Sarindar Dhaliwal

Last updated

Sarindar Dhaliwal
Born
Sarindar Dhaliwal

1953
Punjab, India
Education

Sarindar Dhaliwal (born 1953) is a multi-media artist, born in India, raised in England, and based in Toronto. [1]

Contents

Biography

Dhaliwal was born in Punjab, and moved with her family to England at the age of four and grew up in Southall, London. [2] At the age of fifteen, she migrated again with her family to Canada. She settled down on a farm near Brampton, Ontario. Finding it challenging to adapt to small-town life, she worked to save up for a trip back to London, where she stayed for a year.

She received a BA in Fine Art at Falmouth University, Cornwall in England (1978), then moved back to Canada where she still lives. [3] She gained a MA from York University, Toronto in 2003. [1] Subsequently, she earned a Ph.D in Cultural Studies from Queen's University in Kingston, Ontario. [1]

Dhaliwal's Art

Dhaliwal's work is narrative-based, exploring issues of cultural identity, and includes installation, printmaking, collage, painting and video projection. Much of Dhaliwal's work deals with memory – specifically childhood memories. [4] Dhaliwal's art tells the story of her life as a global citizen by cleverly exploring the complex relationships between memory and place, language and colour, sport and ritual, family and society, and the histories of colonialism and migration focusing on racism, conflict, and identity. Consequently, Dhaliwal's art is simultaneously personal and universal, defying all attempts at categorization. [5] [6]

the green fairy story book (bookwork with table, 2010) [6] is influenced by Dhaliwal's love of colour which she developed in childhood from reading fairy stories in colourful books at the library. Southall:Childplay (chromira print, 2009) covers an entire wall with her own collection of coloured pencils, which she used to play with. In When I grow up I want to be a namer of paint colors (mixed media on graph paper, 2010), Dhaliwal gives names to colours: crushed raspberry, Indian summer, burnt persimmon. Dhaliwal's love of colour is also evident in the glowing colours of 28 ambassador cars (chromira print, 2010) driving around an island of text. [5] [6]

It was Dhaliwal's own lived experience of racism that nurtured her love of colour. However, all colors are equal for her. In Corner Flags and Corner Shops (mixed media installation, 2013) depicting a racist incidence even on the soccer field, she paints in multicoloured butterflies on white paper, to point out that colours are natural and racism is not a part of nature. [5] [6]

Dhaliwal's videowork olive, almond and mustard (2010) depicts her childhood memory of growing up in Britain having her long black hair washed with white yoghurt and oiled and braided by her mother. This piece moves back and forth from India to Britain with nursery rhymes, Bollywood film music, English pop songs and BBC Radio news describing her immigrant childhood in Great Britain. [5] [6]

The cartographer's mistake: the Radcliffe Line (chromira print, 2012) depicts the partition of the Indian subcontinent in Marigold flowers. Marigolds are traditionally a symbol of welcome but here they set the country afire. In 1947, Cyril Radcliffe was charged with carving up the subcontinent into 2 countries on the basis of religion: India and Pakistan. Even today, people are still writing and talking about the nightmare of partition. [5] [6]

Exhibitions

Dhaliwal's work has been exhibited around Canada since the 1980s. [7] Dhaliwal has exhibited her work at many major Canadian public galleries, including The Edmonton Art Gallery and the Agnes Etherington Art Centre, Ontario. She is represented in the Centre for Contemporary Canadian Art. [8] An exhibition of her work, 'Record Keeping', toured Britain in 2004, showing at the John Hansard Gallery (Southampton), Oriel Mostyn Gallery (Wales)and at Canada House Gallery (London). Her work is in collections including Canada Council Art Bank and the Walter Phillips Gallery at The Banff Centre for the Arts.

Dhaliwal's most recent solo shows were in 2013 at A Space Gallery, an artist-led space in Toronto [9] and at the Surrey Art Gallery in Surrey, BC; Gallerie Deste in Montreal (2010) and the Robert Langen Art Gallery in Waterloo (2012). In 2011 she participated in exhibitions in Stony Plain, Alberta, the Art Gallery of Greater Victoria and the Reach, Abbotsford both in British Columbia and at the Vadehra Art Gallery in Delhi, India. Sarindar Dhaliwal was the 2012 recipient of the Canada Council International Residency at Artspace, Sydney, Australia. [10]

In November 2016, Dhaliwal's work was featured as part of the Koffler Art Gallery's exhibit Yonder. [11] This exhibition dealt with work surrounding the Canadian immigrant experience. [12]

In 2023, Dhaliwal had a solo retrospective, When I grow up I want to be a namer of paint colours, at the Art Gallery of Ontario. [13]

List of solo exhibitions

List of selected group exhibitions

Awards

Related Research Articles

<span class="mw-page-title-main">Canadian Group of Painters</span>

The Canadian Group of Painters (CGP) was a collective of 28 painters from across Canada who came together as a group in 1933. Its Archives is in Queen's University, Kingston.

