moved the collection into its first permanent museum building, in New York City, in 1959. The foundation next opened the Peggy Guggenheim Collection in Venice, Italy, in 1980. Its international network of museums expanded in 1997 to include the Guggenheim Museum Bilbao in Bilbao, Spain, and it expects to open a new museum, Guggenheim Abu Dhabi, in the United Arab Emirates after its construction is completed.
The Museum of Contemporary Art (MCA) Chicago is a contemporary art museum near Water Tower Place in downtown Chicago in Cook County, Illinois, United States. The museum, which was established in 1967, is one of the world's largest contemporary art venues. The museum's collection is composed of thousands of objects of Post-World War II visual art. The museum is run gallery-style, with individually curated exhibitions throughout the year. Each exhibition may be composed of temporary loans, pieces from their permanent collection, or a combination of the two.
The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the first publicly funded galleries for temporary exhibitions in London. The building is a notable example of the British Modern Style. In 2009 the gallery approximately doubled in size by incorporating the adjacent former Passmore Edwards library building. It exhibits the work of contemporary artists and organizes retrospective exhibitions and other art shows.
Stephen Snoddy is a British artist and gallery director.
Ana Maria Pacheco is a Brazilian sculptor, painter, and printmaker. Her work is influenced by her Brazilian heritage and often focuses on supernatural themes, incorporating them into unfolding narratives within her work. Pacheco's work has been displayed in galleries internationally and has won multiple awards throughout her career.
The Norwich Twenty Group (N20G) is a group of artists in Norfolk, England. Stimulated by contemporary art movements, the original group of 14 artists, met in November 1944, they intended to raise standards of local professional art to something worthy of the artistic history of Norfolk, by mutual criticism and appraisal of work. On 8 January 1945, they named the group the Norwich Twenty Group and a constitution was signed. N20G continues to flourish with new members. Since 1944, over 270 artists have been members. Some of the artists have included Bernard Reynolds, Edward Barker, Leslie Davenport, Michael Andrews, Mary Newcomb, Hamilton Wood, Jeffery Camp and Cavendish Morton. Since 1945 and until the end of 2013, some 150 art shows have been organised. Shows have taken place in 97 venues in Norwich, 35 in East Anglia, 11 outside East Anglia and 7 in Europe. Many of the artists trained at the Norwich School of Art and Design, now Norwich University of the Arts, Royal College of Art, Slade School of Fine Art, and other well known art schools. Many have travelled widely, studying the arts of other cultures and have exhibited regionally, nationally and internationally. Current members include 88 artists, with three life members and four honorary members. Several NUA graduates are invited to join the group every year, for one year, under the licentiate scheme. Meeting challenges in today's contemporary art, N20G now encompasses artists working in all media from paint, sculpture, installations and digital, ever seeking to nurture new members and forms of art.
Urs Fischer is a Swiss-born contemporary visual artist living in New York City. Fischer’s practice includes sculpture, installation and photography.
Chinwe Ifeoma Chukwuogo-Roy MBE was a visual artist who was born in Awka (Oka), Anambra state, Nigeria, but spent much of her young life in Ikom on the Cameroon border, before moving back to the family home at Umubele in Awka. She lived in Britain from 1975. Her paintings, prints and sculptures are predominantly figurative, in the genres of portraiture, still-life, landscape and narrative subjects. She won international attention in 2002 for being the first of only two Nigerian artists to have been allowed to paint official portraits of Queen Elizabeth II.
Maja and Reuben Fowkes are London-based curators, critics and art historians specialised in East European art history and contemporary art and ecology.
Richard Wright is an English artist and musician. Wright was born in London. His family moved to Scotland when he was young. He attended Edinburgh College of Art from 1978 to 1982 and studied at Glasgow School of Art between 1993 and 1995 studying for a Master of Fine Art. He lives in Glasgow. and Norfolk.
Daphne Wright is an Irish visual artist, who makes sculptural installations using a variety of techniques and media to explore how a range of languages and materials can be used to probe unspoken human preoccupations. Recent international exhibition highlights include Hotspot, Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, curated by Gerardo Mosquera; Daphne Wright: Prayer Project, Davis Museum, USA, Portals; the Hellenic Parliament with ΝΕΟΝ, Athens; Infinite Sculpture, Gulbenkian Museum, Lisbon. Wright curated the 2018 exhibition The Ethics of Scrutiny at the Irish Museum of Modern Art as part of the Freud Project. Wright has received the Paul Hamlyn Award, The Henry Moore Foundation Fellowship, and The British School of Rome fellowship. She is a member of Aosdana and is represented by Frith Street Gallery, London.
Kadist is an interdisciplinary contemporary arts organization with an international contemporary art collection. In addition to being a collecting body, Kadist hosts artists residencies and produces exhibitions, publications, and public events. The first location was opened in Paris in 2006 by Vincent Worms and Sandra Terdjman, and a San Francisco, California location was added in 2011 in the Mission District.
Graham Fagen is a Scottish artist living and working in Glasgow, Scotland. He has exhibited internationally at the Busan Biennale, South Korea (2004), the Art and Industry Biennial, New Zealand (2004), the Venice Biennale (2003) and represented Scotland at the 56th Venice Biennale in 2015 in a presentation curated and organised by Hospitalfield. In Britain he has exhibited at the Victoria & Albert Museum, Tate Britain and the Institute of Contemporary Arts, London. In 1999 he was invited by the Imperial War Museum, London to work as the Official War Artist for Kosovo.
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
The Guggenheim UBS MAP Global Art Initiative is a five-year program, supported by Swiss bank UBS in which the Solomon R. Guggenheim Foundation identifies and works with artists, curators and educators from South and Southeast Asia, Latin America, and the Middle East and North Africa to expand its reach in the international art world. For each of the three phases of the project, the museum invites one curator from the chosen region to the Solomon R Guggenheim Museum in New York City for a two-year curatorial residency, where they work with a team of Guggenheim staff to identify new artworks that reflect the range of talents in their parts of the world. The resident curators organize international touring exhibitions that highlight these artworks and help organize educational activities. The Foundation acquires these artworks for its permanent collection and includes them as the focus of exhibitions that open at the museum in New York and subsequently travel to two other cultural institutions or other venues around the world. The Foundation supplements the exhibitions with a series of public and online programs, and supports cross-cultural exchange and collaboration between staff members of the institutions hosting the exhibitions. UBS is reportedly contributing more than $40 million to the project to pay for its activities and the art acquisitions. Foundation director Richard Armstrong commented: "We are hoping to challenge our Western-centric view of art history."
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Alex Frost is a British contemporary artist, exhibiting internationally.
Mary Webb is a British abstract artist.
Lisa Le Feuvre is a curator, writer, editor and public speaker. In 2017 she was appointed the inaugural Executive Director of Holt/Smithson Foundation, an artist endowed foundation that aims to continue the creative and investigative legacies of the artists Nancy Holt and Robert Smithson.
The Feminist Art Coalition (FAC) is a collaboration of over 100 art museums and nonprofit institutions from across the United States. The organizations are collectively creating a series of programming and exhibitions centered around feminist thought to be held beginning in the fall of 2020, during the run-up of the presidential election. The project was initially planned to occur from September through November 2020, but has been extended through the end of 2021 due to changes in exhibition schedules resulting from the COVID-19 pandemic.