Scarlet Road

Last updated

Scarlet Road
Directed byCatherine Scott
Produced byPat Fiske
StarringRachel Wotton
Edited byAndrea Lang
Music byDavid McCormack, Antony Partos, Michael Lira
Distributed byParadigm Pictures
Release date
  • 2011 (2011)
Running time
106 minutes
CountryAustralia
LanguageEnglish
Budget $390,000 (estimated)

Scarlet Road is a 2011 documentary that explores the life of Australian Rachel Wotton, a sex worker who is based in New South Wales (where prostitution is decriminalised) and sells sex to clients who have disabilities. Directed by Catherine Scott and produced by Pat Fiske for Paradigm Pictures, the film premiered at the Sydney Film Festival on 11 June 2011. [1] [2] Subsequently, there was a public screening and reception at the Australian Capital Territory Legislative Assembly in Canberra. [3] Scarlet Road was a 2011 Walkley Documentary Award finalist. [4]

Contents

Background

Wotton is a member of Scarlet Alliance, the "Australian Sex Workers' Association". [5] In late 2000, Wotton collaborated with other sex workers and related organisations, such as People with Disability Australia Inc., to form the "Touching Base Committee". The committee explored the concept of providing commercial sex for people with special needs and the corresponding training that would be required for participating sex workers. As of February 2014, Touching Base is an incorporated charitable organisation based in New South Wales and provides information, education and support for clients with disabilities, sex workers and disability service providers. [6]

Filmmaker Catherine Scott had known Wotton for 11 years when she proposed the idea for Scarlet Road; however, Wotton was initially reluctant, due to the sensitive nature of the subject matter. They continued to discuss the idea and the documentary was eventually completed over a three-year period. Wotton later commented on the documentary approach saying: "This film was a collaboration thing. Cathy worked closely with me and listened not just to my voice but to those of other sex workers." [7] [8] Wotton explained her motivation for making the film in greater depth after its launch in 2011:

Part of my reason for doing the film was to wipe away the 'us and them' mentality. We're all one car accident away from being in the same position as these guys. Tomorrow we could all wake up out of coma and not be able to eat let alone have sex or touch ourselves. What I say to people is imagine the next time you go to have sex or masturbate having to call your mum and have her organise it all for you ... People with disabilities want to be viewed as whole beings. Think about how important your sexuality is to how you are perceived. These people aren't seen like that, so you can imagine how that makes them feel. [8]

Following the release of the film, Wotton stated in an interview with the Sydney Morning Herald : "I am a sex worker and I make my money from clients seeing me. Some clients just happen to have a disability." [9]

Reception

The film garnered a variety of positive reviews. In a 2012 article for The Age on whether movies can help overturn stereotypes surrounding sex and disabilities, Shane Green described the film as moving and noted that it: "continues to win international acclaim". [10]

Following 2012 screenings at the SXSW festival in Texas, Badass Digest reviewer Zack Carlson concluded: "Scarlet Road isn’t flashy, artsy or clever. It’s better than that: a plain, old effective documentary that benefits from its simplicity and objectivity." [11] Jezebel noted that some of the most uplifting moments featured mothers discussing their sons' desire to purchase sexual services. [5] Writing for Bitch Flicks, Erin Tatum, a reviewer with cerebral palsy, said: "Ultimately, the audience can recognize that there’s a great deal of intersectionality in the way that both sex workers and disabled people are policed and shamed about their sexual expression. Rachel reminds us that the two groups can work together to lessen collective stigma." [12]

Notably, the film has also been shown at both the Australian Capital Territory Legislative Assembly, Canberra and Parliament House, Sydney. [3] [13] Wotton also briefed MPs in Adelaide before a March 2012 screening of the film as part of a broader debate about the decriminalisation of the buying of sexual services in states beyond New South Wales, and a specific call by South Australia Dignity for Disability MP Kelly Vincent for disability services funding to pay for access to sex therapy or a prostitute. [14]

Selected screenings

See also

Accolades

The film received a 2011 Walkley Documentary Award nomination, [23] was a finalist for the Foxtel Australian Documentary Prize, [24] and won the people's choice award at the 10th Oceania Film Festival (FIFO) in Tahiti in 2013. [25]

Related Research Articles

Scarlet Alliance is Australia's national peak sex worker organisation. It was formed in 1989. As an organisation maintained entirely by current and former sex workers, Scarlet Alliance aims to achieve equality, social, legal, political, cultural and economic justice for workers in the sex industry.

<span class="mw-page-title-main">Prostitution in Australia</span>

Prostitution in Australia is governed by state and territory laws, which vary considerably, although none ban the selling of sex itself.

<span class="mw-page-title-main">Luke Eve</span> Australian screen director and producer (born 1974)

Luke Eve is an Australian screen director and producer. Originally a freelance photographer, he transitioned into directing music videos and commercials before moving into film and television. Eve was the winner of Tropfest 2005 with his film Australian Summer. He was the series director of SEX: An Unnatural History and the 2012 ABC series Great Southern Land. In 2014, he created, produced, and directed the ground-breaking, critically acclaimed series Low Life, a black comedy about depression starring Henry Nixon and Claire van der Boom.

