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Shina may refer to:
The music of Nigeria includes many kinds of folk and popular music. Little of the country's music history prior to European contact has been preserved, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The country's most internationally renowned genres are Indigenous, Apala, Aurrebbe music, Rara music, Were music, Ogene, Fuji, Jùjú, Afrobeat, Afrobeats, Igbo highlife, Afro-juju, Waka, Igbo rap, Gospel,Nigerian pop and Yo-pop. Styles of folk music are related to the over 250 ethnic groups in the country, each with their own techniques, instruments, and songs. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is often functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the planting season.
Chief Sunday Adeniyi Adegeye, known professionally as King Sunny Adé, is a Nigerian jùjú singer, songwriter, and multi-instrumentalist. He is regarded as one of the first African pop musicians to gain international success and has been called one of the most influential musicians of all time.
Fújì is a genre of Yoruba popular music that emerged in Nigeria in the 1960s. It evolved from the improvisational wéré music also known as ajísari (meaning "waking up for sari", performed to awaken Muslims before dawn during the fasting season of Ramadan. Fuji music was named after the Japanese stratovolcano-mountain, Mount Fuji by Alhaji Sikiru Ayinde Barrister. It features energetic beats, diverse Yoruba rhythms, and call-and-response vocals. Fuji's influence extends into contemporary music, with its hooks and rhythms frequently appearing in Nigerian hip hop.
Jùjú is a style of Yoruba popular music, derived from traditional Yoruba percussion. The name juju from the Yoruba word "juju" or "jiju" meaning "throwing" or "something being thrown". Juju music did not derive its name from juju, which is a form of magic and the use of magic objects, common in West Africa, Haiti, Cuba and other Caribbean and South American nations. It evolved in the 1900s in urban clubs across the countries, and was believed to have been created by Ababababaa Babatunde King, popularly known as Tunde King. The first jùjú recordings were by King and Ojoge Daniel in the 1920s, when King pioneered it. The lead and predominant instrument of jùjú is the gagan, talking drum.
Yo-pop is a style of Nigerian popular music, popularized in the 1980s by Segun Adewale. The style did not remain popular for long and was replaced by afro-pop towards the end of the 1980s. It was influenced by juju music.
The Egba people are a subgroup of the Yoruba people, an ethnic group of western Nigeria, a majority of whom are from the central part of Ogun State, that is Ogun Central Senatorial District.
Juju Music is the 1982 major label debut of Nigerian jùjú band King Sunny Adé and His African Beats. It was produced by keyboard player Martin Meissonnier, who introduced synthesizers and Linn drums into Adé's established juju sound. It represented the first worldwide release for Adé, who was already established in his native Nigeria as its "biggest musical draw and juju music's reigning monarch". The album was a critical and commercial success, peaking at #111 on Billboard's "Pop Albums" chart.
Synchro System is a 1983 album by Nigerian jùjú band King Sunny Adé and His African Beats. It was the second of King Sunny Adé's three releases for Island Records, following on the heels of 1982's crossover success Juju Music. The title track is a re-recording of Adé's 1974 Nigerian hit of the same name.
Tunde King, was a Nigerian musician credited as the founder of Jùjú music. He had a great influence on Nigerian popular music.
General Prince Adekunle (1942-2017) was a Nigerian Jùjú musician. Born 22 October 1942, Adekunle was of Egba origin, from Abeokuta in Ogun State. Adekunle was a major innovator and force in the jùjú music scene, with his distinctive driving Afrobeat style. Famous musicians such as Sir Shina Peters and Segun Adewale started their careers playing with his band, the Western Brothers. Although he toured in England in the early 1970s, he did not become well known outside Nigeria.
Omoba Benjamin Aderounmu, popularly known as Kokoro, was a blind minstrel from Lagos, Nigeria. He was born into a royal family in Owo, Ondo State, and became blind when he was aged ten. He developed a unique style of singing accompanied first by a drum, later by a tambourine. He moved to Lagos in 1947, where he became exposed to major local musicians such as Ayinde Bakare, Bobby Benson and Victor Olaiya. In the 1960s and 1970s he featured regularly on Federal and local radio stations, and was widely respected for the depth and wisdom of his lyrics.
Sir Shina Peters is a Nigerian Jùjú musician.
Clarence Abiodun Peters is a Nigerian music video director, filmmaker and cinematographer. He is the founder and CEO of CAPital Dream Pictures, a production company that specializes in performing arts, film and video. He is also the founder and CEO of Capital Hill Records, a record label that was home to Chidinma, Tha Suspect and Illbliss. He was ranked 2nd on Channel O's list of the Top 10 Most Visionary Music Video Directors.
Olayiwola Olabanji Kokumo, better known as Koker, is a Nigerian afro-pop singer, songwriter and performing artists. He currently has a record deal with Chocolate City.
Segun Bucknor was a Nigerian musician and journalist active during the 1960s and 1970s. He was a pianist and guitarist specializing in genres ranging from soul music to pop music and to funk. Through their brief career, Segun Bucknor and the Assembly released a variety of music dealing with Nigerian culture or political influence which was described by the BBC as an "interesting slice of Nigerian pop music history and culture".
Olaolu Akintobi popularly known as Laolu Akins, is a Nigerian music producer who has worked with artists such as Shina Peters, Onyeka Onwenu, Adewale Ayuba, Mike Okri and Christy Essien-Igbokwe. He was the producer of Shina Peter's Ace and Shinamania "Dancing Time" " Experience" albums and Adewale Ayuba's Bubble "Play For Me" and several other albums as well as being the supervising producer of the maiden recording of P-Square titled "Where were you last night".
Tunde Alabi-Hundeyin is a Nigerian television and film producer, director and screenwriter. He is the founder/CEO of Dudu Productions, the television production company which produced the first commercial music video in Nigeria. He has since produced a number of Nigerian music acts, including Sir Shina Peters, Sonny Okosun, Majek Fashek, Onyeka Onwenu and K1 De Ultimate. He produced and directed box office hits like Iyawo Alhaji and Ami Orun, including Ireke Onibudo, which predates Nigeria's Nollywood.
References
- 1 2 "African Music Encyclopedia". Archived from the original on 2009-07-25. Retrieved 2009-08-11.
- ↑ "Nigerian Music: 1980s and '90s". OnlineNigeria. Archived from the original on 2009-10-29. Retrieved 2009-11-02.
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