Salsa music is a style of Latin American music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on Son montuno, with elements of Guaracha, Cha cha cha, Guaguancó, Danzón, Bolero, Changüí, Charanga, Columbia, Guajira, Songo, Timba, Pachanga, Tumbao, Rumba, Yambú, mambo, Latin jazz, bomba and plena. All of these elements are adapted to fit the basic Son montuno template when performed within the context of salsa.
Fania Records is a New York–based record label founded by Dominican-born composer and bandleader Johnny Pacheco and his American lawyer Jerry Masucci in 1964. The label took its name from a popular luncheonette frequented by musicians in Havana, Cuba that Masucci frequented when he worked for a public relations firm there during the pre-Castro era. Fania is known for its promotion of salsa music.
Boogaloo or bugalú is a genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly among teenage African Americans and stateside Puerto Ricans. The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The American Bandstand television program introduced the dance and the music to the mainstream American audience. Pete Rodríguez's "I Like It like That" was a famous boogaloo song.
Héctor Juan Pérez Martínez, better known as Héctor Lavoe, was a Puerto Rican salsa singer. Lavoe is considered to be possibly the best and most important singer and interpreter in the history of salsa music because he helped to establish the popularity of this musical genre in the decades of 1960s, 1970s and 1980s. His personality, style and the qualities of his voice led him to a successful artistic career in the whole field of Latin music and salsa during the 1970s and 1980s. The cleanness and brightness of his voice, coupled with impeccable diction and the ability to sing long and fast phrases with total naturalness, made him one of the favorite singers of the Latin public.
Raymundo "Ray" Barretto Pagán was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga, Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.
Roberto Roena Vázquez was a Puerto Rican salsa music percussionist, orchestra leader, and dancer. Roena was one of the original members of Cortijo y su combo and later with El Gran Combo de Puerto Rico. He later became the leader of his own band, "Roberto Roena y Su Apollo Sound", widely considered one of the best Latin salsa bands in Puerto Rico. Roena had also been a long-time member of the Fania All Stars, a salsa supergroup that has enjoyed worldwide success since the 1970s.
Salvador "Sal" Cuevas was an American salsa bassist known for his association with the Fania All-Stars from 1978 to 1985. Although he also played the upright bass, he was one of the most popular electric bassists in the New York salsa scene, often playing in a funk style. "He was the first to bring the slaps and funk style that he learned from R&B, Funk, and Jazz music, into Salsa music."
The Fania All-Stars is a musical group formed in 1968 as a showcase for the musicians on Fania Records, the leading salsa music record label of the time.
Larry Harlow Kahn was an American salsa music pianist, performer, composer, band leader and producer. He was born into a musical American family of Jewish descent.
Juan Pablo Knipping Pacheco, known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer. Born in the Dominican Republic, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s as the founder and musical director of Fania Records.
Alfredo Manuel De La Fé is a Cuban-born and New York–based violinist who lived in Colombia for more than 16 years and is responsible for adapting the violin to Colombian traditional dance music creating innovative Salsa and Latin American music. The first solo violinist to perform with a Salsa orchestra, De La Fé has toured the world more than thirty times, appearing in concert and participating in over 100 albums by top Latin artists, including Eddie Palmieri, Tito Puente, Celia Cruz, José Alberto "El Canario", Cheo Feliciano, The Fania All-Stars, and Santana and Larry Harlow. His second solo album entitled Alfredo released in 1979 was a Grammy nominee for "Best Latin album".
Barron W. "Barry" Rogers was an American jazz and salsa trombonist.
Adalberto Santiago is an internationally known salsa singer.
While the Dominican Republic is known for shaping merengue and bachata music, its musicians have also melded these influences into the early development of salsa music amongst the Latin community of New York City in the early 1960s. A major development in those initial days of salsa occurred when Johnny Pacheco, a Dominican-born musician living in New York City, teamed with partner Jerry Masucci to create Fania Records in 1964. They started selling records from the trunk of cars on the streets of Spanish Harlem, signing up young artists, creating new sounds, and eventually having hit records. Over the next 15 years, Fania Records helped define the sound, culture, and language associated with the salsa genre, a musical movement that arose partly from the unavailability in the United States of music produced in Cuba.
Harvey Averne has been described as "one of several prominent Jewish Americans in New York's bustling Latin music scene."
Nicky Marrero is an American Latin jazz percussionist, best known as the timbale player in The Fania Allstars and as a recording artist during the 1970s salsa boom in New York.
This article includes an overview of the major events and trends in Latin music in the 1970s, namely in Ibero-America. This includes recordings, festivals, award ceremonies, births and deaths of Latin music artists, and the advancement and adjournment of the genre from 1970 to 1979.
Edwin "Eddie" Montalvo is an American percussionist and bandleader of Puerto Rican descent. Born and raised in the Bronx, he best known for playing the Congas for Hector Lavoe, Rubén Blades as well as with the Fania All-Stars.
Jon Fausty was an American multiple Grammy Award-winning sound and recording engineer best known for his work on some of the most successful Latin albums ever recorded.
Juan “Juancito” Torres Velez also known as "La Trompeta Nacional De Puerto Rico" was a Puerto Rican salsa and jazz trumpet player, composer, arranger, producer and musical director best known for his association with the Fania All-Stars from 1979 to 1985. He was known as a great soloist, specializing in upper register.