The Galeries Ontario / Ontario Galleries (GOG), formerly Ontario Association of Art Galleries / Association Ontarienne des Galeries d’Art (OAAG/AOGA), was established in 1968 to encourage development of public art galleries, art museums, community galleries and related visual arts organizations in Ontario, Canada. It was incorporated in Ontario in 1970, and registered as a charitable organization. It is a successor organization to the Southern Ontario Gallery Group founded in 1947, renamed the Art Institute of Ontario in 1952. In December 2020 Ontario Association of Art Galleries / Association Ontarienne des Galeries d’Art (OAAG/AOGA) rebranded to the name Galeries Ontario / Ontario Galleries (GOG) which included new brand identity, logo, and website to better serve art organizations in Ontario and Canada.

<span class="mw-page-title-main">Agnes Etherington Art Centre</span> Art museum in Ontario, Canada

The Agnes Etherington Art Centre is located in Kingston, Ontario, on the campus of Queen's University. The gallery has received a number of awards for its exhibitions from the Canada Council for the Arts, the Ontario Association of Art Galleries and others.

<span class="mw-page-title-main">Isabel McLaughlin</span> Canadian artist (1903-2002)

Isabel McLaughlin, was a Modernist Canadian painter, patron and philanthropist. She specialized in landscapes and still life and had a strong interest in design.

<span class="mw-page-title-main">Barbara Astman</span> Canadian artist (born 1950)

Barbara Anne Astman is a Canadian artist who has recruited instant camera technology, colour xerography, and digital scanners to explore her inner thoughts.

Carol Lorraine Sutton is a multidisciplinary artist born in Norfolk, Virginia, USA and now living in Toronto, Ontario, Canada. She is a painter whose works on canvas and paper have been shown in 32 solo exhibits as well as being included in 94 group shows. Her work, which ranges from complete abstraction to the use of organic and architectural images, relates to the formalist ideas of Clement Greenberg and is noted for the use of color. Some of Sutton paintings have been related to ontology.

Colette Whiten is a sculptor, and installation and performance artist who lives and works in Toronto, Canada. Whiten is a recipient of the Governor General's Medal.

Barb Hunt is a multidisciplinary textile artist from Winnipeg, Manitoba. Her art has contrasted knitting as a warming, protective art, against the violence of war. Through her tactile work, Hunt explores domesticity, mourning rituals, the natural world, and the colour pink.

June Clark is a Toronto-based artist working in photography, installation sculpture and collage. Formerly known as June Clark-Greenberg, Born in Harlem, New York, Clark immigrated to Canada in 1968 and subsequently made Toronto her home. The questions of identity formation and their connection to our points of origin fuel her practice. Clark explores how history, memory, and identity—both individual and collective—have established the familial and artistic lineages that shape her work.

Milly Ristvedt, also known as Milly Ristvedt-Handerek, is a Canadian abstract painter. Ristvedt lives and paints in Ontario, where she is represented by the Oeno Gallery. A monograph covering a ten-year retrospective of her work, Milly Ristvedt-Handerek: Paintings of a Decade, was published by the Agnes Etherington Art Centre in 1979. In 2017, a second monograph was published by Oeno Gallery which included a survey of paintings from 1964 through to 2016, Milly Ristvedt, Colour and Meaning : an incomplete palette.

Tanya Lukin Linklater is an artist-choreographer of Alutiiq descent. Her work consists of performance collaborations, videos, photographs, and installations.

Deirdre Logue is a Canadian video artist and arts administrator, based in Toronto, Ontario.

Jan Allen is a Canadian curator, writer, visual artist, and assistant professor in the Department of Art History and Art Conservation, and the Cultural Studies Program, at Queen's University, in Kingston, Ontario.

Winsom is a Canadian-Jamaican Maroon multi-media artist working in textiles, painting, video, installations, and puppetry. Her work explores human spirituality.

Brent Roe is an artist who uses words and sentence fragments in his paintings to challenge aesthetic and philosophical ideas.

Grover Timothy Whiten is an American-born Canadian artist who works in the areas of sculpture, drawing, performance art and multi-media installations, using a wide range of materials. He also has been an educator.