The World Charter for Prostitutes' Rights is a declaration of rights adopted in 1985 to protect sex workers' rights worldwide. It was adopted on 15 February 1985 at the first World Whores Congress in Amsterdam by the newly formed International Committee for Prostitutes' Rights (ICPR). The Charter established a human rights-based approach to prostitution, demanding that sex workers be guaranteed freedom of speech, travel, immigration, work, marriage, motherhood, health, and housing, amongst other things. This approach has subsequently been further elaborated by the sex workers' rights movement.

<span class="mw-page-title-main">Sexuality and disability</span>

Sexuality and disability is a topic regarding the sexual behavior and practices of people with disabilities. Like the general population, these individuals exhibit a wide range of sexual desires and adopt diverse methods of expressing their sexuality. It is a widespread concern, however, that many people with disabilities do not receive comprehensive sex education, which could otherwise positively contribute to their sexual lives. This roots from the idea that people with disabilities are asexual in nature and are not sexually active. Although some people with disabilities identify as asexual, generalizing this label to all such individuals is a misconception. Many people with disabilities lack rights and privileges that would enable them to have intimacy and relationships. When it comes to sexuality and disability there is a sexual discourse that surrounds it. The intersection of sexuality and disability is often associated with victimization, abuse, and purity.

The Australian Classification Board is an Australian government statutory body responsible for the classification and censorship of films, video games and publications for exhibition, sale or hire in Australia.

EQ Media Group, formerly Essential Media Group (EMG), is a global television production company with production and development hubs in Los Angeles, California; Sydney, Australia; Auckland, New Zealand; and Vancouver, Canada.

Surrogate partners, formerly referred to as sex surrogates, are practitioners trained in addressing issues of intimacy and sexuality. A surrogate partner works in collaboration with a talk therapist to meet the goals of their client. This triadic model, composed of the client, talk therapist, and surrogate partner therapist is used to dually support the client and the surrogate partner therapist. The client engages with the surrogate partner therapist in experiential exercises and builds a relationship with their surrogate partner therapist while processing and integrating their experiences with their talk therapist or clinician.

<span class="mw-page-title-main">Lorelei Lee (actress)</span> American pornographic actor and writer (born 1981)

Lorelei Lee is an American pornographic actor and writer. Lee is non-binary.

<i>The Sessions</i> (2012 film) 2012 American film

The Sessions is a 2012 American drama film written and directed by Ben Lewin. It is based on the 1990 article "On Seeing a Sex Surrogate" by Mark O'Brien, a poet paralyzed from the neck down due to polio, who hired a sex surrogate to lose his virginity. John Hawkes and Helen Hunt star as O'Brien and sex surrogate Cheryl Cohen-Greene, respectively.

<span class="mw-page-title-main">Craig Graham</span>

Craig Graham is an Australian producer of television shows such as "The Embassy", 2014 Channel 9. "Air Rescue", 2013 Channel 7. "Hatch, Match and Dispatch", 2016 ABC. "Moment of Truth", 2016 ABC iView. "Maurice's Big Adventure", 2016 ABC Kids. "The Justine Clarke Show", 2017 ABC Kids. RPA,Once Upon a Time in Cabramatta, The Great Outdoors, Border Security, Zumbo, and Contract Killers.

<span class="mw-page-title-main">Violeta Ayala</span> Bolivian film director

Violeta Ayala is a Bolivian-Australian Quechua filmmaker, artist and technologist. Her credits include Prison X – The Devil & The Sun (2021) and the documentaries La Lucha (2023), Cocaine Prison (2017), The Fight (2017), The Bolivian Case (2015), and Stolen (2009).

<i>Nefarious: Merchant of Souls</i> 2011 film by Benjamin Nolot

Nefarious: Merchant of Souls is a 2011 American documentary film about modern human trafficking, specifically sexual slavery. Presented from a Christian worldview, Nefarious covers human trafficking in the United States, Western and Eastern Europe, and Southeast Asia, alternating interviews with re-enactments. Victims of trafficking talk about having been the objects of physical abuse and attempted murder. Several former prostitutes talk about their conversion to Christianity, escape from sexual oppression, and subsequent education or marriage. The film ends with the assertion that only Jesus can completely heal people from the horrors of sexual slavery.

<span class="mw-page-title-main">Blackfella Films</span> Australian film production company

Blackfella Films is an Australian documentary and narrative film production company headquartered in Sydney, founded in 1992 by Rachel Perkins. The company produces Australian short and feature-length content for film and television with a particular focus on Indigenous Australian stories. Its productions have included the documentary series First Australians and The Australian Wars, the documentary film The Tall Man, the television film Mabo, and the drama series Redfern Now and Total Control.

