Scrap Arts Music

Last updated

Scrap Arts Music is a percussion-based, performing arts company headquartered in British Columbia, Canada, founded by Canadian artists, Gregory Kozak and Justine Murdy, in Vancouver, in July 1998. [1] Scrap Arts Music creates original instruments and musical compositions; produces original sound and video recordings; and creates choreographed athletic performances for theatres, festivals, schools, orchestras, and special events.

Contents

Scrap Arts Music (aka ScrapArtsMusic) is also the name of the company’s touring percussion quintet. Scrap Arts Music performs internationally, playing original compositions by Gregory Kozak on invented instruments made from industrial scraps. [2]

History

In 1998, composer and percussionist Gregory Kozak and designer Justine Murdy co-founded Scrap Arts Music in Vancouver Canada. [3] Kozak wanted to build his own “orchestra of invented instruments” and Murdy thought they could use salvaged and recycled materials from their home town. Many folk instruments are handmade from local materials; this is reported to have inspired them. [4] During the late 90s, there was a condominium tower boom in Vancouver. Because of this, large amounts of construction byproduct and marine salvage were being discarded in landfills. [5] Kozak collected scraps from fabrication shops and construction sites and created a collection of musical instruments from these scraps. Each instrument is original, mobile, and tuneable, and claimed to be distinct to the west coast of Canada.

Scrap Arts Music makes their instruments by upcycling industrial scraps and welding them into sculptural instruments. Materials used include spun aluminum, steel railings, submarine parts, artillery shells, old accordions, and marine exhaust hose. [6] More recently, old street lamp shades and pulp mill parts have been incorporated into new instruments.

Kozak learned the skills of welding and metal fabrication in order to create instruments. [7] He has now built over 200 instruments from West Coast scraps that are both sculptural and mobile. Kozak composes original music to be played on these instruments by a quintet of percussionist/multi-instrumentalists. [8] [9] Athletic choreography is an integral feature of live performances. Scrap Arts Music gives expression to the energy and excitement of percussion-based music.

Scrap Arts Music was in residency at the Banff Centre for three months in 2001 and debuted in the United States later that year, at the Philadelphia Fringe Festival. [10] In 2002, they released the album, Phon, with nine original tracks. [11] Also in 2002, Scrap Arts Music was nominated for a West Coast Music Award in the category of Best Live Performance. [12] They have played for international audiences for two decades. Scrap Arts Music performs a variety of events, including concerts, educational shows, corporate events, and holiday events. [13] [14] [15]

In 2016, Scrap Arts Music relocated their studio from Vancouver to Victoria, British Columbia. [16]

Scrap Arts Music's percussion-based performances have been compared to Blue Man Group, STOMP, Partch Ensemble, Kodo Drummers of Japan, and Cirque du Soleil. Scrap Arts Music is currently represented by Rhythm of the Arts out of New York. [17]

Scrap Arts Music performed at the 2010 Winter Olympics Closing Ceremony, as well as the first Medals Ceremony of the 2010 Winter Olympics, February 2010. They are now touring their production of Children of Metropolis. [18]

Founders

Gregory Kozak

Gregory Kozak is the Artistic Director of Scrap Arts Music. Before Scrap Arts Music, Gregory co-founded and performed in S•W•A•R•M (Symphonic Work Assembly of Rhythm and Movement) from 1995–1998. [19] Kozak composes music, creates invented instruments, and choreographs movement. He is an ensemble musician and a concert soloist. He has a background in jazz and world music. [20] The five-member touring ensemble, Scrap Arts Music, plays Kozak’s 145-plus invented instruments and his original repertoire at international festivals and theatres. [21] [22]

Justine Murdy

Justine Murdy is Co-Artistic Director and co-founder of Scrap Arts Music. Murdy is involved in project conceptualization, instrument design, art direction, stage direction, music critique, and future projects. [23] [24]

Themes

Scrap Arts Music has an eco-friendly message. [25] They take industrial scraps and create instruments; and then create musical performances. [26] Scrap Arts Music’s style is culturally referenced. [27]

Scrap Arts Music’s performances are family-friendly and not age-specific. [28] The company is also committed to providing community outreach activities. Gregory Kozak has led workshops on sound, drums, and instruments for various organizations. [29] [30]

Discography

Phon (2003) - Scrap Arts Music’s first album, with nine original tracks.

Videography

ReVision (2011) - ReVision features the art of Pacific Northwest artists such as Ross Palmer Beecher, Marita Dingus, and Scrap Arts Music who create music, sculpture, fashion, street, and mixed media art using re-purposed, found, or salvaged materials. The medium used by these artists has an environmental message about consumption and waste issues. ReVision is a consideration of the issues recycled artists face in trying to get their messages out in a traditional art world. [31] [ better source needed ]

See also

Related Research Articles

Steve Reich American composer

Stephen Michael Reich is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. His compositional style reflects his explicit rejection of Western classical traditions, serialism, and indeterminacy, because, unlike these traditions, he sought to create music in which the compositional process was discernible in the music itself. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener. His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). The 1978 recording Music for 18 Musicians would help entrench minimalism as a movement. Reich's work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988).

