Secession was an American expatriate little magazine edited by Gorham Munson, Matthew Josephson, and Kenneth Burke. During its two-year, eight issue run, Secession managed to further the careers of writers like Waldo Frank, Slater Brown, Robert Coates, E. E. Cummings, Marianne Moore, Wallace Stevens, Hart Crane, and William Carlos Williams, among others. Printed in cities like Vienna, Berlin, Reutte, and Brooklyn, New York, Secession is considered an exile magazine, and has been called the “liveliest” of the little magazines published abroad. [1] In his article “The Interstice between Scylla and Charybdis,” Munson distinguished Secession from little magazines like The Little Review and Broom, and stated that the goal for his magazine is to be “neither a personal nor an anthological magazine, but to be a group organ. [Secession] will make group-exclusions, found itself on a group basis, point itself in a group-direction, and derive its stability and correctiveness from a group.” [2] The pieces published in this magazine certainly demonstrated creative energy, but the strained relationship between Secession’s editors also contributed to the magazine's spirited image.
In 1922, Munson, who was greatly influenced by Malcolm Cowley's essay “This Youngest Generation,” [3] desired to launch a little magazine. It was around this time that Munson met Matthew Josephson and Malcolm Cowley, and together, they formed Secession, a little magazine that would help the Younger Generation of writers “secede” from the Middle Generation; Munson supplied the funds, Josephson the literary connection, and Cowley the intellectual stimulus. [4] Taking advantage of the favorable, post- World War I exchange rate between the American dollar and European currency, Munson printed the first issue of Secession (Spring 1922) in Vienna for under $20. [5] In this issue, Munson stated that “beyond a two-year span, observation shows, the vitality of most reviews is lowered and their contribution, accomplished, becomes repetitious and unnecessary. Secession will take care to avoid morbidity.”
After the magazine's second issue, Munson decided to return to America, and selected Josephson to handle Secession’s European affairs as his official coeditor, and Kenneth Burke joined the team as the magazine’s third editor effective its fourth issue “in order that any disagreement might be settled by vote.” The third issue's costs were still low, costing approximately $25 to print. The 32 page Secession, which “never sold over 150 copies (though about 320 were distributed gratis)” managed to “stir up controversy,” and reviews for the magazine appeared in publications like The Dial , The Little Review, The New York Times , and The Criterion.
Munson's review was successful thus far, but the contents of the fourth issue, edited by Munson, Josephson, and Burke, would act as the instigator of a well-known literary feud. Josephson, perturbed that Burke and Munson outvoted him, took it upon himself to condense one of Richard Ashton's greatest poems, which he objected to publishing, from about one hundred lines down to three. This action deeply angered Munson, and their feud caused Josephson to resign from his post and join the Broom camp. After the fallout, Secession was not published again for several months, but in the meantime, Munson and Burke spread stories to their contemporaries that Josephson “was an intellectual fakir." [6] The magazine's sixth issue also saw editorial squabbling, this time between Munson and John Brooks Wheelwright. Wheelwright oversaw the printing of this issue in Florence, and radically altered Hart Crane's poem “For the Marriage of Faustus and Helen,” which greatly angered Munson. [7] The poem was reprinted in Secession no. 7, which Munson edited himself, as the version originally written by Crane.
Munson edited Secession’s last two issues himself, and in April 1924, the magazine ended in accordance with his prophetic statement in Secession no. 1. Although Secession did not introduce any new writers, it did “reinforce and strengthen the rebel fight against the sentimental genteel tradition." [8]
Harold Hart Crane was an American poet. Inspired by T. S. Eliot, Crane wrote highly stylized modernist poetry. In his first and only long poem, The Bridge, Crane tried to write an epic poem in the style of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has been praised by playwrights, poets, and literary critics.
Malcolm Cowley was an American writer, editor, historian, poet, and literary critic. His best known works include his first book of poetry, Blue Juniata (1929), and his memoir, Exile's Return, written as a chronicler and fellow traveller of the Lost Generation and an influential editor and talent scout at Viking Press.
Kenneth Duva Burke was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. As a literary theorist, Burke was best known for his analyses based on the nature of knowledge. Further, he was one of the first individuals to stray from more traditional rhetoric and view literature as "symbolic action."
transition was an experimental literary journal that featured surrealist, expressionist, and Dada art and artists. It was founded in 1927 by Maria McDonald and her husband Eugene Jolas and published in Paris. They were later assisted by editors Elliot Paul, Robert Sage, and James Johnson Sweeney.
A literary magazine is a periodical devoted to literature in a broad sense. Literary magazines usually publish short stories, poetry, and essays, along with literary criticism, book reviews, biographical profiles of authors, interviews and letters. Literary magazines are often called literary journals, or little magazines, terms intended to contrast them with larger, commercial magazines.