Lynn Donoghue was a painter, known for her portraits.

Louise Noguchi is a Canadian multidisciplinary visual artist who uses video, photography, sculpture, and installation to examine notion of identity, perception and reality.

Ann Clarke is a Canadian artist, who creates vibrant gestural abstract paintings and drawings which reveal her formal interests as well as a fascination with twenty-first century technologies. She is also an educator.

Linda Jansma was the Interim Director of the Robert McLaughlin Gallery in Oshawa (2019-2020) and Senior Curator (1994-2012). She is a Canadian art historian who places collaborative partnerships with institutions across Canada at the centre of her practice.

References

  1. 1 2 3 "Sarindar Dhaliwal: The Radcliffe Line and Other Geographies". The RMG. 27 November 2015. Retrieved 12 March 2022.
  2. ↑ Hajdin, Nives. "Sarindar Dhaliwal Rewrites the Past at A Space". Canadian Art. Retrieved 12 March 2022.
  3. ↑ "Art In the Spotlight: Sarindar Dhaliwal". Art Gallery of Ontario. Retrieved 12 March 2022.
  4. ↑ "Sarindar Dhaliwal - Canadian Art". Canadian Art. Retrieved 18 March 2017.
  5. 1 2 3 4 5 Wirk, Mandeep (20 December 2013). "Punjabi Patrika".
  6. 1 2 3 4 5 6 Wirk, Mandeep (20 December 2013). "Sarindar Dhaliwal: Narratives from the Beyond Exhibition". Punjabi Patrika.
  7. ↑ "Art In the Spotlight: Sarindar Dhaliwal". Art Gallery of Ontario. Retrieved 29 April 2023.
  8. ↑ Centre for Contemporary Canadian Art. Sarindar Dhaliwal
  9. ↑ "the cartographer's mistake: Southall and other places by Sarindar Dhaliwal". A Space Gallery. 2013
  10. ↑ CPAMO (14 January 2013). "the cartographer's mistake: Southall and other places". Cultural Pluralism in the Arts Movement Ontario (CPAMO). Retrieved 12 March 2022.
  11. ↑ "Art In the Spotlight: Sarindar Dhaliwal". Art Gallery of Ontario. Retrieved 29 April 2023.
  12. ↑ "What to do in Toronto this week: September 19 to 25, 2016". Toronto Life. 19 September 2016. Retrieved 18 March 2017.
  13. ↑ "Sarindar Dhaliwal: When I grow up I want to be a namer of paint colours". Art Gallery of Ontario. Retrieved 28 November 2023.
  14. ↑ "Sarindar Dhaliwal: Record Keeping | Agnes Etherington Art Centre". agnes.queensu.ca. Retrieved 11 March 2019.
  15. ↑ Luke, Suzanne; Hill, Lawrence; Walton-Roberts, Margaret (2012). Sarindar Dhaliwal : the Cartographer's mistake : Hockey Fields and Marigold Maps. Suzanne Luke, Lawrence Hill, Margaret Walton-Roberts, Sarindar Dhaliwal. Waterloo, Ontario: Robert Langen Art Gallery. ISBN   9780968534984.
  16. ↑ "A Space Gallery". www.aspacegallery.org. Retrieved 11 March 2019.
  17. ↑ Surrey, City of. "2010 to 2018 Past Exhibitions". www.surrey.ca. Retrieved 11 March 2019.
  18. ↑ "Past". Brock University. Retrieved 1 March 2019.
  19. ↑ "The Radcliffe Line and Other Geographies – The Reach" . Retrieved 1 March 2019.
  20. ↑ "Sarindar Dhaliwal: The Radcliffe Line and Other Geographies". 27 November 2015. Retrieved 1 March 2019.
  21. ↑ "Collected Resonance | Art Gallery of Greater Victoria". archive.aggv.ca. Retrieved 11 March 2019.
  22. ↑ Varley Art Gallery. "Traversive Territories - past exhibitions".
  23. ↑ "Yonder at Koffler Gallery – ARTORONTO". 12 November 2016. Retrieved 11 March 2019.
  24. ↑ "FotoFest 2018 Biennial Artists". home.fotofest.org. Retrieved 11 March 2019.
  25. ↑ "Vision Exchange: Perspectives from India to Canada [Art Museum at the University of Toronto]". www.gallery.ca. Retrieved 11 March 2019.
  26. ↑ "Sarindar Dhaliwal". Laurentian University Museum and Arts Centre, Sudbury, Ontario. 1989.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.