Music of Malaysia

Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.

Evelyn Glennie Scottish percussionist

Dame Evelyn Elizabeth Ann Glennie, is a Scottish percussionist. She was selected as one of the two laureates for the Polar Music Prize of 2015.

Ben Neill American classical composer

Ben Neill is an American composer, trumpeter, producer, and educator. He is the inventor of the "Mutantrumpet", a hybrid electro-acoustic instrument.

Beatboxing is a form of vocal percussion primarily involving the art of mimicking drum machines, using one's mouth, lips, tongue, and voice. It may also involve vocal imitation of turntablism, and other musical instruments. Beatboxing today is connected with hip-hop culture, often referred to as "the fifth element" of hip-hop, although it is not limited to hip-hop music. The term "beatboxing" is sometimes used to refer to vocal percussion in general.

Indoor percussion ensemble

An indoor percussion ensemble or indoor drumline is type of marching ensemble consisting of the battery and front ensemble instruments. It differs itself from a traditional percussion ensemble by not only on musical performance, but on theatrics and marching. Although most indoor percussion ensembles are affiliated with high schools, there are also many independent groups that draw participants from a large area and are independently funded. Independent groups typically start rehearsing in October, while high school groups typically start after their fall marching band season ends. Because of this, the activity is often called winter percussion or winterline.

Trimpin

Trimpin is a German born kinetic sculptor, sound artist, and musician currently living in Seattle and Tieton, Washington.

University of Michigan School of Music, Theatre & Dance

The University of Michigan School of Music, Theatre & Dance is an undergraduate and graduate institution for the performing arts in the United States. It is part of the University of Michigan at Ann Arbor. The school was founded by Calvin Brainerd Cady in 1880 as the Ann Arbor School of Music, and it was later incorporated into the University of Michigan with Cady joining the faculty.

Newband is a contemporary music ensemble devoted to the performance of microtonal music. The group was founded in 1977 by musicians Stefani Starin and Dean Drummond. As a youth, Drummond performed with maverick composer Harry Partch in a unique ensemble of microtonal instruments that Partch designed and built himself; Drummond performed in the premieres of Partch’s Daphne of the Dunes, And on the Seventh Day Petals Fell in Petaluma, and Delusion of the Fury, as well as on both Partch Columbia Masterworks recordings made during the late 1960s.

Tod Machover American classical composer

Tod Machover, is a composer and an innovator in the application of technology in music. He is the son of Wilma Machover, a pianist and Carl Machover, a computer scientist.

Jon Rose Musical artist

Jonathan Anthony Rose is an Australian violinist, composer, and multimedia artist. Rose's work is centered in the experimental music known as free improvisation, where he has created large environmental multimedia works, built experimental musical instruments, and improvised violin concertos with accompanying orchestra. He has been described by Tony Mitchell as "undoubtedly the most exploratory, imaginative and iconoclastic violin player who has lived in Australia".

Damien Ricketson is an Australian composer of contemporary classical music. He is best known for his innovative compositional practice and in his capacity as the co-founder and co-artistic director of Ensemble Offspring. He is currently a lecturer and program leader in composition at the Sydney Conservatorium of Music, of which he is also an alumnus.

Experimental musical instrument Musical instrument that modifies an existing class of instruments

An experimental musical instrument is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked drum cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components.

Schulich School of Music

The Schulich School of Music is one of the constituent faculties of McGill University in Montréal, Canada. The faculty was named after benefactor Seymour Schulich.

Charles Matthew Egerton Hazlewood is a British conductor. After winning the European Broadcasting Union conducting competition in 1995 whilst still in his twenties, Hazlewood has had a career as an international conductor, music director of film and theatre, composer and a curator of music on British radio and television, Motivational Speaker and founder of Paraorchestra – the world's first integrated ensemble of disabled and non-disabled musicians. He was a guest on BBC Radio 4's Desert Island Discs in May 2019 and became Sky Arts' Ambassador for Music in January 2021.

Third Coast Percussion is a Grammy Award-winning American percussion ensemble, based in Chicago, Illinois, United States.

Lucia Dlugoszewski was a Polish-American composer, poet, choreographer, performer, and inventor. She created over a hundred musical instruments, including the timbre piano, a sort of prepared piano in which hammers and keys were replaced with bows and plectra.

Kathryn Ladano is a bass clarinet player from Kitchener, Ontario Canada. She has recorded four albums and has performed across Canada and internationally. Her first solo album, Open, was released in August 2010. She subsequently released the album "...listen" with her bass clarinet/percussion duo, Stealth, in 2015.

Javier Álvarez (composer) Mexican composer (born 1956)

Javier Álvarez Fuentes is a Mexican composer who is known for creating works that combine a variety of international musical styles and traditions, and that often utilize unusual instruments and new music technologies. Álvarez is one of the best-known Mexican composers of his generation, and many of the works in his prolific oeuvre combine music technology with diverse instruments and influences from all around the world.

