Scampolo | |
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Directed by | Nunzio Malasomma |
Written by |
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Starring | |
Cinematography | Tino Santoni |
Edited by | Gabriele Varriale |
Music by | Eldo Di Lazzaro |
Production company | Excelsa Film |
Distributed by | Minerva Film |
Release date |
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Running time | 78 minutes |
Country | Italy |
Language | Italian |
Scampolo is a 1941 Italian comedy film directed by Nunzio Malasomma and starring Lilia Silvi, Amedeo Nazzari and Carlo Romano. [1] The story is based on a play by Dario Niccodemi which has been adapted for the screen a number of times.
The film's sets were designed by the art director Ottavio Scotti. It was shot at the Palatino Studios in Rome.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
The Bandit is a 1946 Italian drama crime film directed by Alberto Lattuada and starring Anna Magnani, Amedeo Nazzari and Carla Del Poggio. It was shot on location in Turin. Nazzari won the Nastro d'Argento as Best Actor for his performance. The film was entered into the 1946 Cannes Film Festival.
Brief Rapture is a 1951 Italian drama film directed by Enzo Trapani and starring Amedeo Nazzari, Lois Maxwell and Umberto Spadaro. An Italian war veteran teams up with a police inspector to pursue the drug-dealing gang who have killed his sister.
Unjustified Absence is a 1939 Italian "white-telephones" comedy film directed by Max Neufeld and starring Alida Valli, Amedeo Nazzari and Lilia Silvi. A girl leaves school to marry a doctor, but becomes annoyed by his constant absences and decides to secretly resume her studies.
Lilia Silvi was an Italian film actress. Silvi was one of several young actresses presented as an Italian equivalent to the Canadian-born Hollywood star Deanna Durbin. She appeared opposite Amedeo Nazzari, the most popular Italian star of the era, in five films.
Rino Genovese (1905–1967) was an Italian film actor.
For the Love of Mariastella is a 1946 Italian melodrama film written and directed by Pino Mercanti. Based on a story of the Sicilian writer Giuseppe Zucca, it was mainly shot in the tonnara of Castellammare del Golfo, with some scenes shot in the tonnaras of Scopello and of San Vito Lo Capo. It is considered as a progenitor of pink neorealism.
Lia Orlandini was an Italian film actress. She was also a voice actor, dubbing foreign films for release in Italy.
Napoleon is a 1951 Italian comedy film directed by Carlo Borghesio and starring Renato Rascel in the title role.
The Intruder is a 1956 Italian melodrama film written and directed by Raffaello Matarazzo and starring Amedeo Nazzari and Lea Padovani. It is loosely based on the stage drama La moglie del dottore by Silvio Zambaldi.
The Sky Burns is a 1958 Italian war drama film written and directed by Giuseppe Masini and starring Amedeo Nazzari and Antonella Lualdi.
Pietà per chi cade is a 1954 Italian melodrama film written and directed by Mario Costa and starring Amedeo Nazzari, Antonella Lualdi and Nadia Gray.
Enzo Trapani (1922–1989) was an Italian screenwriter, set designer, TV show producer/director and film director.
Giulio Bonnard was an Italian composer of film scores. He often worked on films directed by his brother Mario Bonnard.
The Count of Brechard is a 1938 Italian historical drama film directed by Mario Bonnard and starring Amedeo Nazzari, Luisa Ferida, and Ugo Ceseri. It was adapted from the Giovacchino Forzano play. The film's sets were designed by the art director Virgilio Marchi.
Then We'll Get a Divorce is a 1940 Italian "white-telephones" comedy film directed by Nunzio Malasomma and starring Amedeo Nazzari, Vivi Gioi and Lia Orlandini.
The Last Dance is a 1941 Italian "white-telephones" comedy film directed by Camillo Mastrocinque and starring Elsa Merlini, Amedeo Nazzari and Renato Cialente. It is considered to be in the tradition of White Telephone films, popular during the Fascist era. It is based on a play by the Hungarian writer Ferenc Herczeg and features Merlini in a dual role as mother and daughter.
Big Shoes is a 1940 Italian "white-telephones" comedy film directed by Dino Falconi and starring Amedeo Nazzari, Lilia Silvi and Elena Altieri. It is based on a play by Sándor Hunyady which had previously been turned into a 1939 Hungarian film Istvan Bors.
Happy Days is a 1942 Italian "white-telephones" comedy film directed by Gianni Franciolini and starring Lilia Silvi, Amedeo Nazzari and Leonardo Cortese. It was based on a play by Claude-André Puget, which had been made into a French film Les jours heureux the previous year.
The Taming of the Shrew is a 1942 Italian comedy film directed by Ferdinando Maria Poggioli and starring Amedeo Nazzari, Lilia Silvi and Lauro Gazzolo. It is based on William Shakespeare's play The Taming of the Shrew, with the setting updated to modern-day Rome.