To Live in Peace is a 1947 Italian neorealist comedy-drama war film directed by Luigi Zampa and starring Aldo Fabrizi, John Kitzmiller and Ave Ninchi.
Songs in the Streets is a 1950 Italian musical melodrama film directed by Mario Landi and starring Luciano Tajoli, Antonella Lualdi and Carlo Ninchi.
The Merry Widower is a 1950 Italian romance film directed by Mario Mattoli and starring Carlo Dapporto, Isa Barzizza and Amedeo Nazzari. It was shot at the Farnesina Studios in Rome. The film's sets were designed by the art director Piero Filippone.
His Last Twelve Hours is a 1951 French-Italian drama film directed by Luigi Zampa and starring Jean Gabin, Mariella Lotti and Elli Parvo. The film's sets were designed by the art director Gastone Medin. It was shot at the Centro Sperimentale di Cinematografia near Cinecittà in Rome.
The Lion of Amalfi is a 1950 Italian historical adventure film directed by Pietro Francisci and starring Vittorio Gassman, Milly Vitale and Carlo Ninchi. After making his 1949 biopic Anthony of Padua, Francisci switched to making historical adventures. Gassman had attracted notice for his performance in the melodrama Bitter Rice leading to his casting in this film.
The Captain of Venice is a 1951 Italian historical adventure film directed by Gianni Puccini and starring Leonardo Cortese, Mariella Lotti, and Andrea Checchi.
What Price Innocence? is a 1952 Italian melodrama film directed by Luigi Capuano and starring Lída Baarová, Otello Toso and Mariella Lotti. The film's sets were designed by the art directors Peppino Piccolo and Gino Brosio.
The Phantom Musketeer is a 1952 Italian historical adventure film directed by Max Calandri and starring Vasito Bastino, Tamara Lees, Rossana Podestà and Clara Calamai. The film's sets were designed by the art director Nino Maccarones.
Solo per te Lucia is a 1952 Italian musical melodrama film directed by Franco Rossi and starring Mariella Lotti.
The Brothers Karamazov is a 1947 Italian historical drama film directed by Giacomo Gentilomo and starring Fosco Giachetti, Lamberto Picasso and Mariella Lotti. It is based on the 1880 novel of the same title by Fyodor Dostoyevsky. It won two Nastro d'Argento Awards, for best screenplay and for best score. The film's sets were designed by the art director Alberto Boccianti.
Ten Italians for One German, is a 1962 Italian historical war drama film directed by Filippo Walter Ratti. It is a dramatization of the Fosse Ardeatine massacre.
Musketeers of the Sea is a 1962 Italian adventure film directed by Steno.
For the Love of Mariastella is a 1946 Italian melodrama film written and directed by Pino Mercanti. Based on a story of the Sicilian writer Giuseppe Zucca, it was mainly shot in the tonnara of Castellammare del Golfo, with some scenes shot in the tonnaras of Scopello and of San Vito Lo Capo. It is considered as a progenitor of pink neorealism.
How I Discovered America is a 1949 Italian comedy film directed by Carlo Borghesio and starring Erminio Macario, Carlo Ninchi and Delia Scala.
Bullet for Stefano is a 1947 Italian adventure-drama-crime film written and directed by Duilio Coletti and starring Rossano Brazzi and Valentina Cortese. It is loosely based on real-life events of Stefano Pelloni (1824-1851), an Italian highwayman known as "Il Passatore". It grossed 146.2 million lire at the Italian box office.
The Iron Swordsman is a 1949 Italian historical drama film directed by Riccardo Freda and starring Carlo Ninchi and Gianna Maria Canale. It is loosely based on real life events of Ugolino della Gherardesca.
Marco Visconti is a 1941 Italian historical drama film directed by Mario Bonnard and starring Carlo Ninchi, Roberto Villa and Mariella Lotti. It is based on the novel of the same name by Tommaso Grossi which had previously been made into a 1925 silent film.
Torrents of Spring is a 1942 Italian drama film directed by Nunzio Malasomma and starring Gino Cervi, Mariella Lotti and Vanna Vanni.
Naples Is Always Naples is a 1954 Italian musical melodrama film directed by Armando Fizzarotti and starring Lea Padovani, Renato Baldini and Ubaldo Lay.
Be Seeing You, Father is a 1948 Italian period comedy film directed by Camillo Mastrocinque and starring Gino Bechi, Mariella Lotti and Silvana Pampanini. The film's sets were designed by the art director Ottavio Scotti. The film was a breakthrough for Pampanini, who outshone the more established female star Lotti and rapidly gained appeal at the box office.