The Recycled Orchestra of Cateura, also known as the Recycled Orchestra, is an orchestra composed of children from Asunción, Paraguay who play musical instruments made from scrap materials collected from Asunción's Cateura landfill. Formed in 2012, the orchestra has performed internationally with Stevie Wonder and the American heavy-metal bands Metallica and Megadeth.

References

  1. Sayej, Nadja (May 9, 2014). "Scrap Arts Builds Instruments out of Condo Scraps". Noisey. Retrieved February 9, 2018.
  2. Armstrong, Gene (April 30, 2005). "Bang on This: Scrap Arts Music brings in the noise, brings in the 'Phonk!'". tucsonweekly.com. Retrieved March 29, 2007.
  3. Johnson, Brent (March 17, 2015). "Scrap Arts Music: High-Impact Troupe Brings One-of-a-Kind Experience to State Theatre". Jersey Arts. Retrieved January 13, 2018.
  4. Noah Buchan “Canadian Artists Play That “Junky” Music”, Taipei Times August 2008.
  5. Board of Directors, Greater Vancouver Regional District (1996). "1996%20Livable%20Region%20Strategic%20Plan%2C“ "Livable Region Strategic Plan" (PDF). Metro Vancouver. Retrieved February 12, 2018.
  6. Sayej, Nadja (May 9, 2014). "Scrap Arts Builds Instruments out of Condo Scraps". Noisey. Retrieved February 9, 2018.
  7. Callon, Cheryl (November 26, 2013). "The Object is Music". Theater Jones Reviews. Retrieved December 15, 2017.
  8. Dunham, Mike (April 28, 2016). "The Object is Music". Anchorage Daily News. Retrieved September 28, 2016.
  9. Dawnell Smith (February 2006). "Music: Group Finds Beauty in Trash" (PDF). Anchorage Daily News .
  10. Burns, Corinna (September 2002). "5-4-3-2-1 Scrap Arts Are Go! Phon Tour Opens Tonight" (PDF). Philly Fringe.
  11. "Phon CD". All Music. 2002. Retrieved September 15, 2017.
  12. Smith, Jodi (2002). "2002 West Coast Music Awards!". Vancouver Jazz. Retrieved February 3, 2018.
  13. Nemerofsky, Gwenda (January 30, 2009). "Odes to Joy". Winnipeg Free Press. Retrieved January 12, 2018.
  14. Holly Harris “Unusual Requiem wraps up Festival”, “Winnipeg Free Press,” February 2009.
  15. "Series45 – Scrap Art Music". West Vancouver Schools. February 16, 2016. Retrieved January 3, 2018.
  16. Thomas, Megan (October 12, 2016). "Scrap Music Ensemble Finds New Inspiration in Victoria". CBC News. Retrieved December 16, 2017.
  17. "Scrap Arts Music".
  18. "Scrap Arts Music". Overture. 2018. Retrieved February 23, 2018.
  19. Van Gelder, Lawrence (February 1998). "THEATER REVIEW: Belly Like Buddha, Spine Like Dinosaur" (PDF). The New York Times . Retrieved March 6, 2018.
  20. Michael, Benner (September 2004). "Scrap Arts Music Company" (PDF). ISU Bengal. Retrieved March 6, 2018.
  21. Pitcher, John (January 2010). "ScrapArtsMusic Delivers Strange, Beautiful Show" (PDF). Omaha World-Herald . Retrieved March 6, 2018.
  22. "Scrap Arts Music". artssa.org. ARTS San Antonio. March 25, 2017. Retrieved December 6, 2017.
  23. Stricker, Julie (April 20, 2016). "Scrap Arts Music turns everyday junk into musical masterpieces". Daily News-Minor. Retrieved December 30, 2017.
  24. Lin, J (March 12, 2015). "SCRAP ARTS MUSIC AT THE EDISON". Culture Mama. Retrieved December 8, 2017.
  25. Cruger, Roberta (January 3, 2010). "Scrap Arts Rocks: Bang a (Recycled) Gong, Get it On". Tree Hugger. Retrieved March 1, 2018.
  26. Leonard Pugh “Neil Johnstone’s Festival Notebook: Scrap Arts Music”, The Belfast Telegraph , November 2002.
  27. Seto, Chris (January 20, 2018). "Guelph musician building confidence and community by the bucket". Guelph Mercury Tribune. Retrieved January 23, 2018.
  28. Berg, Chuck (2003). "Review -- Scrap Arts Music: Recycling pays musical dividends" (PDF). The Topeka Capital-Journal. Retrieved January 17, 2018.
  29. "Guelph musician building confidence and community by the bucket". Fairbanks Concert Association. April 23, 2016. Retrieved February 22, 2018.
  30. Fitzgerald, Natelle (October 14, 2014). "Scrap Arts visits the Revelstoke Performing Arts Centre". Guelph Mercury Tribune. Retrieved December 2, 2017.
  31. "ReVision". IMDB. 2011. Retrieved December 28, 2017.