<i>The Case Against 8</i> 2014 American film

The Case Against 8 is an American documentary film, which premiered at the 2014 Sundance Film Festival on January 18, 2014. Directed and produced by Ben Cotner and Ryan White, the film documents the legal battle to overturn California's Proposition 8, focusing in particular on behind-the-scenes footage of David Boies and Theodore Olson during the Perry v. Schwarzenegger case.

<i>Gayby Baby</i> 2015 film by Maya Newell

Gayby Baby is a 2015 Australian documentary film directed by Maya Newell that follows four children raised by same-sex parents.

Anna Broinowski is a Walkley Award-winning documentary filmmaker and author.

<span class="mw-page-title-main">Ian Darling</span> Australian filmmaker

Ian David Darling is a documentary film director and producer.

<span class="mw-page-title-main">Sophie Hyde</span> Australian film producer, writer and director

Sophie Hyde is an Australian film director, writer, and producer based in Adelaide, South Australia. She is co-founder of Closer Productions and known for her award-winning debut fiction film, 52 Tuesdays (2013) and the comedy drama Animals (2019). She has also made several documentaries, including Life in Movement (2011), a documentary about dancer and choreographer Tanja Liedtke, and television series, such as The Hunting (2019). Her latest film, Good Luck to You, Leo Grande, premiered at the Sundance Festival in 2022. Her upcoming film Jimpa stars Olivia Colman and John Lithgow.

The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans.

References

  1. listing. "Paradigm Pictures Pty Ltd". Screen Australia. Retrieved 26 March 2014.
  2. 1 2 Program. "Sydney Film Festival launches 2011 program". If.com. Retrieved 26 March 2014.
  3. 1 2 3 Ms Bresnan. "Legislative Assembly for the ACT: 2012 Week 5 Hansard (2 May) . . Page.. 1890." ACT Legislative Assembly Hansard. Retrieved 25 March 2014.
  4. 1 2 Elliott, Tim (28 November 2011). "Sexual Healing". Sydney Morning Herald. Retrieved 25 March 2014.
  5. 1 2 Luke Malone (30 November 2011). "The Awesome Sex Worker Who Loves Disabled Clients". Jezebel. Retrieved 2 March 2014.
  6. "About Us > History > Small beginnings". Touching Base Inc. Touching Base Inc. 2014. Retrieved 17 February 2014.
  7. Kermode, Val. "A study in scarlet". Eye for Film. Retrieved 26 March 2014.
  8. 1 2 Tim Elliott (28 November 2011). "Sexual healing". Sydney Morning Herald. Retrieved 17 February 2014.
  9. Sarah Whyte (11 November 2012). "A touch of kindness". Sydney Morning Herald. Retrieved 7 March 2014.
  10. Green, Shane (December 2012). "Willing & Able". The Age. Retrieved 25 March 2014.
  11. Zack Carlson (19 March 2012). "SXSW Movie Review: SCARLET ROAD". Badass Digest. Badass Digest. Retrieved 2 March 2014.
  12. Erin Tatum (20 January 2014). "'Scarlet Road': Sex Work and Disability". Bitch Flicks. Bitch Flicks. Retrieved 2 March 2014.
  13. 1 2 Events. "Sexuality and disability expo". Northcott. Archived from the original on 26 March 2014. Retrieved 26 March 2014.
  14. Novak, Lauren (26 March 2012). "Disabled deserve the joy of sex". Adelaide Now. Retrieved 26 March 2014.
  15. Messer, Kate X (16 March 2012). "Scarlet Road". Austin Journal. Retrieved 25 March 2014.
  16. Description. "Scarlet Road". Sheffield Doc/Fest. Retrieved 26 March 2014.
  17. Lucia, Cynthia (2 April 2012). "Of brothels, barricades and the bottom line: The 14th Annual Thessaloniki Documentary Festival". Film Journal International. Retrieved 25 March 2014.
  18. Programme. "Scarlet Road". edge.org. Archived from the original on 9 May 2013. Retrieved 25 March 2014.
  19. "Scarlet Road". Hot Docs Canadian International Documentary Festival. Hot Docs. 2014. Archived from the original on 28 March 2012. Retrieved 2 March 2014.
  20. "Sex Workers Film Series: SCARLET ROAD". The Clinton Street Theater. The Clinton Street Theater. 2014. Retrieved 2 March 2014.
  21. "Home". Scarlet Road. Paradigm Pictures. 2014. Retrieved 2 March 2014.
  22. "Inaugural Walkley Documentary Award finalists announced". The Walkley Foundation. The Walkley Foundation. 7 October 2011. Retrieved 17 February 2014.
  23. "Sydney Film Festival announces FOXTEL Australian Documentary Prize finalists" (PDF). Sydney Film Festival. Sydney Film Festival. 11 May 2011. Retrieved 17 February 2014.
  24. "FIFO Grand Prix goes to a story of life in the shadow of 'la bombe'". Asia-Pacific Broadcasting Union. 2013. Retrieved 27 March 2014.