Saunie Salyer is an American film critic. She and Siew-Hwa Beh edited the periodical Women in Film, which they founded in 1972. [1]
Women in Film was the first feminist film periodical. Salyer and Beh were aspiring filmmakers in Los Angeles when they founded it in the early 1970s. [2] According to Constance Penley, Professor of Film & Media Studies at UC Santa Barabara, it published "the first feminist critiques of Hollywood film," promoted alternative films, and researched women's contributions to film history. [3]
Second-wave feminism was a period of feminist activity that began in the early 1960s and lasted roughly two decades before ushering in a third wave of feminism beginning in the early 1990s. It took place throughout the Western world, and aimed to increase equality for women by building on previous feminist gains in the late 19th and early 20th centuries.
Candida Royalle was an American producer and director of couples-oriented pornography, pornographic actress, sex educator, and sex-positive feminist. She was a member of the XRCO and the AVN Halls of Fame.
Feminist separatism is the theory that feminist opposition to patriarchy can be achieved through women's separation from men. Much of the theorizing is based in lesbian feminism.
The Arthur and Elizabeth Schlesinger Library on the History of Women in America is a research library at the Radcliffe Institute for Advanced Study, Harvard University. According to Nancy F. Cott, the Carl and Lily Pforzheimer Foundation Director, it is "the largest and most significant repository of documents covering women's lives and activities in the United States".
Technoculture is a neologism that is not in standard dictionaries but that has some popularity in academia, popularized by editors Constance Penley and Andrew Ross in a book of essays bearing that title. It refers to the interactions between, and politics of, technology and culture.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Erika Lust is a Swedish erotic film director, screenwriter and producer. Since the debut of her first indie erotic film The Good Girl in 2004, Lust has been cited as one of the current leading participants in the feminist pornography movement, asserting that an ethical production process sets her company apart from mainstream pornography sites. Lust has stated that she finds no issue in calling her films porn, since she expects viewers to be sexually aroused, unlike other directors of erotic films who make a distinction between their work and porn even when both types contain sexually explicit scenes. In addition to directing and producing a number of award-winning films, she has written several books.
Keni Styles is a British former pornographic actor of Thai descent.
Celine Parreñas Shimizu is a filmmaker and film scholar. She is well known for her work on race, sexuality and representations. She is currently Dean of the Arts Division at the University of California at Santa Cruz.
Camera Obscura is a triannual peer-reviewed academic journal of feminism, culture, and media studies published by Duke University Press. It was established in 1976 by four graduate students at the University of California, Berkeley: Janet Bergstrom, Sandy Flitterman, Elisabeth Lyon, and Constance Penley. The editors-in-chief are Lalitha Gopalan, Lynne Joyrich, Homay King, Constance Penley, Tess Takahashi, Patricia White, Sharon Willis.
Lisa Cartwright is a scholar, author, professor and critic best known for helping to found the field of visual culture studies and for coauthoring Practices of Looking, a widely translated visual studies textbook with Marita Sturken that is regarded as one of the first comprehensive books in the field after John Berger's Ways of Seeing. In Practices of Looking, Cartwright and Sturken examine the complexity of the relationship between viewers and objects in a variety of visual media ranging from film and photography to advertising, painting, and printmaking. They pay especially close attention to the historical, social, and psychological conditions that help to constitute 'seeing' at any given moment.
Broadsheet was a monthly New Zealand feminist magazine produced in Auckland from 1972 to 1997. The magazine played a significant part in New Zealand women's activism. It was to become one of the world's longest-lived feminist magazines.
The Atlanta Lesbian Feminist Alliance (ALFA) was an American lesbian feminist organization, among the oldest and longest running in the country. It formed in Atlanta, Georgia, in 1972 as a breakaway from Atlanta's Gay Liberation Front (GLF) and Atlanta Women’s Liberation. The organization dissolved in 1994.
Shine Louise Houston is a filmmaker and the founding director and producer of Pink and White Productions, an independent production company creating queer pornography in San Francisco. Houston makes feature-length pornographic films in addition to producing, directing, and shooting hundreds of installments for her queer porn membership site CrashPadSeries.com. Houston distributes her own work and that of other indie adult filmmakers through PinkLabel.tv, catering to different sexual communities.
Women's Institute for Freedom of the Press (WIFP) is an American nonprofit publishing organization that was founded in Washington, D.C. in 1972. The organization works to increase media democracy and strengthen independent media. Mo
Women & Film, published in California between 1972 and 1975, was the first feminist film magazine, "a project that would transform cinema".
Hot & Saucy Pizza Girls is a 1978 American pornographic comedy film directed by Bob Chinn and starring Desireé Cousteau, John C. Holmes, and Candida Royalle.
Fan studies is an academic discipline that analyses fans, fandoms, fan cultures and fan activities, including fanworks. It is an interdisciplinary field located at the intersection of the humanities and social sciences, which emerged in the early 1990s as a separate discipline, and draws particularly on audience studies and cultural studies.
m/f: a feminist journal was a British feminist periodical published from 1978 until 1986. The magazine published theoretical and political reviews, discussions, and articles about the women's movement, particularly in relation to socialist and feminist politics.