Sasha Huber (born 1975) is a contemporary artist living and working in Helsinki, Finland. Her work deals with colonial and post-colonial relationships negotiated by African and Caribbean diasporas. [1] She uses photography, moving image, site specific performance, landscape, research and collaboration to explore individual and collective performances of colonial-era pseudo science, racial categorization, migration within the transatlantic slave trade, memorialization and transnational capitalism. [2]
Huber was born in 1975 in Zürich, Switzerland, to a Haitian mother and Swiss father. Her maternal grandfather emigrated to New York in 1965 to escape the regime of the Haitian dictator François Duvalier. Seeking refuge from the regime, Huber's maternal grandfather migrated to New York City in 1965. [1]
Huber graduated with BA in graphic design from the Zurich University of the Arts and Vocational College for Art and Design Zurich. She moved to Finland to become partners with Petri Saarikko. [1] In 2006 she completed an MA in Visual Culture from the University of Art and Design in Helsinki. Currently, she is a PhD candidate in Arts Research from Aalto University School of Arts, Design and Architecture in Helsinki. [3] She lives in Helsinki with her husband and son, and travels internationally for artists residencies and exhibitions. [1]
Huber began working with the Demounting Louis Agassiz, a collective that has demanded the renaming of the Agassiz peak in the Swiss Alps since 2007. Louis Agassiz was an American and Swiss scientist and professor who supported scientific racism and argued for Eurocentric racial categorizations of humans in the 19th century. The Demounting Louis Agassiz petition has collected over 2,500 signatures internationally to change the name of this peak to honor Renty, an enslaved man of Congolese descent who was photographed on a plantation in South Carolina as part of Agassiz's project. [4] Huber continued her research into Agassiz with Brazilian historian Maria Helena Machado, publishing (T)races of Louis Agassiz: Photography, Body and Science, Yesterday and Today (2010) as part of an exhibition for the 29th Sao Paulo Art Biennial in 2010. [1]
At the intersection of contemporary art, cultural geography and political activism, Huber's critique of the reproductive relationship between contemporary culture and historic oppression has been honored by leading culture-producing platforms within the contemporary art world, such as the Venice Biennial (2015), the San Paulo Biennial (2010). [5] In addition, Huber's work has been acquired by the permanent collection of Kiasma, the Finnish Museum of Contemporary Art. [1]
In the art world, a Biennale, Italian for "biennial" or "every other year", is a large-scale international contemporary art exhibition. The term was popularised by the Venice Biennale, which was first held in 1895, but the concept of such a large scale, and intentionally international event goes back to at least the 1851 Great Exhibition in London.
Per Hüttner is a Swedish visual artist who lives and works in Paris. He is mostly known for his photographic work and for his interactive, changing and travelling exhibition projects. A number of monographs about his practice has been published including Per Hüttner, 2003; I am a Curator, 2004; Repetitive Time 2006, Xiao Yao You2006, Democracy and Desire 2007. The Imminent Interviews 2010 and The Quantum Police 2011.
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Basak Senova is an art curator, writer and designer from Istanbul, Turkey. She lives and works in Vienna since 2017.
Teresa Hubbard and Alexander Birchler, often shortened to Hubbard / Birchler, are an American-Swiss artist duo who make short films and photographs about the construction of narrative time and space. Their work invites open-ended reflections on memory, place and cinema, and first gained international attention with their participation in the 48th Venice Biennale curated by Harald Szeemann. Hubbard and Birchler were showcased in the PBS series titled "Art:21".
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Nancy Davenport is a Canadian photographer. Her photography, animations and digital work have been exhibited at venues including the Liverpool Biennial, the Istanbul Biennial, the 25th Bienal de São Paulo, DHC/Art Fondation pour l’art Contemporain in Montreal and the First Triennial of Photography & Video at the International Center of Photography, NY.
Julieta Schildknecht is a Swiss-Brazilian photographer and journalist.
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