The Kenyon Review is a literary magazine based in Gambier, Ohio, US, home of Kenyon College. The Review was founded in 1939 by John Crowe Ransom, critic and professor of English at Kenyon College, who served as its editor until 1959. The Review has published early works by generations of important writers, including Robert Penn Warren, Ford Madox Ford, Robert Lowell, Delmore Schwartz, Flannery O'Connor, Boris Pasternak, Bertolt Brecht, Peter Taylor, Dylan Thomas, Anthony Hecht, Maya Angelou, Rita Dove, Derek Walcott, Thomas Pynchon, Don Delillo, Woody Allen, Louise Erdrich, William Empson, Linda Gregg, Mark Van Doren, Kenneth Burke, and Ha Jin.
The Dial was an American magazine published intermittently from 1840 to 1929. In its first form, from 1840 to 1844, it served as the chief publication of the Transcendentalists. From the 1880s to 1919 it was revived as a political review and literary criticism magazine. From 1920 to 1929 it was an influential outlet for modernist literature in English.
The Harvard Advocate, the art and literary magazine of Harvard College, is the oldest continuously published college art and literary magazine in the United States. The magazine was founded by Charles S. Gage and William G. Peckham in 1866 and, except for a hiatus during the last years of World War II, has published continuously since then. In 1916, The New York Times published a commemoration of the Advocate's fiftieth anniversary. Fifty years after that, Donald Hall wrote in The New York Times Book Review that "In the world of the college – where every generation is born, grows old and dies in four years – it is rare for an institution to survive a decade, much less a century. Yet the Harvard Advocate, the venerable undergraduate literary magazine, celebrated its centennial this month." Its current offices are a two-story wood-frame house at 21 South Street, near Harvard Square and the University campus.
Harold Albert Loeb was an American writer, notable as an important American figure in the arts among expatriates in Paris in the 1920s. In 1921 he was the founding editor of Broom, an international literary and art magazine, which was first published in New York City before he moved the venture to Europe. Loeb published two novels while living in Paris in the 1920s, and additional works after returning to New York in 1929.
Alfred Francis Kreymborg was an American poet, novelist, playwright, literary editor and anthologist.
Matthew Josephson was an American journalist and author of works on nineteenth-century French literature and American political and business history of the late 19th and early 20th centuries. Josephson popularized the term "robber baron".
Gorham Bockhaven Munson was an American literary critic.
Roanoke Review is an American literary journal based at Roanoke College in Salem, Virginia. It was founded in 1967 by Henry Taylor and Edward A. Tedeschi. Among the journal's original contributors were Malcolm Cowley, Lee Smith, and R.H.W. Dillard. Robert Walter edited the Review until 2001. Paul Hanstedt took over the Review after Dr. Walter's retirement, and has edited it since. Starting in 2015, the Review became a digital-only journal, featuring stories, poems, nonfiction essays, interviews, art, and podcasts.
The New English Weekly was a leading British review of "Public Affairs, Literature and the Arts."
Frederick Wilcox Dupee was a distinguished American literary critic, essayist for Partisan Review and The New York Review of Books, and professor of English at Columbia University. He evolved from radical Marxist penning political essays to highly respected literary critic.
Contempo, A Review of Books and Personalities was a "literary and social commentary" published by Milton A. Abernethy and Anthony Buttitta at Chapel Hill, North Carolina from 1931 to 1934. Though less well-known than some of its contemporaries, Contempo fits into the tradition of the "Little Magazine," a group of elite literary magazines pervasive in the first decades of the twentieth century.
Broom: An International Magazine of the Arts was a little magazine founded by Harold Loeb and Alfred Kreymborg and published from November 1921 to January 1924. Initially, the magazine was printed in Europe, first in Rome and then in Berlin, with the intention of bringing new, avant-garde art back to the U.S.
The Broken Tower is a 2011 American biographical drama film directed, written, produced, edited by and starring James Franco. The film was made by Franco as his master's thesis for his MFA in filmmaking from New York University. The film is about American poet Hart Crane. Franco appears in the starring role as Crane along with Michael Shannon as one of Crane's lovers. The Broken Tower made its world premiere in April 2011 at Boston College. It was shown at the 2011 Los Angeles Film Festival (LAFF) in June 2011. It was released to theatres in the United States on April 27, 2012, and released on DVD in 2012. The film includes the recitation by Franco of several of Crane's poems both as voice-over additions to the film, as well as actual readings of several poems rendered by Franco as portraying Crane himself.
S4N was an American "little magazine" that was published from 1919–1925 in Northampton, Massachusetts. In its earliest stages, editor-in-chief Norman Fitts described the magazine as a "discussion of the arts in a monthly magazine". The magazine published contemporary poetry and stories, as well as essays discussing the direction of Modernism in art and music. Among the notable poets, writers and literary theorists that were published in the magazine were Elsa Gidlow, E.E. Cummings, Hart Crane, Kenneth Burke, and Malcolm Cowley. In The Little Magazine: A History and Bibliography, Frederick J. Hoffman's authoritative work on little magazines, contends that S4N, along with Broom, Secession, and Seven Arts, were trend-setters and leaders of innovation.
Ramon Guthrie was a poet, novelist, essayist, critic, painter and professor of French and comparative literature. He published five collections of poetry, and two novels, translated three volumes of French nonfiction, edited two standard anthologies of French literature and published numerous reviews, essays and individual poems.