Scherzo diabolico

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Scherzo diabolico (Diabolical scherzo ) is the third of the Études in the minor keys, Op. 39 for solo piano by the French composer Charles-Valentin Alkan. It is in G minor. The piece is in ternary form, beginning in G minor, and having a trio in G major. It shares many similarities with Chopin's B-flat minor scherzo, Op. 31.

A scherzo, in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work.

Composer person who creates music, either by musical notation or oral tradition

A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.

Charles-Valentin Alkan French composer and pianist

Charles-Valentin Alkan was a French-Jewish composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life.

The scherzo begins softly, with a phrase in G minor, coloured by a chromatic A. This chromaticism recurs throughout the scherzo by the use of the Neapolitan sixth. It is very driving and obsessive, containing numerous fast arpeggios.

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The trio, marked un poco più largamente, is completely contrasting, containing huge, loud chords.

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The scherzo then returns, but in ppp, and containing an instruction to hold down the una corda and damper pedals. Controlling the huge energy and velocity of the scherzo poses a very difficult challenge to the pianist, and its difficulty is increased on modern pianos. [1]

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Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, is a sonata written for solo piano, composed in 1795. It is dedicated to Joseph Haydn and is often referred to as Beethoven's first virtuosic piano sonata. The three Op. 2 sonatas all contain four movements each, an unusual length which seems to show that Beethoven was aspiring towards composing a symphony. It is both the weightiest and longest of the three Op. 2 sonatas, lasting over 25 minutes, presenting many difficulties, including difficult trills, awkward hand movements, and forearm rotation. It is Beethoven's second longest piano sonata in his early period, only to Beethoven's Grand Sonata in E Major, Op. 7, published a year later.

C minor tonality

C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major.

G minor tonality

G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major.

D minor minor key with a single-flat key signature

D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.

E minor tonality

E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major.

B minor tonality

B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature consists of two sharps. Its relative major is D major and its parallel major is B major.

B-flat minor tonality

B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has five flats. Its relative major is D major and its parallel major is B major. Its enharmonic equivalent, A minor, which would contain seven sharps, is not normally used.

E-flat minor tonality

E-flat minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature consists of six flats. Its relative key is G-flat major and its parallel key is E-flat major. The direct enharmonic equivalent of E-flat minor is D-sharp minor, a key signature of six sharps.

The Études-Tableaux, Op. 39 is the second set of piano études composed by Sergei Rachmaninoff.

Grande sonate Les quatre âges

Grande sonate: Les quatre âges is a four movement sonata for piano by Charles-Valentin Alkan. The sonata's title refers to the subtitles given to each movement, portraying a man at the ages of 20, 30, 40, and 50. The work is dedicated to the composer's father, Alkan Morhange, and was published in 1847.

<i>Comme le vent</i>

Comme le vent is the first of the Études in the minor keys, Op. 39 for solo piano by the French composer Charles-Valentin Alkan. It is in A minor. The tempo marking is prestissimamente, and the unusual 2
16
time signature further encourages a fast performance. The piece is mostly quiet, but is interrupted by short loud outbursts.

Concerto for Solo Piano is a 3-movement solo piano piece written by Charles-Valentin Alkan. The pieces are part of a 12 piece cycle entitled Douze études dans tous les tons mineurs, published in 1857. With sections marked "Tutti", "Solo" and "Piano", the piece requires the soloist to present the voices of both the orchestra and the soloist. The pianist Jack Gibbons comments: "The style and form of the music take on a monumental quality—rich, thickly set textures and harmonies ... conjure up the sound world of a whole orchestra and tax the performer, both physically and mentally, to the limit."

While a concerto is generally a piece for an instrument or instruments with orchestral accompaniment, some works for piano alone have been written with the seemingly contradictory designation concerto for solo piano.

Piano Quartet No. 3 (Brahms) piano quartet by Johannes Brahms

The Piano Quartet No. 3 in C minor, Op. 60, completed by Johannes Brahms in 1875, is scored for piano, violin, viola and cello. It is sometimes called the Werther Quartet after Goethe's The Sorrows of Young Werther.

Klavierübung (Busoni)

The Klavierübung, by the Italian pianist-composer Ferruccio Busoni, is a compilation of piano exercises and practice pieces, including transcriptions of works by other composers and original compositions of his own.

Esquisses (Sketches), Op. 63 is a set of 49 short piano pieces by French composer Charles-Valentin Alkan and published in 1861. The pieces are divided into four books; the first pair of books and the last pair each comprise between them pieces in each of all the major and minor keys. Book 4 ends with an extra, unnumbered, piece, Laus Deo, in C major.

Music written in all major and/or minor keys

There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale. These sets typically consist of 24 numbers, one for each of the major and minor keys.

En rhythme molossique is the second of the Études in the minor keys, Op. 39 for solo piano by the French composer Charles-Valentin Alkan, published in 1846. It is in D minor. The piece is in rondo form, with two episodes, and is mostly driven by the rhythm . Ronald Smith compares the theme, involving loud octaves in canon, to the minuet from Joseph Haydn's string quartet, Op. 76 No. 2.

The Symphony for Solo Piano is a large-scale romantic work for piano composed by Charles-Valentin Alkan and published in 1857.

References

  1. R. Smith, Alkan, the Man, the Music, London, 2000.
International Music Score Library Project project for the creation of a virtual library of public domain music scores

The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based project for the creation of a virtual library of public-domain music scores. Since its launch on February 16, 2006, over 370,000 scores and 42,000 recordings for over 110,000 works by over 14,000 composers have been uploaded. Based on the wiki principle, the project uses MediaWiki software. Since June 6, 2010, the IMSLP has also included public domain and licensed recordings in its scope, to allow for study by ear.